RECAP - FANTASTIC FASHFEST

RECAP - FANTASTIC FASHFEST

FASHFEST promised excitement and a feast for the eyes, and boy did it deliver! Remember how I said I would need sunglasses as this would be Canberra's opportunity to blind me? Well they did. It’s a total fashion experience, from the moment I took my prime runway seat, until I enjoyed my last sip of champagne at the after party, it was pure enjoyment that I consumed with absolute pleasure. 

Image: Doug Hall Photography

Imagine a Meerkat standing up, that was me as I watched the bevy of models head down the catwalk. FASHFEST was full of surprises and that is what fashion is.

It is great to see the support to the artists in so many fields from music, lighting, building, designers, make up and hair artists as well as models and designers, providing them with a stepping stone to national and ever-growing global fashion market. We are so lucky to have an event like this in Australia that showcases local and interstate and New Zealand designers, models, hair and make up artists and the industry. 

After the disappointment that was Melbourne Fashion Week only a few weeks ago, I was feeling a little deflated but after 3 days in Canberra I feel that my faith has been restored in Australian fashion and what can happen when you have a group of dedicated and passionate people work together to achieve a common goal. 

Momento Dezigns

Image: GFASHCOLLECTIVE

Once I stepped off the plane at Canberra airport with suitcase in tow, I promptly embraced Canberra by meeting with Karen Lee from Karen Lee Designs  learning about her love of all things black. Whilst I was at Assemblage Project in it's wonderful retail come studio space in the heart of Canberra, I was lucky enough to have a sneak peak at what would be showcased on the runway and see a fitting occur. The space is completely open with no hidden back rooms, exposing an all in one transparent design process. 

Karen Lee

Image: GFASHCOLLECTIVE

From touring backstage and meeting with models, taking a seat besides the directors chair watching the wonderful hair and make up teams work and the creative process and nurturing environment was extraordinary. It was a pleasure to feed off the electric energy that I witnessed backstage that then surged onto the catwalk at National Convention Centre Canberra.

Image: GFASHCOLLECTIVE

As the morning rose on day 2 I had a meet and greet with Clint Hutchinson and was keen to learn more about how he and his lovely wife Andrea took the leap into the fashion arena and created FASHFEST. It was a pleasure meeting Clint and hearing many stories that I was so enthralled I forgot to write things down. Our conversation turned to Braddon Tailors and led to discussions about their bespoke formal and dapperly delicious suits, and everything in between. Not just for the gents. I was like a trend pig in heaven when I was shown a purple velvet men't suit! You can see the passion for customer service with small details such as personalised embroidery and over 2000 fabrics to choose from!

Over the course of three days I watched endless models parade some of the most colourful and innovative fashion that I have seen on the catwalks in Australia in a very long time. I chatted with beautiful faces of the festival who strutted down the white catwalk and had the opportunity to even be tutored about how to master the perfect catwalk bounce as you walk the 30 metres down the runway. There is some bright fresh faced young models who I will be watching very closely. 

Gabrielle Spencer

Image: GFASHCOLLECTIVE

It is always a pleasure seeing designers display their latest creations down the catwalk and many of these collections gave me a spine tingling experience. Onto some of my personal favourites:

CIT

Students are always a favourite of mine as the next wave of up and commers throw caution to the wind. The menswear within both of CIT shows was so refreshing and elaborate and cannot wait to see where some of these designers head after completing their studies. 

Image: GFASHCOLLECTIVE

RAW AUSTRALIA

The uplifting spectacle that blew me away and made me stop breathing. This showcase had everything! Sequins, more sequins, high waists, it was an army of ultra feminine that could easily be in a Beyonce film clip. it was FASHUUUUNNN!

Raw Australia

Image: GFASHCOLLECTIVE

Charly Thorn 

Glamorous and sultry dresses and pant suits in vibrant hues that showcase a woman's body. Keep an eye on this young designer, her attention to detail and construction is phenomenal and she uses colour is a fun fresh way. 

Karen Lee Designs

Comprising of designs ready for the consumer, personally I found the creative aesthetic to be Westwood like. Karen's designs do not follow current trends and what is in season and the strong display of black keeps everything chic and focuses on quality fabrics.

NOMIKO

Designs that expressed diversity for the kiddies. There was some great pieces in this collection including a velvet mandarin collared blazer that I wish came in adult size. 

