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PROJECT RUNWAY RECAPS....Season 14 "Project Runway" Finale Episode Blog Photo Recap + Finale Thoughts and Who Should Have Really Won!




Season 14 "Project Runway" Finale--My top looks from each of the four finalists--Season 14 Finale Episode "Project Runway"



Last Thursday was the Season Finale of Lifetime's Season 14 "Project Runway". Unfortunately I'm a little late with my BLOG PHOTO RECAP here because I have been out of the country, in Europe, for work..and a little bit of play. But, now I'm back and well, better a week late than never: Here are my thoughts on the final episode of the season, the final collections and WHO really should have won --according to the final collections shown by non-finalists (HINT: Swapnil Shinde).





To be very honest, I was a bit disappointed with the final collection designs--especially when compared to previous seasons. This was NOT a stellar season--and I said so in my Lifetime "Project Runway" Recap HERE (and at the end of this blog). I'll have much more to say if you keep reading so...here we go, one last BLOG RECAP for this season's "Project Runway":





Tim Talk: The episode began with Tim Gunn talking to the final four designers about the critiques they received from the judges during their 3-look preview runway session. Tim thought that the session went OK and proceeded to sum up to the designers what they needed to do to make their final collections better (in the two days they had!). Tim has recently been saying a lot of not-so-nice things about this season's designers and their design talent. So, now looking back, I would LOVE to know what he really wanted to say to these final four.






Nick Verreos judging at "Project Runway" Season 10 L.A. Castings--with Mondo Guerra and Abby Gardner (No Tim Gunn)



He also said that his lack of involvement with the castings might have been a problem, saying that this was "the first time he wasn't at the castings". I might have to call Tim Gunn on that one because I've been part of the auditions/castings for many, many seasons (to be precise: Seasons 3 through 13) and for SEVERAL years Tim was NOT at the castings. So on the Tim "Truth Meter", I call "Pants of Fire". 





During the Workroom Check-in's...



Designer Candice Cuoco realized she should take out this overblown "Scarlett O'Hara"-looking gown from her ten-look collection. This was supposed to be her "Finale Wow". And...






Instead it looked like an old Bob Mackie costume for Carol Burnett. 





Neckpiece Not: Candice also took out this neck/shoulder contraption that was somehow going to be part of a look she designed. But thank goodness she came to her senses (via the judges and Tim Gunn's advice) and put this thing back in the closet (or garment bag).







Glitter Gal: Kelly asked for glitter and Tim brought her 20 pounds of the stuff, so she could glue and bedazzle the heck out of the shoes, lips, headphones...for her final collection. Up to the final day of work before showing at NY Fashion Week, it seemed pretty obvious which designers were on the right track (Ashley and Kelly) and who was not (Edmond and Candice).





NY Fashion Week is Here:





September 11th: The Season 14 "Project Runway" Finale show at NY Fashion Week occurred on September 11th and therefore--as you can see on Edmond Newton above--Newton wore an American flag scarf in honor of the day. The judges also wore variations on the red, white and blue theme:






Americana Finale: (L to R) Judges Heidi Klum, Nina Garcia, Zac Posen and guest judge Carrie Underwood--Season 14 "Project Runway" Finale Show at NY Fashion Week







Here are my "Nick Two Cents" on the final collections, beginning with Edmond Newton: 

Edmond's collection was a mish-mash of not cohesive designs, somehow being tied together with the black and white colors (didn't work). He had sleek column sheaths, big pouffy hi-lo tent dresses and "Big Bird" ruffle cray-cray gowns that looked like they went through a not so stylish "fashion tornado". He was the first OUT when it came to the judging.





The Good:



Simple Good: The first look out, this black halter column gown. Simple, sleek, elegant, clean. Stick to that my dear Edmond. Seriously. It's not innovative and certainly not the work of the next WUNDERKIND of Fashion but it was the best look from his collection.



