Fashion Dress in The Present: Search results for Designer Fashion Dresses Australia
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Showing posts sorted by relevance for query Designer Fashion Dresses Australia. Sort by date Show all posts
Showing posts sorted by relevance for query Designer Fashion Dresses Australia. Sort by date Show all posts

RECAP - FANTASTIC FASHFEST

FASHFEST promised excitement and a feast for the eyes, and boy did it deliver! Remember how I said I would need sunglasses as this would be Canberra's opportunity to blind me? Well they did. It’s a total fashion experience, from the moment I took my prime runway seat, until I enjoyed my last sip of champagne at the after party, it was pure enjoyment that I consumed with absolute pleasure. 
FASHEFEST 2017 REVIEW


Imagine a Meerkat standing up, that was me as I watched the bevy of models head down the catwalk. FASHFEST was full of surprises and that is what fashion is.


It is great to see the support to the artists in so many fields from music, lighting, building, designers, make up and hair artists as well as models and designers, providing them with a stepping stone to national and ever-growing global fashion market. We are so lucky to have an event like this in Australia that showcases local and interstate and New Zealand designers, models, hair and make up artists and the industry. 


After the disappointment that was Melbourne Fashion Week only a few weeks ago, I was feeling a little deflated but after 3 days in Canberra I feel that my faith has been restored in Australian fashion and what can happen when you have a group of dedicated and passionate people work together to achieve a common goal. 

CANBERRA
Image: GFASHCOLLECTIVE


Once I stepped off the plane at Canberra airport with suitcase in tow, I promptly embraced Canberra by meeting with Karen Lee from Karen Lee Designs  learning about her love of all things black. Whilst I was at Assemblage Project in it's wonderful retail come studio space in the heart of Canberra, I was lucky enough to have a sneak peak at what would be showcased on the runway and see a fitting occur. The space is completely open with no hidden back rooms, exposing an all in one transparent design process. 

BEST FASHION ON DISPLAY IN CANBERRA
Image: GFASHCOLLECTIVE

From touring backstage and meeting with models, taking a seat besides the directors chair watching the wonderful hair and make up teams work and the creative process and nurturing environment was extraordinary. It was a pleasure to feed off the electric energy that I witnessed backstage that then surged onto the catwalk at National Convention Centre Canberra.
AUSTRALIAN FASHION DESIGNERS 2017
Image: GFASHCOLLECTIVE


As the morning rose on day 2 I had a meet and greet with Clint Hutchinson and was keen to learn more about how he and his lovely wife Andrea took the leap into the fashion arena and created FASHFEST. It was a pleasure meeting Clint and hearing many stories that I was so enthralled I forgot to write things down. Our conversation turned to Braddon Tailors and led to discussions about their bespoke formal and dapperly delicious suits, and everything in between. Not just for the gents. I was like a trend pig in heaven when I was shown a purple velvet men't suit! You can see the passion for customer service with small details such as personalised embroidery and over 2000 fabrics to choose from!

Over the course of three days I watched endless models parade some of the most colourful and innovative fashion that I have seen on the catwalks in Australia in a very long time. I chatted with beautiful faces of the festival who strutted down the white catwalk and had the opportunity to even be tutored about how to master the perfect catwalk bounce as you walk the 30 metres down the runway. There is some bright fresh faced young models who I will be watching very closely. 
FASHFEST BETTER THAN MFW
Image: GFASHCOLLECTIVE

It is always a pleasure seeing designers display their latest creations down the catwalk and many of these collections gave me a spine tingling experience. Onto some of my personal favourites:


Students are always a favourite of mine as the next wave of up and commers throw caution to the wind. The menswear within both of CIT shows was so refreshing and elaborate and cannot wait to see where some of these designers head after completing their studies. 
Image: GFASHCOLLECTIVE



The uplifting spectacle that blew me away and made me stop breathing. This showcase had everything! Sequins, more sequins, high waists, it was an army of ultra feminine that could easily be in a Beyonce film clip. it was FASHUUUUNNN!
Image: GFASHCOLLECTIVE


Glamorous and sultry dresses and pant suits in vibrant hues that showcase a woman's body. Keep an eye on this young designer, her attention to detail and construction is phenomenal and she uses colour is a fun fresh way. 