ZILPAH TART

Clothes that had been executed to the highest standards with such fun prints that had been designed by Yumi Morrissey. I adore my colour and Yumi delivered an outstanding colourful collection that is just in time for Spring/Summer. 

BT BRADDON TAILORS

Characteristics of European design and sculptural quality, it was refreshing to see uplifting colours and fabrics used in suiting for both men and women. There was so many pieces I was squealing internally for with their individuality and strong details.

Trelise Cooper

Image: GFASHCOLLECTIVE

Meeting industry experts and hearing their inspiring stories and them answering many a burning question I had, was a true highlight of the 3 days. There is an abundance of knowledge in this country, a level of skill and a willingness to collaborate and share information that flowed throughout the festival. 

Nick Rigby

Image: GFASHCOLLECTIVE

I have quickly come to the conclusion that there is no better stage or in this case, catwalk, to showcase so many wonderful emerging Australian talents. FASHSFEST promised and delivered the program, bridging the worlds between fashion, art and music. I returned home and marked FASHFEST on my fashion calendar for next year in bright texta and you should do the same.

GOLD RUSH

GOLD RUSH

Cotton On blazer / Sportsgirl dress / New Look metallic slides

I need a little more culture in my day-to-day life. New York Fashion Week started off as the root of the problem - I've been debating with myself on which season to escape to New York to and have been caught up in the fantasy of their Winter Wonderland. I just want layering - with dresses over pants, coats overs coats, and scarves the size of blankets (I will ignore how miserable people tell me New York is in Winter). I want Central Park in the snow (thanks Nicole for setting the expectations very high), I want spiced hot drinks and cozy apartments. I can do without the rain though (for blog photo's sake).

And now, I'm so over the warmer weather that I find myself saying what gives? I've been using the official end to the sunny season as an excuse to put my heater on in the mornings and wear layers around the house (look I'm just always cold okay?), and it's disappointing when my elaborate outfit planning doesn't match the weather for the day..

I came to realise that I think I just rave about Summer because of the thought of somewhere exotic (please send me on a holiday), and Winter if it's somewhere where there is culture, and people celebrate the holidays and seasons as they should be celebrated (again, please send me on a holiday). 

I spent all yesterday at the Ventana Fiesta Festival, which is a local festival that comes once a year to celebrate the vibrant world of Latin America, Portugal and Spain. I felt like I was in a completely different country, yet I was standing near the cinemas that I've visited so many times before in that town. I had bean tacos, a Mexican BBQ panini and churros, and stood back and people watched as they celebrated the culture with traditional dancing, market stalls and live bands.

As much as I love Australia, culture is something we greatly lack. Melbourne is known as a very multicultural place and it's great, don't get me wrong, that we're a country that celebrates so many cultures and is accepting of other traditions, as well as being able to experience cuisines from around the world - but I feel like it's time for Australia to step up its game a little. Let's get past this mentality of BBQ's and slang being enough for our nation's representation. I get that our holidays aren't in conjunction with the seasons as they are in the North, and that our weather works a little differently in general (with our lack of snow and no extravagant pool parties - Mary-Kate and Ashley films are also to blame here), but let's not get boring. I'm sure we're able to think of something - give me some culture, please.

RECAP - MELBOURNE FASHION WEEK

RECAP - MELBOURNE FASHION WEEK

Melbourne Fashion Week took over the footpath of Swanston Street for its annual week long offering that launches the beginning of Spring and Summer and the social season in which Melbourne comes alive. 

Suit: Jack London

Shirt: Department 5

Socks: Gucci

Shoes: Ben Sherman

Bag: No Name

Sunglasses: Arockonalens

The fashion obsessed flowed into the Melbourne Town Hall to view the latest offerings from both designers and retailers with their glasses of champers in hand. It is always a great environment to catch up with your fellow stylish friends, see familiar faces behind a camera and meet new and exciting people that your normally only communicate with through your instagram feed. The MFW Bar meant serious business inside with its set up and exhibition space, which unfortunately did not flow outside to the claustrophobic outdoor area on the footpath either side of the entrance. 

