Selena Gomez's best fashion moments (boy, has she upped the ante!)

Selena Gomez's best fashion moments (boy, has she upped the ante!)

Is it just us, or has Selena Gomez seriously stepped up her fashion game lately? Long gone are the sweet but safe prom dresses in pretty pastel hues - Selena's transformed into a fully-fledged fashion star, hitting the red carpet in her stride with a wardrobe of big name, molto sexy Italian designers like Versace and Dolce & Gabbana, and a love of plunging necklines, sharp tailoring and mega-watt embellishment. See Selena's style transformation from sugary sweet Disney Princess to uber-glamorous red carpet queen - we bet the Bieber's kicking himself for letting this fashion maven go.

Returning back to where it all began, the former Disney Channel star appeared on Radio Disney wearing a Proenza Schouler black dress with copper foil printed embellishments.

Selena pairs a Shaina Mote dress with a casual leather jacket for a Music Choice event in New York. Loving that cross-print look.

An unexpected fashion choice for the singer, Selena pairs this highlighter pink Miu Miu jumpsuit with a pair of Gianvito Rossi heels.

The Ditsy Floral trend

The Ditsy Floral trend

The upcoming warm seasons found the leading fashion designers all obsessed with floral canvas artwork, covering the models with tons of itty-bitty flowers. We've all seen the traditional "ditsy" floral print - dainty, feminine, and totally classic, a total contrast of exotic flowers such as lilies or orchids that we've been seeing.

Floral prints are a wonderful wardrobe addition, so why not minimise your blooms this season and opt for tiny ditsy florals. At first glance, it’s a throwback to the 1990s, but floral prints can be fierce. It's all in how you style them.

A ditsy print is a very small scale all-over pattern that adds character to a classic shirt, dress, skirt, trouser or jacket.  The design motifs are usually small and scattered or random rather than in rows or stripes. At a distance, a ditsy print looks almost like a solid colour, the scale is so small.

Floral accessories are never over-the-top, experiment with handbags, shoes, and jewellery. Floral accessories can easily find a place with any outfit and occasion. The best part is, you don't even have to worry about whether or not the colours match the outfit.

Here are a few chic Ditsy floral pieces that will ensure you are on trend this season.

Lizzy Ina Dress Black Floral R639

Utopia Ditsy Print Tunic Dress R299

G Couture Ditsy Flower Print Maxi Multi

Blu Spiral Boxy Tank Top Frill Pink Floral R340

Mix Floral Playsuit Green Leaf R599

For a little more inspiration, take a look at how these fashion bloggers are styling their Ditsy floral prints this season.

Altuzarra Pre-Fall 2017 Collection

Victoria Beckham's take on blooming buds for the cooler months.

Maud Le Fort by Zoltan Tombor for Stylist, Paris Fashion Week, floral 70s pantsuit

I hope these Ditsy floral print style tips have given you some inspiration! Till' next time xo

WHAT DO YOU THINK?

ICE STYLE.....2017 NHK Trophy Grand Prix of Japan FIGURE SKATING COSTUMES: MEN

ICE STYLE.....2017 NHK Trophy Grand Prix of Japan FIGURE SKATING COSTUMES: MEN

Sequined Swan Boy: Adam Rippon of USA during his Free Skate at 2017 NHK Trophy Grand Prix of Japan, Osaka Japan

Top Three: (L to R) Adam Rippon of USA (Silver medalist), Russia's Sergei Voronov (Gold), and Israel's Alexei Bychenko (Bronze)--2017 NHK Trophy, Osaka Japan

In my last 2017 NHK Trophy ICE STYLE post HERE, I discussed the LADIES COSTUMES highlights (and Mirai Nagasu's costume change!), so now, it's time to talk about the MEN and their costumes and how much I LOVED Adam Rippon's new Free Skate look...But, let's start with Israel's boy, Alexei Bychenko:

Alexei Bychenko of Israel: To his Short Program for this Olympic Season, Alexei went full-on "Israeli Proud" with Hava Nagila (Jewish Folk Song). His costume for this staple song at Jewish weddings and bar/bat mitzvah celebrations involved black pants, a loose/un-tucked white shirt and a beige unbuttoned vest. It's a look that works for the music but I wish it was just a teeny bit more interesting.