Comprising of designs ready for the consumer, personally I found the creative aesthetic to be Westwood like. Karen's designs do not follow current trends and what is in season and the strong display of black keeps everything chic and focuses on quality fabrics.



Designs that expressed diversity for the kiddies. There was some great pieces in this collection including a velvet mandarin collared blazer that I wish came in adult size. 



Clothes that had been executed to the highest standards with such fun prints that had been designed by Yumi Morrissey. I adore my colour and Yumi delivered an outstanding colourful collection that is just in time for Spring/Summer. 

Characteristics of European design and sculptural quality, it was refreshing to see uplifting colours and fabrics used in suiting for both men and women. There was so many pieces I was squealing internally for with their individuality and strong details.
FASHION SHOWS AUSTRALIA
Image: GFASHCOLLECTIVE

Meeting industry experts and hearing their inspiring stories and them answering many a burning question I had, was a true highlight of the 3 days. There is an abundance of knowledge in this country, a level of skill and a willingness to collaborate and share information that flowed throughout the festival. 

Image: GFASHCOLLECTIVE

I have quickly come to the conclusion that there is no better stage or in this case, catwalk, to showcase so many wonderful emerging Australian talents. FASHSFEST promised and delivered the program, bridging the worlds between fashion, art and music. I returned home and marked FASHFEST on my fashion calendar for next year in bright texta and you should do the same.

SASHES AND TIARAS.....Miss World 2015 "World Fashion Designer Dress" Part Two: My Choices for Good and Cray-Cray!




Can You Guess Which The Good and Which are The Cray-Cray?--Miss World 2015 "World Fashion Designer Dress" event--Miss World 2015 Sanya China

All photos courtesy of MissWorld.com



In my last post HERE, I discussed the announcement of the Top Ten (according to the Miss World Organization) Designer Dresses in the Miss World 2015 "World Fashion Designer Dress" event. I was skeptical and slightly questionable of the choices so...I decided--after looking at all the designs--to give MY Top Choices that should have been there. Because it is the "Miss World" pageant and this is the "World Fashion Designer Dress" event, there's always a bit of Cray-Cray and Oh Dear! creations. So, in addition to my choices for good, I've also added some of the Cray-Cray. Let's get started:



The Good:



Honduras Gabriela Salazar: I thought this was one of the best gowns from the "World Fashion Designer Dress" event/competition. I loved the fit and the length was just right (no sight of platform heels! Yeayyy!). I also liked the sequined red criss-cross details layered over the black colored gown base. The design was impacting and gave a slight nod to the red color in China being such an important color in that nation--which is hosting this year's Miss World.





China PR Yuan Lu: Speaking of China, the host nation's representative, Yuan Lu, wore this wonderful navy blue with green sequin detail strapless mermaid style gown. I loved the draped petal-like flourish in the front and the dress was dramatic in a great red carpet way.





Venezuela Anyela Galante: Anyela wore this violet blue knit gown featuring long sleeves, a raised mock-neck and thousands of glittering sequins. The design was simple and arguably, not so directional or Haute Couture-like exciting but I loved the heavy-to-light effect of the sequins, reminding me of a midnight sky with falling stars. I also liked her slicked back hairstyling.





Philippines Hillarie Parungao: Hillarie's gown choice (just like Venezuela's) may not have been so "exciting' in terms of design but I thought it was beautiful. The pink fit-to-flare style featured silver sequined applique leaf-like scrolls as well as straight-line crystals on the diagonal throughout the body of the dress. Feminine, delicate, and very, very pretty.





South Sudan Ajaa Monchol: Ajaa looked like an actress on the Cannes Film Festival red carpet in this black chiffon with sequin applique gown. The style was elegant, had enough interest with the detail and made the over six foot tall beauty look almost regal.