Courtesy: Mamamia

For dedicated fashion addicts there were a handful of people on the street that peaked my interest. Hoards of bloggers, influencers and wannabes presented their best offerings for the camera's as they circled the block. As you know the louder and more individual you are in your clothes, the more likely you are to peak the interest of the papz and be snapped. In this case I felt like I was stuck inside a photo shoot for a menswear suit catalog. After a week of viewing the street styles I was left with the impression that Australian menswear fashion is still relatively conservative, with not much evolution between seasons or even years. Thankfully there were standouts from the ladies who bought their A game to the footpath injecting understated chicness and colourful combinations whilst braving the chilly nights.

Shirt & Blazer: James Harper

Pants: Department 5

Shoes: Lacoste

Bag: Doucals

Sunglasses: Gucci

Trends that dominated the footpath outside the shows:

Street Luxe - The number one dominating trend was the mixing of streetwear with high fashion. Of course all black ensembles were everywhere, and the opposite. All white was also present like a flock of seagulls searching for a potato chip. 

Florals - As Miranda Priestly so eloquently put it, florals for Spring. Groundbreaking. Let's move on.

Belts - Belts were everywhere. Some good, some bad and some that I will be happy to never see again. If I see one more GG gold belt I think I will scream as it has replaced the tiresome YSL tassel bag that every woman has been renting for the last year.

Men in Suts - When it comes to men's suits there were some stylish accessories to set off the slim tailored fits that were on display. Plenty of pocket squares and lapel pins which showed individuality of the wearer. There were minimal pleated trousers which have been huge in Europe for the last two years and plenty of loafers with no socks. Special shout out to the gents who took the stuffiness out of menswear and wore something a little different and didn't play it safe. Bravo.

Pretty Ugly Shoes - Delighted to see so many wonderful shoes with different hardware and embellishments in a variety of styles both on men and women. Thigh high leather tan boots on women with chunky heels were a regular staple. The elaborate shoes would not normally be considered pretty but the vulgarity and opulence was beautiful and refreshing to see in Melbourne. ADORE!

Fur - Fur accessories adorned everything from earrings to bags and shoes. Poor little critters will live on for seasons to come after being dyed in fabulous colours providing a lux

vibe to ensembles.

Blazer & Coat: Oxford

Shirt, Tie, Pocket Squares & Shorts: James Harper

Sweater: Ted Baker

Socks:  Gucci

Most of the shows were exactly as I feared, producing safe visions of well groomed and pruned ensembles ready for the horse racing season in a few months. The flare for dramatics or igniting a point of difference was eliminated by many big designers that played it safe and delivering much of what they have for the previous seasons. However there were a few examples of inspiration and creativity that will be burned in my mind for a while. Don't forget to follow me on Instagram for updates

Garage Runway - As much as I enjoy a good summer dress, there was a lot of black and muted tones or uninspiring patterns that were constantly reused. I understand ethical fashion and the need to be wise with materials, but without variety comes boredom. I have seen so many dresses inspired by Queen B's baseball bat twirling dress to last me a lifetime. 

Menswear Garage - Alike the aforementioned it was held in the basement of the Melbourne Town Hall, the likes of Amxander, Jack London, Autonomy, Chris Ran Lin and Dom Bagnato sent styles down the runway that unfortunately did not peak my interest. Following European trends with oversized bumbags across the chest and numerous patterned materials that were reused for different pieces, there were a few nice pieces but nothing that made me gasp. The overall vibe of the show was trying to be edgy with the model selection, music, skateboards and styling, that it all felt the same. I left a little deflated after this showing.

David Jones - The creative styling team behind the show should be commended for creating safe ensembles that would peak the interest of suburban housewives and gents who require a suit for the races. A huge retailer like David Jones do know their target audience very well and this showcased their knowledge of their consumer, right down to the YSL heels or The Kingsman inspired gentlemen that will soon appear on movie screens.

Premium Runway Four - Finally an injection of what fashion means to me. There were opulent embellishments, tassels, fabric choices, voluminous sleeves and dramatics in the styling including a little homage to good old Formation film clip. The line up of deisgners meshed well together although once again there was a little too much black on the catwalk for my liking, but it is Melbourne after all and black sells. 

Premium Runway - Closing - The saying "Leave the best to last" was true of closing night of the festival with some inspirational displays sent down the ice melting runway. In a week that started off rather underwhelming it was good to wrap the festival up on a positive note with some of Australia’s most popular labels such as Romance Was Born, solid stand out for me.