Free Skate to Pagliacci by Ruggero Leoncavallo--For his Free Skate, Alexei continued the black/white/beige color theme he started with his Short Program. This costume for "Pagliacci" looked more appropriate for "Hava Nagila" and I wish he would have worn this! (it was a more "fancier" look). Well, at least he didn't go full-on Pagliacci clown:

Deniss Vasiljevs of Latvia: For his Short Program to Recondita Armonia by Giacomo Puccini, Deniss went Period costume, staying slightly to the "Tosca" costume script, which takes place in the early 1800s, during the "Regency Fashion Era". He wore black pants, black brocade vest with gray back, and a ruffled-and-lace men's blouse with fluffy necktie. I liked this look and especially, keeping the interest up top with the blouson sleeves and that nice jeweled pin.

Free Skate to Put the Blame On Mame by Doctor 3, Anyone to Love and Sway by Michael Buble--For his Free Skate, Deniss went for a "Lead Singer of a Band"-look with his shimmering costume. The look had tuxedo-like pants, dark open neck shirt and a bi-colored jacket featuring one gold side as well as a blue one. This was a "costume" that I could totally see Michael Buble wear in one of his concerts so it seems appropriate that this was Deniss' choice.

Dmitry Aliev of Russia: Short Program to Masquerade Waltz by Aram Khatchaturian. I loved this costume worn by Russia's Dmitry Aliev of Russia for his Short Program. The "Admiral"-like costume featured a red/maroon colored double-breasted snug-fitting stretch jacket, gorgeous collar and cuffs with sequined appliques and those great frilly epaulets. With the accompaniment of the sweeping music and this costume, I was almost transported to a fabulous ball in Imperialist Russia. 

Hiroaki Sato of Japan: For his Short Program to Terre-Merre (from "Totem" - Cirque du Soleil) by Guy Dubuc and Marc Lessard, Japan's Hiroaki Sato wore this above. If I hadn't known that the music was from "cirque du Soleil", I would have probably commented and said that his costume looked VERY "Cirque du Soleil" so....I guess, he was perfect! The striking turquoise and violet colors juxtaposed with the peacock feather-like details gave an air of a flora and fauna creature sliding through the ice as if it were a magical lake. 

Sergei Voronov of Russia: Sergei skated his Short Program to Adios Nonino by Astor Piazzolla. This is a Tango and therefore, I assume Sergei was going for a "Modern Tango" look with his red and black costume. The top was a bit odd with the different panels and I was especially confused about the nude-like ones. Was this supposed to be skin-colored illusion? And if so, why the odd placements in the midriff and neck area? he looked a little more "Tron" than Tango.

Free Skate to Sarabande Suite--This all-black look was a little better than his Short program costume--only because it looked sleeker and less like a just-out-of-fashion-school student designed it. I wished those "straps" on the shirt might have been studded in black Swarovski crystals and I'm not a fan of the gloves but...at least he DID NOT wear that tacky "Ross Dress For Less" 90s belt a lot of these male figure skaters cannot let go of! So, I am happy for the small things.

Jason Brown: I discussed Jason Brown in my 2017 Skate Canada International costumes blog HERE but if I am not mistaken, I think Jason (kind of) changed his costume...kind of! For his Free Skate to Inner Love by Maxime Rodriguez at 2017 NHK Trophy, he wore this beautiful stretch velvet blue dégradé top with silver sequined accents. For the pants, he donned dark indigo-colored stretch velvet pants. So...what was different? ....

Above was what he wore at his previous Grand Prix this season--at 2017 Skate Canada International--notice the pants; they MATCH the royal blue of his top. But in the new look, they're not matching so...I guess it's kind of a costume change. Which one do you guys like better? Darker or Matching Pants?

Adam Rippon of USA: Adam wore this "Rock & Roll" Flashy look above for his Short Program to Let Me Think About It (Eddie Thoneick Remix) performed by Ida Carr feat. Fedde Le Grand. I LOVED IT! Adam has been on a costume roll wearing SUPER TIGHT sexy tops with plunging necklines and see-through fabrications, and I am a big fan! A) Adam is like FAT FREE and lean as a toothpick so...he can do it! And B) It's refreshing to see something that is fun, flashy and NOT an all black boring look straight out of a department store. I really like the faux leather panels and the rhinestones accenting the top. Throw in that center front zipper and sheer stretch chiffon and Adam is ready to hit the dance floor! All that's missing is a FAB disco ball.