The Not-So-Good:



Toga Newton: This draped toga-like gown was loved by Heidi (Oh Heidi, you're funny!). There was no reason AT ALL for this to be in his collection and it just came out of nowhere (along with many of his other looks) and it also reminded me of the design created by the first designer of this season to be Auf'ed--New Zealand-born Duncan Chambers-Watson (R).





Bebe 2013: These two were Las Vegas-club dresses from 2 years ago. Why would Edmond waste his design time--and money--on making garments that can be purchased in a mall RIGHT NOW (or two years ago!) is beyond me. These are great when he does the "Edward Newton for Macy's line" but not for NY Fashion Week.





Ruffle Cray-Cray: I don't even know where to begin with these two. Obviously, Edward thought these were going to be "The Stars". In the end, they were probably his worst looks. The one on the left looked like she was trailing toilet paper and the one on the right was cascade ruffle overkill.



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Candice Cuoco: Candice said she was inspired by the recent Met Exhibition "China: Through The Looking Glass". This could have gone well but she ended up getting TOO caught up in the exhibition and making way too costume-y creations. She was forced to take out all those extra "bells and whistles" and in the end, what was left was rather lackluster and certainly not material for "America's Next Top Fashion Designer".



The Good:



I loved the first look out, which in fact she created in her last two days in the workroom. This cherry blossom printed dress was chic, elegant, sexy. The funny thing is that her obvious "thing" is leather but this dress had none of it. And it was her BEST look. Second Runner-up was the strapless red leather gown. It fit nicely and looked great. It was too short in the front, however. Beyond these two, I wasn't a fan of most of the rest of her looks. They were very Elvira-Meets-North Beach Leather circa 1994.



The Not-So-Good:



The first one (far left) fit awkwardly (what is with the gaping sides?), the middle one looked Halloween-Witchy (she's missing a big pointy black hat) and the far right one was too Rapper hanger-on at the MTV Awards. Also, if you're going to make a leather bustier for NY Fashion Week, make one that is NOT straight out of a Patternmaking 101 Bustier book. Drape the leather huney! Do something different/new.



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Kelly Dempsey: I wanted to like Kelly's collection so bad. Mainly because I really liked KELLY; she was so wonderfully self-deprecating, so funny, so honest and I loved her own quirky late 80's/early 90's style. I think that Kelly's collection would have looked better within the setting of a "done-up" runway: the runway should have been a mock deli, the models should have been chomping gum and carrying big ol' boom boxes and well, you get the picture. Otherwise, it kind of looked like costumes for "Mamma Mia: The Musical" with a little of "Priscilla Queen of the Desert".



The Good:



Disco Good: Kelly's best look was the one on the left: wood printed Lycra knit with mesh dress, with matching fanny pack. Second Runner-up was this emerald beaded and knit dress. But after that, it was "Mamma Mia" zone...



The Not-So-Good:



Donna Summer Here We Come and Jerry Hall at Studio 54. The one on the left was too costume-y and the one on the right, looked cheap and the top fit oddly. They just didn't look expensive or refined.





Cameltoe Alert and Space Odyssey New Wave. I was not a fan of these two looks. I can't imagine a single girl--no matter how fun and quirky she is--wearing these...unless it was to The Burning Man Festival.

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Ashley Nell Tipton: Ashley created a plus size collection, the first one in "Project Runway" history. I applaud her for doing it. I just wish it was made better. I also thought the fit was off on several of her designs. I did like her flower headpieces. I'm sure lots of "Project Runway" fans want those. She better get to Michael's ASAP and start glueing!



The Good:



Lace Fab: Plum colored lace crop top and mermaid-shaped skirt. This was Ashley's best look, hands down. She made a variation on those Elie Saab/Zuhair Murad gowns but for a Fab plus size gal. And it worked! To me, this was the only true "Wow" of her winning finale collection.