Malta Katrina Pavia: I loved Katrina's one shoulder gown. How this didn't make the actual Miss World Organization's/Judge's Top ten is beyond me. It reminded me of a glorious Indian sari as well as an updated version of something we would have seen Elizabeth Taylor wear to a gala or awards show in the 60's or early 70's. The sequined embroidery looked well done.





Guam Aria Perez Thiesen: One word--WOW! One normally wouldn't expect a representative from Guam (sorry Guam!) to 'bring it" in terms of a quality gown, but they did this year! The sequined emerald dress was definitely an entrance-maker. The jeweled bead work in the front torso was very impacting as well. If I had any complaint, it would be in the over-the-top styling: the Pageant Bouffant, the Too-Mucheeey accessories/jewelry...all that was so unnecessary, especially when the gown is so "Jeweled" already. Loosen the hair, ditch the earrings...and you are good to go!





Australia Tess Alexander: Tess' gown was definitely a stand-out amongst the 100+ contestants. It was one of the only true "ball gowns" and I thought it was both fun and glorious. The fit was great, it didn't look like a top of a wedding cake and I liked how her hair was relaxed, modern and young. She looked like a young aristocrat at the Paris Crillon Debutante Ball.



Honorable Mentions for Good:



Nicaragua Stefania Aleman: I liked this "different" style worn by Miss World Nicaragua. The blue coloration was impacting and elegant but what really got my attention was the fabulous guipure lace hi-lo "cape/coat".

Zambia Michelo Malambo: I was impressed by this gown worn by Miss World Zambia. The regal purple color looked amazing against her skin color and the design--albeit a tad "Pageant Betty" was still well done--I liked the folded front peplum with lace overlay as well as jeweled front torso details.



Fab Hat Gal:






Lesotho Relebohile Kobile: Three words--Go On Girl! I loved this entire look. She literally is giving "Lesotho Flag Couture"! Love it.







Panama Diana Jaen: I gotta give Miss World Panama points for Design Chutzpah! She decided to go all out Asiana Queen with what she wore for the "World Fashion Designer Dress" event/competition, paying homage to China, the nation where Miss World 2015 is being held. Normally, I might have put this under the "Cray-Cray" but A) wait until you really see THE CRAY-CRAY (below) and B) this was well-done and styled from head to toe; she looked like the Queen of a Macau Casino. And I loved that!





The Cray-Cray------------------------------------------------------------------------------------------------------



Croatia Maja Spahija: Where do I begin with the design cray-cray. Maybe the pointed front bustier/torso "rabbit ears" might be a good start. I can only imagine this design in front of the "Project Runway" judges and we know Nina Garcia, Zac Posen and Heidi Klum would have a FIELD DAY! And if the kooky pointed front wasn't enough, look closely, there's a candy colored tulled underskirt. Cray-cray for sure. On a good note, I do appreciate all the pattern and technical work that probably went into creating all those torso paneled sections.



Lace 90's Cray-Cray:





Aruba Nicole Van Tellingen: Will someone please tell Nicole--and whoever designed this--that it's not 1994 but 2015. The gold lace mini dress with the acid orange/red tulle overskirt reminds me of a cheap knock-off of a late 80's/early 90's Christian Lacroix creation. Maybe she was trying to be "Designer Retro"...who knows.

Netherlands Margot Hanekamp: On a good note--Margot looks like she would be fun at a cocktail party! On a not-so-good note--this dress is a big ol' tacky mess. The gold lace, the "Dynasty"-like shoulder, the too short front, her hair style, THAT one TOO-BIG earring...Who told her this was a stylish look? Poor thang.



Polyester Madness:



British Virgin Islands Sasha Wintz: Looking at this gown hurts my eyes. There's so much polyester here in the cheap satin and cheap lace that I am afraid if someone with a lighter gets too close to her, she might catch on fire! On the design front, the horizontal ruching and lace-and-diamante top and the diamante trim on the dress...PLUS...the mermaid shape...this is just beyond tacky-licious.