After a few seasons not attending what was Melbourne Spring Fashion Week and rebranded MFW, it was pleasant to see new ideas influence the program and inject some much needed innovation into the festival. Melbourne has serious pride in it's events and the team behind Melbourne Fashion Week should be commended for staying current and on trend whilst producing a solid program. A huge shout out to the volunteers who spent 12 hour days holding the festival together. Round of applause.

I believe that some of the designers need to lift their game if they wish to retain current supporters of their brands, or attract new customers. By the end of the week photographers were not on the streets, media pit at the end of the runway appeared a little thin and there were many empty seats in the town hall creating an underwhelming atmosphere. With Melbourne Fashion Festival receiving an injection of funding from the State Government recently it will be interesting to see if the fashion capital is big enough for both Fashion Week and Fashion Festival. Let the catwalk battles begin.

Building A Capsule Wardrobe: The Little Black Dress

Building A Capsule Wardrobe: The Little Black Dress

"When a little black dress is right, there is nothing to wear in it's place." -Edith Piaf

During the 1920s Chanel created a little black dress which popularized black dresses for women. After her lover Boy Capel died in 1919, Chanel wore and made black dresses inspired by the women in mourning she had seen in the French villages as a child. In 1929 Vogue printed an image of one of Chanel's black dresses in their article on Parisian Fashion. Implying the popularity and instant long term appeal of the 'LBD', Vogue dubbed the dress 'the Chanel Ford', linking it with the popularity of Henry Ford's Model-T motor cars. 

Ford was known to have said "any customer can have a car painted in any colour that he wants so long as it is black". 

Practical, flattering and sophisticated, the little black dress could carry women from the afternoon through the popular cocktail hours. Made from crepe de chine, the 'Chanel Ford' dress featured a slashed neckline, a bodice that bloused slightly at the front and sides, a tight bolero at the back and diagonal pin-tucks across the front. It was simple, elegant and very in keeping with the modern way of life. Over time the dress grew to become a staple in the wardrobe, as women heeded Chanel's advice. 

"One is never over nor under dressed in a little black dress."

In 1961 the world went a little mad for the wardrobe of Holly Golightly, elegantly portrayed by Audrey Hepburn, dressed in Givenchy for Breakfast At Tiffany's. Personally this one is my favorite. Adopted each generation in a different way, the little black dress is synonymous as the essential item in a women's wardrobe. Today it can take you across any occasion, it can be styled simply or paired with accessories. I love that a black dress offers a reliable outfit in my wardrobe that I can turn to knowing I will have something to wear, no matter the occasion. Somehow, even wearing the same one again and again, (something a little taboo of a printed or coloured dress) is not an issue. Should you choose to wear a little black dress again and again, it is simple attributed that you have 'style', are 'classic' and elegant. 



Cue The LBD. New to Australia, The LBD is a manufacturer and online retail boutique with a unique concept certain to revolutionize how women source and select their perfect LBD. Finding the perfect LBD until now, could prove to be a challenge. Fit, price, availability and seasonal collection changes all conspire together to make it a challenge to find the right one for each woman. Over the past 12 months, the design team at The LBD have been crafting the capsule collection, built around classic, timeless designs to create a versatile foundation wardrobe. Each LBD is available in styles to enhance the individual customer's assets. These days the average Australian adult female is an average size 14, but the LBD designed to suit body shapes rather than label sizes. Adapting necklines, sleeve and skirt styles and hemlines, there is a whole range of silhouettes to choose from, each dress is made of trans seasonal high quality fabric for year round wear. The site also features a unique Dress My Shape Guide complete with a shape guide and calculator. Each dress has been sized against its counterpart, meaning the sizes remain the same no matter which style of dress you choose. I personally find the unstandardized clothing sizing system in Australia to be extremely frustrating. I am a size 8, no a 6, no a 10... or all three, depending on a garment or brand. Not with The LBD! I calculated my size, and it fit perfectly.   

I will share my outfit post in the dress I chose in the coming days, (below is one of my styling boards I have made up featuring it) but in the mean time, I thought I would share a link to The LBD so you can check it out. I can not stress enough how useful a little black dress is in building your capsule wardrobe! 

If you have missed any of the 'Building A Capsule Wardrobe' series, check out the previous posts here. 

I will be bringing you more of this sort of post in coming weeks, so stay tuned, and please share any comments or ask any questions below. 