The Not-So Good:



Frida Kahlo Flower Child and Romper Not: The one on the left was her finale look and it was a mess. She looked as if she should have been on a float--at NY Gay Pride or Rio's Carnival. And I almost wanted to strangle her when I heard she GLUED those flowers. Ayyy Dios Mio! Cheap, cheap, cheap. And the one on the right, while I liked the romper idea, it fit really badly; too tight and too much gaping. The crotch was too long and the top needed the sides to be taken out (notice the gaping). I also had issues with her poor construction...






Broken Zipper...






Hem coming off (photos above)--Did she just use "stitch witchery" tape as opposed to actually SEWING the hem??






In the end, none of that mattered. Ashley's collection was deemed the most "cohesive" and therefore she took the crown as the winner of Season 14 "Project Runway". Now, like I said: get to making them flower headpieces! 





Finally, I want to take a moment to discuss a collection from one of the designers who was eliminated before the Final Four--Designer Swapnil Shinde. Even though he wasn't a Finalist, he still got to show at NY Fashion Week (six total designers from the season showed, two being decoys). Well kiddies, after seeing all the final collections, I have to say that Swapnil's was BY FAR, the BEST of all of them. It was cohesive, chic, elegant, new, romantic, of-the-moment and made impeccably. it also fit well. He interjected his Indian heritage but not in a costume-y, heavy-handed way. I don't know what it says about the actual four finalists that Swapnil's was better but I guess, you can easily take a hunch. Such a shame that he was eliminated and didn't make it but in the end, he got the last laugh by showing a much better collection than even the actual winner.



The Collection That Should've WON--Swapnil Shinde--A HUGE Thank You to Blogging Project Runway for these photos!











Wow. Give him the unofficial Winner of Season 14 "Project Runway" title. Now, if you think that I'm the only one who feels this way, take a look at this photo of the judges' reaction when his collection came down the runway (remember, they knew he wasn't even a finalist)...






"Oh Dear God! His collection is better than the actual Top Four! What do we do now??!!"--Carrie Underwood, Nina Garcia, Zac Posen and Heidi Klum trying (badly) to keep a poker face--NY Fashion Week Season 14 "Project Runway" Finale Show

Photo courtesy of Caitlin Carpenter via Blogging Project Runway Facebook



Well, kiddies, here's my final Season 14 "Project Runway" Recap from the myLifetime.com Blog:






Season 14, Episode 14: Now
You Can Cry!





After thirteen episodes,
we’ve now arrived at the Season 14 Finale of “Project Runway." During this
season, we witnessed lots of crying, one too many smoke breaks, a trip to Los
Angeles, Tim donning an apron to make tortillas plus much, much more. It was
now time to see if the finalists rose to the challenge of showing an
outstanding NY Fashion Week collection and more importantly, which one did it
the best, or as it turned out, most cohesively. Time for one final recap.


The episode begins
with the designers feeling bruised, battered and bewildered by the blunt
critiques the judges gave them—except for Ashley. Even with just a three-look
runway preview, it was pretty obvious whose collection was looking the best.
The only issues Ashley had were fit and construction. Similarly, Kelly’s 
critique wasn’t too negative. They just said, "Amp it up!”


Edmond and Candice
suffered the most debilitating critique blows. Edmond somehow needed to bring
the sexy back (slash a slit or two, perhaps?), and Candice was told to tone it
down and rein back the bells and whistles…and the witchy hat. The designers had
two days to remedy what was deemed not-so-good. From the outside, it looked as
if they had a lot of work to do with no assistance from eliminated designers
this season...





Click HERE to keep reading my RECAP on the
mylifetime.com "Project Runway" Blog!




Royal Wedding Gowns: A Look Back Through The Years!


Wedding Couture

In honor of Friday's Royal Wedding between Prince William and Catherine "Kate" Middleton, I have decided to do a posting on all the wonderful Royal Weddings of the past and, of course, what they wore! I hope you enjoy seeing all the wonderful ensembles as much as I did...plus I included a little Couture Dish!