Germany Albijona Muharremaj: When I look at this dress, all I can think of is an episode from "My Big Fat Gypsy Wedding". There are so many things wrong with this: the cheap $2.99 a yard red stretch sequin fabric, the nude illusion with red sequin detail at the torso and then the poly chiffon back panels. She looks like the hostess in a very off-the-strip Vegas strip club.





Bridal Sale:







Namibia Steffi Van Wyk: This looks like a wedding dress one would find at a 70% end-of-the-year sale at David's Bridal. What was Steffi thinking? And that necklace??? Ayyyy Dios Mio!

Slovakia Lujza Strakova: Another bridal-like design that somehow was forced upon a very pretty contestant. On a good note, I can almost see something like this in a Chanel Haute Couture runway show but then again, it would be made of very expensive, very luxe, very beautiful fabrications and would look and fit impeccably. But this doesn't. It's A LOT, and A LOT of mess. And somehow, she thought that wearing this wasn't enough of a "look" so she had to wear THOSE feathered earrings. Please don't.



Sheer Hoochie:





Cyprus Rafaela Charalampous: Oh Rafaela. What were you (and your designer) thinking? OK, let's get this out of the way: it's a black netting dress black hot shorts underneath. And this considered stylish? Where? I don't even think the tackiest of the Kardashian sisters would have worn this, even before they were multi gazillionaires. If this is an example of Cyprus Fashion, I may have to question their taste level.



Do Not Focus on THAT Part of the Body:



Mexico Yamelin Ramirez: While I do like the top section with its interesting laser-cut lace, it's that twisted rosette detail that is quite HUGE and placed right in front of her you-know-what, that makes me put this design under the "Cray-Cray" section. I can't believe nobody looked at the placement of that skirt drape and thought it might look a bit awkward! This is a mess of a design.







Queen of Cray-Cray:



Sweden Natalia Fogelund: Just when you thought you'd seen a lot of Cray-Cray, in walked Miss World Sweden. Just take a look at this torn tulle black and white mess. It's like she went through a hurricane or tornado...or maybe a paper shredder. Wow. And for that, she gets my Top Cray-Cray prize for World Fashion Designer Dress award.


ZILPAH TART - FASHFEST DESIGNER INTERVIEW

The countdown is on until the style elite descend on Canberra for FASHFEST. In the lead up I caught up with Canberra designer Yumi Morrissey who is the creative genius behind Zilpah Tart and its strong colourful unique prints that I am excited to see sashay down the runway. 
FASHFEST 2017 CANBERRA FASHION
Image: Andrew Donato

Where about's did you grow up?
I was born and raised in Canberra

What sparked your interest in fashion?
I decided when I was 7 years old that I wanted to be a fashion designer, and never changed my mind. I spent my time as a child making outfits for my troll dolls.

What personal history has(if any) influenced your views on fashion or your design aesthetic ?
I’ve always been a very girly girl so my designs are very feminine. I’ve also always found individuality important, even when I was a child, and so this is part of the way I design. The clothing stands out in a crowd, through the use of bright colours/prints and beautiful flattering shapes. It’s not designed to blend in, and the designs are not trend based.

How did you get to where you are now? Where did you study?
I studied a Bachelor of Fashion Design at Canberra Institute of Technology, graduating in 2007. My label at this point was just a hobby, while working in the public service. After my son was born in 2013, I quit my public service job to take my business full time. This was the time when I really started on the journey, working out what my true aesthetic and business direction was.

I am super excited to see the Canberra Institute of Technology, I adore the creativity of students and their willingness to push the envelope. How did you come up with the name for your label?
The name Zilpah tart was my grandmother’s name. Zilpah was her first name, and Tart was her maiden name. After she passed away, we were going through her things and I found a 1930s brooch of a penny farthing. At that point, I decided to use her name for the label and the image of the penny farthing for the logo.

WHATS ON IN CANBERRA ZILPAH TART
Yumi Morrissey designer of Zilpah Tart Image: Holly Morrison

How many people are in your team?
Just me, myself and I. I outsource a small amount of production here in Canberra, but everything else is created by me.