Free Skate to Arrival of the Birds ("Crimson Wing" soundtrack) by The Cinematic Orchestra

O by Coldplay--This is the same program music from last season but Thank Goodness, it was a different costume. Not that I didn't like last season's costume but THIS WAS GORGEOUS! The look--designed by Veretto Sport and designer Braden Overett--included blue skin tight pants and a second-skin sequined top. That top was OUTSTANDING--like Figure Skating Haute Couture! There were hints of the sky and bird's wings (to go along with the music) but not so overtly like last season's feathered costume.



In case you are wondering, this is what he wore last season to the same program/music:

**UP NEXT: The PAIRS & ICE DANCE COSTUMES highlights from 2017 NHK Trophy!



And don't forget about my PAGEANT COLORING BOOK!! Enjoy making your very own Pageant Evening Gown Contest via my coloring book! Click the photo to purchase on Amazon.com NOW!

Fashion Shows Fall 2017 Couture Jean Paul Gaultier

Fashion Shows Fall 2017 Couture Jean Paul Gaultier

I was sitting in Cortina d’Ampezzo, a friend whooped it up in Klosters, and not so far away there was Val d’Isère. Except that none of us were really in those jet set–y ski destinations, which always sound like the kind of places where Roger Moore–era 007 (may he rest in peace) would have dispatched a cat-stroking nemesis. Rather more prosaically, we were in seating sections named after those resorts in the ever-so-slightly stifling heat of Jean Paul Gaultier’s Rue Saint-Martin studio, awaiting his Couture show to start.

Never let it be said that Gaultier doesn’t love a theme. Some of his most monumental collections of the past were worked to very specific ones, indeed—be it tribal tattooing and fetish piercing, or the clothing worn for religious observance by Orthodox Jews. This time it was ski culture, focusing on the glamazon on the chairlift, and the bejeweled and bedazzled snow bunny. Even before the show started, it was plainly evident, what with Gaultier’s program displaying his old-school penchant for naming each look with a suitably saucy wink: Gstaad the Way It Is, L’Avalanche, What You Looping At, et cetera.

Jokes, as we all know, can be a potent vehicle for something deeper, and so they were here: Humor in the service of heightening the sincere commitment of Gaultier to his couture—I Look Like I Don’t Take It Seriously But Really I Do! For all of the campy excess on his runway, glance to the balcony above and you can see his atelier gathered together to view their (oftentimes very impressive) handiwork. And for every RuPaul’s Drag Race quip (one look was dubbed “Sasha Velours”) there were some exquisite pieces that riffed on Gaultier’s iconic moments, but look just as good now: the slouchy cardigan jacket embellished with blue and white Fair Isle patterns created out of pearls, say, or the fairly abbreviated Aran sweater dress crafted from mousseline ribbons.

Tailoring, as usual, took center stage. There was the off-kilter bias cutting of his le smoking, or a camel coat deconstructed to slip-slide with a swoosh across an ivory knit body, both looks being pretty darn chic. That’s a phrase one usually wants to avoid like a skier hitting glassy ice when discussing a runway show, but in this case, it’s entirely appropriate.

André Bryson - Guerrilla - Emerging Fashion Designers at NYFW

André Bryson - Guerrilla - Emerging Fashion Designers at NYFW

For those of you who may not be familiar with the term, Guerrilla is the name given to irregular military combatants, like a 'Resistance' army; not an official army... In my correspondence with the designer André Bryson he tells me that these 60's 70's silhouettes are a reference inspired by the tensions of the day, both in the USA; and tensions in the UK epitomised by the Mods and Rockers. Clearly André sides with the Mods on the style front. And quoting Bryson directly "Only the five primary colors (black, white, red, yellow and blue) I wanted to express that every color known to man is derived from these five colors in hope to bring unity to this collection as a complete story." I suspect the colours chosen also represent a message of unity in more than just the designs. My photos are of some of the highlights from the Guerrilla range, shown with Bracé Designers Emergent De la Mode NYFW at The Stewart Hotel, NYC September 2017.

I love the blocked colours and bold stripes, patch pockets and windowpane broken-checks, black with white or white with black, playing with positive/negative combinations. The innovative Nehru jacket as an open-front blouse with a scarf or pussy bow tied at the collar, a personal favourite of mine. Curiously, weeks later I saw similar concepts being sent down the runway in my news feeds from the Paris shows.. Weeks later.. Bryson seems to have the zeitgeist a fashion designer needs on his side. Love his designs? You can contact him directly via his instagram below. For more shots, just scroll down!

https://www.instagram.com/andre.bryson/
SFS New York Edition is Sponsored by White Caviar Life, Destination Travel.