Grace of Monaco: Helen Rose

Prince Rainer and Grace of Monaco
--in a Helen Rose (an MGM Costume Designer) gown. Edith Head--Hollywood Costume Designer for the A-List of the time (and of Kelly) was reportedly saddened to not have been picked, for this once-in-a-lifetime occasion. COUTURE DISH: The gown was worked on by six seamstress at MGM and 30 million people around the world watched it. The gown has remained THE SYMBOL--and ruler-- of what a "Royal Wedding Gown" should be. Elegant, timeless, classic, serene, and above all, royal. Guests of the wedding included actresses Gloria Swanson and Eva Gardner, the Agha Khan, and many others.

Princess Caroline: Christian Dior Haute Couture by Marc Bohan

Their eldest daughter, Princess Caroline wore Christian Dior Haute Couture by then House Designer, Marc Bohan, when she married Commoner--and French Playboy--Philipe Junot, in 1978. The gown featured a high neck, scalloped edge embroidered gown, bishop sleeves and blouson top. I especially remember (I was VERY YOUNG!) how modern she looked with ringlets of flowers--a la Princess Leia--in her hair--as opposed to wearing a tiara or crown.

Queen Elizabeth: Norman Hartnell

Queen Elizabeth
(then Princess Elizabeth of York) and Prince Phillip, Duke of Edinburgh (then Prince of Greece and Denmark--he's actually German and Danish but born in Greece). Her wedding gown was designed by British designer Norman Hartnell. COUTURE DISH: The Queen Mother had specifically asked that Hartnell should use an unusually rich, lustrous stiff satin which was made at Lullington Castle. The satin was ideal for the train, but Hartnell thought that the dress required a more supple material of a similar tone. He ordered the similar fabric from the Scottish firm of Winterthur. Difficulties arose when rivals put about the rumor that the Scottish satin was made from "enemy silk worms", either from Italy or possibly Japan. A telephone call to the town where Winterthur was based, settled the scandal. Mr. Hartnell was assured the silk worms were from Nationalist China and were not "enemy silk worms". Good to know...

Princess Diana: Elizabeth Emanuel

Continuing with the Brits: Prince Charles and Diana
in 1981: Her gown was designed by British designer Elizabeth Emanuel is iconic, of course, especially for its infamous 25 foot (wrinkled) silk taffeta train. COUTURE DISH: The entire gown--including the train and veil--were comprised of (wait for it), 275 total yards. The gown epitomized the excess that were to be the 80's.

Princess Anne: Maureen Baker

Another gown I loved was the one Princess Anne (only daughter of Queen Elizabeth) wore when she wed then-Lieutenant Mark Phillips (he was soooo handsome!!) in 1973. The gown was inspired from the Medieval and Tudor styles. It was very "Lady Macbeth Gets Married".

The gown--designed by Maureen Baker, head designer for Susan Small--featured Trumpet sleeves that hid inner Bishop Sleeves (FIERCE!), as you can see above. COUTURE DISH: Fifteen women worked on the dress and each worked on a different section, and they didn't know what the final outcome would look like--this was done for fear that the design would be "leaked" to the press by one of these girls.

Wallis Simpson: Mainbocher

Of course, when speaking of Wedding Couture, we can't leave out the Mainbocher gown worn by Wallis Simpson when she married Edward, Duke of Windsor (also Prince Edward, King Edward XIII of course) in 1937. This pale blue gown and hat--have gone down in history as the epitome of understated chic. The groom wore a Morning Suit, of course. There were only sixteen guests, not one a member of the royal family.