That really impresses me that you are so hands on with your work in all fascists. What is your favourite material to work with?
I use stretch jersey. I love using jersey for the comfort and fit. Particularly after having a child, comfort and being able to move easily (bending down picking up a child etc) became super important. But I like to look good, and generally jersey doesn’t fit that category. So I use design to be able to make beautiful clothing that is also comfortable.

Everyone has one material that they absolutely detest working with, what is your least favourite material to work with and why?
That’s a hard one… but probably chiffon. It’s slippery, it moves on the grain, and is tricky to cut and sew. I generally avoid it at all costs.

I love your use of colour in your designs can you describe your collection in 3 words?
Bright, floral, feminine.

What is your inspiration for creating?
For each collection I design three new fabric prints based on Canberra photographs. I choose a theme and this theme directs the photographs that I take to create the fabric prints. 

I love creating clothing that is beautiful and unique, and not only makes someone feel good wearing them, but through the use of photographic prints, creates a personal connection for the wearer as well.

I agree that clothing should empower you and make you feel great. What or who is your motivation?
My main motivation is being able to do what I love. I think following your passion in life is so important, and I’m motivated to make my dream a reality.

ON THE CATWALK IN AUSTRALIA
Image: Anthony Caffery

In the lead up to FASHFEST could you share a little about what I and the crowd may see?
The new collection is full of colour. I used photographs from several years of Floriade (pulled them from my Floriade photo collection). I followed a sort of garden nymph vibe, and this will continue through the makeup and hairstyling for Fashfest as well.

You use wonderful digital printed fabrics from inspiration you have captured around Canberra, what is your first memory of using a camera?
My interest in photography is definitely something that developed later on in life. It’s something I really enjoy, but I’ve only really gotten into it over the last seven years or so.

What makes you passionate about fashion and the women you dress?
The most important thing for me is being able to make someone absolutely LOVE what they have bought and are wearing. I want to be able to make women feel good and special when they are wearing a Zilpah tart dress. This has many levels too. Not just the aesthetics of the dresses – I use shapes that tend to flatter most body shapes – but the comfort, the easy care instructions, the versatility (being able to wear the dress with a blazer for work, with sandals on the weekend, and with heals to a cocktail party), knowing that they are wearing a cool photo, quite often cleverly hidden in a pattern – this creates talking points too. Then there’s the local aspect. My customers know they are supporting a local designer. They know that the product is made in Australia by me and they end up with a personal connection to me and to the clothing. It’s makes it more special than a mass-produced piece with no identity.

What are you looking forward to at FASHFEST, besides your designs on the runway?
This will be the launch of my collection so I’m super excited to finally show the new designs, but I love being able to work with other creative people involved in the show, from hair and makeup, models, musicians, and just seeing the whole event come together.

You have been involved with FASHFEST for a few years now. Can you tell me how the festival has changed over the years?
I started at Fashfest in its second year (I was eight months pregnant when Fashfest first launched or would have applied that year also). The show has grown enormously, and it’s really developed its own identity. There are more designers and It’s earned its spot as a major Canberra fashion event.

FASHFEST DESIGNER INTERVIEW
Image: Tina Nikolovski

Can you describe what runs through your mind when you see your designs walk down the runway?
I love being able to see the designs come to life as a collection. I don’t normally get to see the full collection all together on people at once so It’s great to be able to see that. I also love being able to create a total image using the hair and makeup and seeing it as a show. I’m really excited about the hair and makeup concepts for this year. It’s an opportunity to be really creative.

What type of woman do you envisage wearing your pieces when you create them?
My customers are professional women, aged 25 to 40. They are confident and have a keen interest in unique styles and love to look and feel good.

Where would you like to see Zilpah Tart in 5 years?
My main focus at the moment is trying to expand into the Melbourne market. I now stock at Design A Space in Manchester Lane and Windsor. I hope to be able to build on my customer base there, and then when that market is at a sustainable point, to perhaps expand into the Sydney market.