Telling Stories in Pictures all over..

Kent Johnson, Sydney, Australia.

0433 796 863

kent@artcommunication.com.au

www.kentjohnsonphotography.com.au

www.fashionphotographysydney.blogspot.com/

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FIDM MUSEUM....."Fashion Philanthropy" Exhibition, from The Linda & Steven Plochocki Collection

FIDM MUSEUM....."Fashion Philanthropy" Exhibition, from The Linda & Steven Plochocki Collection

Golden Dress: A Boue Soeurs Paris France Silk Tulle and Silk Satin "Presentation Dress"--The Linda and Steven Plochocki Collection Exhibition FIDM Museum, Downtown Los Angeles

Even though the 11th Annual Art of Television Costume Design Exhibition closed earlier this month, if you are a FASHION COUTURE ENTHUSIAST, you still have plenty of time to swing by the FIDM Museum in Downtown Los Angeles to enjoy the beautiful "Fashion Philanthropy: The Linda and Steven Plochocki Collection".

           The Linda and Steven Plochocki Collection Exhibition FIDM Museum, Downtown Los                                                                                     Angeles



The Exhibition showcases collected, purchased and donated items--both garments and accessories--from the Plochocki's collection, and explores Linda's fascination with all things floral and embroidered. In addition to 19th and 20th century pieces, the show also highlights contemporary designs by Prada, Valentino, Alexander McQueen, and Raf Simons for Christian Dior. FIDM Museum Creative Director Peter Lam's hand-crafted paper flowers adorn the walls and accentuate the blush and grey color scheme. 

Linda and Steven Plochocki (Center), with Barbara Bundy (Far left) FIDM Museum Director and Vice President of Education and Tonian Hohberg, President of FIDM--Fashion Philanthropy: The Linda and Steven Plochocki Collection at FIDM Museum, Downtown Los Angeles

Here are some photos of the GLORIOUS COUTURE on display:

Couture Garden: Historical Ladies Garments from the Linda and Steven Plochocki Collection--on display at "Fashion Philanthropy Exhibition: The Linda and Steven Plochocki Collection" FIDM Museum, Downtown Los Angeles

(Left to right): Evening Dress c. 1837-40 evening dress of silk brocade and a 1908 "Afternoon Gown" of gray silk satin and silk chiffon trimmed with embroidered silk flowers from "Liberty and Company" LTD London...

The front bodice of the 1908 "Afternoon Gown" simulates a jacket as seen in the close-up above--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Chic Debutante: A 1928 presentation dress worn by Miss Sallie Bell Gaston at the Dallas Country Club. Made by Boué Souers in Paris. The dress is of silk tulle, silk satin, lamé, metallic floss and silk ribbon embroidery--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Glam Winter Coat: Charles Worth c. 1885 silk velvet brocade coat, trimmed in sable--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Pouffed & Cinched: A jacket-bodice c. 1898 by Jaques Doucet. Iridescent silk taffeta, silk chiffon, silk satin ribbon, silk lace, and silk chenille (notice how TEENY-TINY the wearer must have been back in that era)---"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Asiana Fab: Andrienne Landau velvet & fur coat, c. 2000--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Raining Flowers: Raf Simons for Dior Spring/Summer 2016 coat/parka--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Alta Moda: 1965 Valentino Garavani silk crepe coat with glass beads, rhinestones, metallic and silk thread and synthetic raffia--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Nuptials Couture: Wedding Gown c. 1878 by Emile Pingat made of silk faille, netting, chiffon, floss, satin, cotton and lace. Orange blossoms made of colored wax detail the gown. The dress is 139 YEARS OLD and in PERFECT CONDITION; better than some of my NIKOLAKI gowns that are worn on the red carpet after one night's event!--"Fashion Philanthropy: The Linda and Steven Plochocki Collection" Exhibition FIDM Museum, Downtown Los Angeles

Here are the DETAILS of the fabulous exhibition:

WHAT: Fashion Philanthropy: The Linda and Steven Plochocki Collection 



WHEN: Runs through December 22, 2017



WHERE: FIDM Museum & Galleries 

                919 South Grand Avenue, Ground Floor 

                Los Angeles California 90015

                Entrance on Grand Hope Park side



COST: FREE!