Happy Capsule creating! 

xx Jenelle

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ZILPAH TART - FASHFEST DESIGNER INTERVIEW

ZILPAH TART - FASHFEST DESIGNER INTERVIEW

The countdown is on until the style elite descend on Canberra for FASHFEST. In the lead up I caught up with Canberra designer Yumi Morrissey who is the creative genius behind Zilpah Tart and its strong colourful unique prints that I am excited to see sashay down the runway. 

Image: Andrew Donato

Where about's did you grow up?

I was born and raised in Canberra

What sparked your interest in fashion?

I decided when I was 7 years old that I wanted to be a fashion designer, and never changed my mind. I spent my time as a child making outfits for my troll dolls.

What personal history has(if any) influenced your views on fashion or your design aesthetic ?

I’ve always been a very girly girl so my designs are very feminine. I’ve also always found individuality important, even when I was a child, and so this is part of the way I design. The clothing stands out in a crowd, through the use of bright colours/prints and beautiful flattering shapes. It’s not designed to blend in, and the designs are not trend based.

How did you get to where you are now? Where did you study?

I studied a Bachelor of Fashion Design at Canberra Institute of Technology, graduating in 2007. My label at this point was just a hobby, while working in the public service. After my son was born in 2013, I quit my public service job to take my business full time. This was the time when I really started on the journey, working out what my true aesthetic and business direction was.

I am super excited to see the Canberra Institute of Technology, I adore the creativity of students and their willingness to push the envelope. How did you come up with the name for your label?

The name Zilpah tart was my grandmother’s name. Zilpah was her first name, and Tart was her maiden name. After she passed away, we were going through her things and I found a 1930s brooch of a penny farthing. At that point, I decided to use her name for the label and the image of the penny farthing for the logo.

Yumi Morrissey designer of Zilpah Tart Image: Holly Morrison

How many people are in your team?

Just me, myself and I. I outsource a small amount of production here in Canberra, but everything else is created by me.

That really impresses me that you are so hands on with your work in all fascists. What is your favourite material to work with?

I use stretch jersey. I love using jersey for the comfort and fit. Particularly after having a child, comfort and being able to move easily (bending down picking up a child etc) became super important. But I like to look good, and generally jersey doesn’t fit that category. So I use design to be able to make beautiful clothing that is also comfortable.

Everyone has one material that they absolutely detest working with, what is your least favourite material to work with and why?

That’s a hard one… but probably chiffon. It’s slippery, it moves on the grain, and is tricky to cut and sew. I generally avoid it at all costs.

I love your use of colour in your designs can you describe your collection in 3 words?

Bright, floral, feminine.

What is your inspiration for creating?

For each collection I design three new fabric prints based on Canberra photographs. I choose a theme and this theme directs the photographs that I take to create the fabric prints. 

I love creating clothing that is beautiful and unique, and not only makes someone feel good wearing them, but through the use of photographic prints, creates a personal connection for the wearer as well.

I agree that clothing should empower you and make you feel great. What or who is your motivation?

My main motivation is being able to do what I love. I think following your passion in life is so important, and I’m motivated to make my dream a reality.

Image: Anthony Caffery

In the lead up to FASHFEST could you share a little about what I and the crowd may see?

The new collection is full of colour. I used photographs from several years of Floriade (pulled them from my Floriade photo collection). I followed a sort of garden nymph vibe, and this will continue through the makeup and hairstyling for Fashfest as well.

You use wonderful digital printed fabrics from inspiration you have captured around Canberra, what is your first memory of using a camera?

My interest in photography is definitely something that developed later on in life. It’s something I really enjoy, but I’ve only really gotten into it over the last seven years or so.

What makes you passionate about fashion and the women you dress?

The most important thing for me is being able to make someone absolutely LOVE what they have bought and are wearing. I want to be able to make women feel good and special when they are wearing a Zilpah tart dress. This has many levels too. Not just the aesthetics of the dresses – I use shapes that tend to flatter most body shapes – but the comfort, the easy care instructions, the versatility (being able to wear the dress with a blazer for work, with sandals on the weekend, and with heals to a cocktail party), knowing that they are wearing a cool photo, quite often cleverly hidden in a pattern – this creates talking points too. Then there’s the local aspect. My customers know they are supporting a local designer. They know that the product is made in Australia by me and they end up with a personal connection to me and to the clothing. It’s makes it more special than a mass-produced piece with no identity.