What advice would you give to an aspiring designer?
Think about what you can provide your customers. What do they do? What do they find important? What do they want/need? Think about how your product can appeal to them on different levels. For example, my customers always tell me they love how easy the dresses are to wash and dry and that they don’t need ironing. Many professional women are busy and travel a lot. They love to be able to throw a versatile dress in a suitcase, and not have to worry about needing to iron it in a hotel room.

One thing I should see or do whilst I am in Canberra?
One of my favourite places to go is the National Arboretum. The views are spectacular, you don’t want to miss it. Sunrise there is incredible if you are an early riser.

You’ll also be in Canberra at the only time of the year when Tulip Top gardens (just outside Canberra on the Hume Highway) are open. They are incredible. I’ve used photos from Tulip Top in a previous collection. Floods of blossom trees all in bloom, tulips, and amazing views.

GFASHCOLLECTIVE: Thank you for the travel recommendations and giving me a little insight into your world. I look forward to seeing Zilpah Tart strut down the runway on closing night at FASHFEST and wish you all the best for the collection. 

Tickets are on sale now at:  http://fashfest.com.au/:




André Bryson - Guerrilla - Emerging Fashion Designers at NYFW

For those of you who may not be familiar with the term, Guerrilla is the name given to irregular military combatants, like a 'Resistance' army; not an official army... In my correspondence with the designer André Bryson he tells me that these 60's 70's silhouettes are a reference inspired by the tensions of the day, both in the USA; and tensions in the UK epitomised by the Mods and Rockers. Clearly André sides with the Mods on the style front. And quoting Bryson directly "Only the five primary colors (black, white, red, yellow and blue) I wanted to express that every color known to man is derived from these five colors in hope to bring unity to this collection as a complete story." I suspect the colours chosen also represent a message of unity in more than just the designs. My photos are of some of the highlights from the Guerrilla range, shown with Bracé Designers Emergent De la Mode NYFW at The Stewart Hotel, NYC September 2017.
Title image for , André Bryson - Guerrilla - Emerging Fashion Designers at NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
I love the blocked colours and bold stripes, patch pockets and windowpane broken-checks, black with white or white with black, playing with positive/negative combinations. The innovative Nehru jacket as an open-front blouse with a scarf or pussy bow tied at the collar, a personal favourite of mine. Curiously, weeks later I saw similar concepts being sent down the runway in my news feeds from the Paris shows.. Weeks later.. Bryson seems to have the zeitgeist a fashion designer needs on his side. Love his designs? You can contact him directly via his instagram below. For more shots, just scroll down!
A model wears a bold red with navy blue dress with a white vertical stripe, patch pockets on the hips. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Back view of a model wearing a bold red with navy blue dress with a white vertical stripe. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Two models in bright striped colour 60's era inspired dresses. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Two models in 60s inspired outfits, yellow, black, red. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
A model on the runway wearing a 60s inspired white and black windowpane check dress with patch pockets. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Model on runway wearing a 60s inspired black and white windowpane check dress with patch pockets. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Detail, a model in yellow singlet, black check shorts, André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Model in blue blouse with pussy bow, black shorts, André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Model wears a black with yellow trim Nehru jacket as an open-front blouse with a red scarf and white shorts André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Model wears a black with yellow trim Nehru jacket as an open-front blouse with a scarf and white shorts André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
A model in yellow singlet, black check shorts, André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
From behind, models together, final walk on the runway for André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Models together, dancing, final walk on the runway for André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
Models together, final walk on the runway for André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
A model wears a black shift dress with ribbons of primary colour layering. André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
A model wearing a black lace over yellow shift dress, André Bryson - Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
A model and André Bryson on the runway- Guerrilla - NYFW. Photographed for Street Fashion Sydney by Kent Johnson.
https://www.instagram.com/andre.bryson/
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Telling Stories in Pictures all over..
Kent Johnson, Sydney, Australia.
0433 796 863

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