Princess Margaret: Norman Hartnell

Then , there was the Fashionista and "Party Girl" Princess Margaret, Countess of Snowdon (Queen Elizabeth's sister) and her wedding to Anthony Armstrong-Jones. Her gown was designed and created by the house of Norman Hartnell--same designer who created her sister's wedding gown.This was also the first royal wedding ever televised, and was watched by over 300 million viewers worldwide!Empress/Shahbanu Soraya of Iran: Christian Dior by Yves Saint Laurent

I also absolutely LOVE the wedding gown worn by Soraya Esfandiary-Bakhtiari (of German-Persian descent) , who would become Empress and Shahbanu Soraya of Iran when she married the Shah Mohammed Reza Pahlavi (his second marriage) in 1951. She wore a a custom gown designed by Yves Saint Laurent for the House of Christian Dior.

COUTURE DISH: The gown was a silver lame gown studded with pearls and marabou stork feathers (!). To finish the gown, there was a cropped shawl-collar jacket AND a full-length white mink cape which she removed for "let-me-sit-down-and-breathe" photos. Poor Soraya (who was rumored to always have been the Shah's love of his life) soon discovered she could not give him a male heir (she was infertile) and therefore, divorced seven years after their wedding, but was left with a nice you-can-live-forever-in-style bank account.

Queen Sofia of Spain: Jean Dessès

Next of note was Queen Sofia's (then Princess Sophia of Greece) Wedding Gown--designed by Egyptian-born of Greek descent fashion designer Jean Dessès--when she married the future King of Spain Juan Carlos in Athens Greece to much fanfare.

Marie Chantal of Greece: Valentino Haute Couture

Speaking of Greeks, here's Crown Prince Pavlos and his bride, Marie Chantal Miller. Marie Chantal is of US-Ecuadorian ancestry and Pavlos, the son of the exiled King of the Hellenes (Greece), Constantine II, is well, of Danish-German (and not so much Greek) descent. Constantine II is Queen Sofia's (see previous wedding gown pic) brother--yes, keep up!! By the way, the Bride's gown was from Valentino Haute Couture. Don't mess with them darlings!

Maria y Carmen Martinez-Bordiu: Cristobal Balenciaga

Now onto another fabulous Royal Wedding Gown of note. This gown is from Maria y Carmen Martinez-Bordiu y Franco when she wed Alfonso, Duke of Anjou and Cadiz and Grandson of King Alfonso XIII of Spain in 1972. General Franco made him Duke of Anjou and making him a Royal Highness, thereby making her a Princess: Can you say "At-a Girl!" in Spanish?? Momma didn't raise a fool!
COUTURE DISH: Her gown was designed by Cristobal Balenciaga. The Spanish Couturier ended his business in 1968 but came out of "retirement" to design her gown. It featured 14 meters of Abraham silk, 20 silk thread spools, 10,000 pearls, and over 5,000 sequins. It also had the Bourbon "Fleur-de-lis" embroidered into the front of this one-of-a-kind Haute Couture hand-made gown.

The future Queen Noor of Jordan's wedding dress is notable for it's elegant simplicity. It was a blouson gown, with no crinoline, no petticoat, no tulle. This is how you do "restrained" and unfussy, but still beautiful.

Queen Rania of Jordan: Bruce Oldfield

At the opposite end, was Queen Rania of Jordan's wedding gown to King Abdullah II. Her gown was designed by British designer Bruce Oldfield (a name that has been thrown around as a possible candidate for Catherine Middleton's wedding dress designer) and not by a Middle Eastern designer, which was odd.

Princess Maxima of the Netherlands: Valentino Haute Couture

Moving on to the New Generation of Royals--and their Wedding COUTURE: A gorgeous Valentino Haute Couture creation can be seen on Princes Maxima of the Netherlands when she wed Crown Prince Willem-Alexander, Prince of Orange, and heir apparent to the throne of the Netherlands. Maxima is from Argentina darlings, in case you weren't aware. South American girl done did good, as they say...The Netherlands will have an South American-born Queen sometime in the future.