What are you looking forward to at FASHFEST, besides your designs on the runway?

This will be the launch of my collection so I’m super excited to finally show the new designs, but I love being able to work with other creative people involved in the show, from hair and makeup, models, musicians, and just seeing the whole event come together.

You have been involved with FASHFEST for a few years now. Can you tell me how the festival has changed over the years?

I started at Fashfest in its second year (I was eight months pregnant when Fashfest first launched or would have applied that year also). The show has grown enormously, and it’s really developed its own identity. There are more designers and It’s earned its spot as a major Canberra fashion event.

Image: Tina Nikolovski

Can you describe what runs through your mind when you see your designs walk down the runway?

I love being able to see the designs come to life as a collection. I don’t normally get to see the full collection all together on people at once so It’s great to be able to see that. I also love being able to create a total image using the hair and makeup and seeing it as a show. I’m really excited about the hair and makeup concepts for this year. It’s an opportunity to be really creative.

What type of woman do you envisage wearing your pieces when you create them?

My customers are professional women, aged 25 to 40. They are confident and have a keen interest in unique styles and love to look and feel good.

Where would you like to see Zilpah Tart in 5 years?

My main focus at the moment is trying to expand into the Melbourne market. I now stock at Design A Space in Manchester Lane and Windsor. I hope to be able to build on my customer base there, and then when that market is at a sustainable point, to perhaps expand into the Sydney market.

What advice would you give to an aspiring designer?

Think about what you can provide your customers. What do they do? What do they find important? What do they want/need? Think about how your product can appeal to them on different levels. For example, my customers always tell me they love how easy the dresses are to wash and dry and that they don’t need ironing. Many professional women are busy and travel a lot. They love to be able to throw a versatile dress in a suitcase, and not have to worry about needing to iron it in a hotel room.

One thing I should see or do whilst I am in Canberra?

One of my favourite places to go is the National Arboretum. The views are spectacular, you don’t want to miss it. Sunrise there is incredible if you are an early riser.

You’ll also be in Canberra at the only time of the year when Tulip Top gardens (just outside Canberra on the Hume Highway) are open. They are incredible. I’ve used photos from Tulip Top in a previous collection. Floods of blossom trees all in bloom, tulips, and amazing views.

GFASHCOLLECTIVE: Thank you for the travel recommendations and giving me a little insight into your world. I look forward to seeing Zilpah Tart strut down the runway on closing night at FASHFEST and wish you all the best for the collection. 

Tickets are on sale now at:  http://fashfest.com.au/:

André Bryson - Guerrilla - Emerging Fashion Designers at NYFW

André Bryson - Guerrilla - Emerging Fashion Designers at NYFW

For those of you who may not be familiar with the term, Guerrilla is the name given to irregular military combatants, like a 'Resistance' army; not an official army... In my correspondence with the designer André Bryson he tells me that these 60's 70's silhouettes are a reference inspired by the tensions of the day, both in the USA; and tensions in the UK epitomised by the Mods and Rockers. Clearly André sides with the Mods on the style front. And quoting Bryson directly "Only the five primary colors (black, white, red, yellow and blue) I wanted to express that every color known to man is derived from these five colors in hope to bring unity to this collection as a complete story." I suspect the colours chosen also represent a message of unity in more than just the designs. My photos are of some of the highlights from the Guerrilla range, shown with Bracé Designers Emergent De la Mode NYFW at The Stewart Hotel, NYC September 2017.

I love the blocked colours and bold stripes, patch pockets and windowpane broken-checks, black with white or white with black, playing with positive/negative combinations. The innovative Nehru jacket as an open-front blouse with a scarf or pussy bow tied at the collar, a personal favourite of mine. Curiously, weeks later I saw similar concepts being sent down the runway in my news feeds from the Paris shows.. Weeks later.. Bryson seems to have the zeitgeist a fashion designer needs on his side. Love his designs? You can contact him directly via his instagram below. For more shots, just scroll down!

https://www.instagram.com/andre.bryson/
SFS New York Edition is Sponsored by White Caviar Life, Destination Travel.

Telling Stories in Pictures all over..

Kent Johnson, Sydney, Australia.

0433 796 863

kent@artcommunication.com.au

www.kentjohnsonphotography.com.au

www.fashionphotographysydney.blogspot.com/

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