Princess Mette-Marit of Norway: Ove Harder Finseth

Staying in Scandinavia: There was the wedding gown of Crown Princess Mette-Marit of Norway. Ove Harder Finseth was the designer. I loved this gown for its elegant simplicity. The shape was perfect for Mette-Marit's lean figure and again, as one of the "Next Generation Royals", I love that she chose to do without the Disneyland Princess Crinoline-and-Petticoat Ball Gown "Princes Diana" silhouette. Norwegians know how to give you "Directional Modern Brides" for sure!

Princess Letizia of Spain: Manuel Pertegaz

I also LOVED Princess Letizia of Spain's wedding gown when she married Crown Prince Felipe in 2004. It was designed by 93-year old (yes, 93!!) Spanish Designer Manuel Pertegaz. I'm sure his "staff" had a lot to do with this and he probably sat there and said "Si!" and "No!". Letizia’s beige Valencia silk wedding dress was graceful and Medieval in its silhouette. It featured long sleeves, a decorative stand-away collar, veil and skirt embroidered with flower-de-luce and ears of wheat. Her wedding dress was 4.6 meters long!!

Crown Princess Victoria of Sweden: Par Engsheden

And last but not least in my Royal Wedding Couture Nick Verreos Hall of Fame, I have to include the gorgeous gown worn by Victoria Crown Princess of Sweden. The silk fit-and-flare gown was designed by Swedish designer Par Engsheden. Simple. Elegant. Sublime. The stunning crown and lace veil finish it off. THAT is a future Queen ladies and gentlemen.

Now....Which one was your FAVORITE Royal Wedding Gown???

What is Visual Merchandising?

If you love making things look good and like being creative, this could be perfect for you. Visual merchandisers (also known as window dressers or display assistants). 

The role of Visual Merchandiser is creative and fast-paced. Visual merchandisers do much more than simply dress mannequins. They’re often the masterminds behind the intriguing window displays, elaborate holiday decorations and in-store displays in department stores, boutiques and other retail establishments. Visual Merchandising is a practice that supports retailers in presenting their retail space in the best possible way to maximize sales.

Research has shown that the majority of consumers make their purchase decisions while they are in the store.  As a result, retailers often devote a large amount of time, effort and money every year on props and promotional display material. It is the job of the visual merchandiser to bring the displays to life, make an impact on the consumer, draw shoppers into the store and set the overall mood.

You would normally become a visual merchandiser or display designer in one of two ways: by completing a retail design qualification at college or by moving from an in-store sales assistant role to a trainee visual merchandiser post.  You may also be able to get into this career if you have more general art and design qualifications, and can show a flair and enthusiasm for retail.

A visual merchandiser needs to have a high level of attention to detail. They also need to be able to work to deadlines. The ability to work well as part of a team is also important.  As a visual merchandiser in a large retail company, you would work as part of a display team. You would follow design plans created at head office by a visual merchandising manager or senior display designer.


Depending on your responsibilities, your day-to-day work might include:

  • producing design ideas for displays and developing floor plans, or following a company plan
  • creating special displays to promote a specific product or offer
  • deciding how to use space and lighting creatively
  • making best use of a store's space and layout
  • creating branded visual merchandising packs to send to each branch of a store
  • giving feedback to head office and buying teams
  • setting up displays, dressing dummies and arranging screens, fabric and posters
  • sourcing display materials and hiring, borrowing or making props
  • making sure that prices and other required details can be seen
  • teaching sales staff how goods should be displayed
  • taking down old displays.
Senior visual merchandisers are usually responsible for planning the store display for the year, creating visual plans and buying the appropriate models, props, equipment and signage.  Head office visual merchandiser coordinators often prepare a visual merchandising pack to send to other stores, so that all stores have the same company look and feel.

Most visual merchandising jobs are in fashion and homeware departments and stores. You can also find some opportunities for display work at museums, tourist attractions, airports and hotels.

Visual merchandising can be physically demanding at times; however, the excitement and opportunity to utilize creativity in the workplace are well worth the effort.  Could this be a job for you?? 


















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