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Building A Capsule Wardrobe: The Little Black Dress

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"When a little black dress is right, there is nothing to wear in it's place." -Edith Piaf

During the 1920s Chanel created a little black dress which popularized black dresses for women. After her lover Boy Capel died in 1919, Chanel wore and made black dresses inspired by the women in mourning she had seen in the French villages as a child. In 1929 Vogue printed an image of one of Chanel's black dresses in their article on Parisian Fashion. Implying the popularity and instant long term appeal of the 'LBD', Vogue dubbed the dress 'the Chanel Ford', linking it with the popularity of Henry Ford's Model-T motor cars.

Ford was known to have said "any customer can have a car painted in any colour that he wants so long as it is black".

Practical, flattering and sophisticated, the little black dress could carry women from the afternoon through the popular cocktail hours. Made from crepe de chine, the 'Chanel Ford' dress featured a slashed neckline, a bodice that bloused slightly at the front and sides, a tight bolero at the back and diagonal pin-tucks across the front. It was simple, elegant and very in keeping with the modern way of life. Over time the dress grew to become a staple in the wardrobe, as women heeded Chanel's advice.

"One is never over nor under dressed in a little black dress."

In 1961 the world went a little mad for the wardrobe of Holly Golightly, elegantly portrayed by Audrey Hepburn, dressed in Givenchy for Breakfast At Tiffany's. Personally this one is my favorite. Adopted each generation in a different way, the little black dress is synonymous as the essential item in a women's wardrobe. Today it can take you across any occasion, it can be styled simply or paired with accessories. I love that a black dress offers a reliable outfit in my wardrobe that I can turn to knowing I will have something to wear, no matter the occasion. Somehow, even wearing the same one again and again, (something a little taboo of a printed or coloured dress) is not an issue. Should you choose to wear a little black dress again and again, it is simple attributed that you have 'style', are 'classic' and elegant.

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Cue The LBD. New to Australia, The LBD is a manufacturer and online retail boutique with a unique concept certain to revolutionize how women source and select their perfect LBD. Finding the perfect LBD until now, could prove to be a challenge. Fit, price, availability and seasonal collection changes all conspire together to make it a challenge to find the right one for each woman. Over the past 12 months, the design team at The LBD have been crafting the capsule collection, built around classic, timeless designs to create a versatile foundation wardrobe. Each LBD is available in styles to enhance the individual customer's assets. These days the average Australian adult female is an average size 14, but the LBD designed to suit body shapes rather than label sizes. Adapting necklines, sleeve and skirt styles and hemlines, there is a whole range of silhouettes to choose from, each dress is made of trans seasonal high quality fabric for year round wear. The site also features a unique Dress My Shape Guide complete with a shape guide and calculator. Each dress has been sized against its counterpart, meaning the sizes remain the same no matter which style of dress you choose. I personally find the unstandardized clothing sizing system in Australia to be extremely frustrating. I am a size 8, no a 6, no a 10... or all three, depending on a garment or brand. Not with The LBD! I calculated my size, and it fit perfectly.

I will share my outfit post in the dress I chose in the coming days, (below is one of my styling boards I have made up featuring it) but in the mean time, I thought I would share a link to The LBD so you can check it out. I can not stress enough how useful a little black dress is in building your capsule wardrobe!

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If you have missed any of the 'Building A Capsule Wardrobe' series, check out the previous posts here.

I will be bringing you more of this sort of post in coming weeks, so stay tuned, and please share any comments or ask any questions below.

Happy Capsule creating!

xx Jenelle

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Instagram @jenellewitty

Head(ing) On into Art & Photography April/May 2016

OK I did ask the dumbest question of Jerrard Seng about his work, Me: "did you Photoshop yourself into all these landscapes" Jerrard: "No I took them all with a remote". Believe that or not; his show 'The Space Between' at m2 Gallery of selfies in incredible Icelandic landscapes seems a very NOW approach to art photography; a bit like Instagram on Steroids on the wall - and bigger! There was a bit of a crush by the time I arrived but I heard it was even more packed earlier, no wonder it was a bit quiet (comparatively speaking) at China Heights, where KNIGHTMARE by French was taking place fusing a gothicy art with the latest trend in street fashion, embroidered patches (and buttons-we already knew), or so Bloglovin had informed me only that very morning! continues below..

Jarrad Seng THE SPACE BETWEEN at M2 Gallery

Street Fashion Sydney, woman with fuji instant camera, black singlet, denim jacket on waist. Photographed by Kent Johnson.

Street Fashion Sydney, Young woman wears Black Harley Davidson tee, ripped jeans and fringed leather bag. Photographed by Kent Johnson.

Street Fashion Sydney, Pink hair and a blue blouse with pink roses print. Photographed by Kent Johnson.

Street Fashion Sydney, opening night art crowd at m2 gallery Surry Hills. Photographed by Kent Johnson.

Street Fashion Sydney, Off duty models, boots and leather skirt, black tee and jeans. Photographed by Kent Johnson.

Street Fashion Sydney, Long sleeve grey marl crop top, crystal on leather neck cord, blue jeans, woven sandals and shoulder bag/hippie tote with shawl. Photographed by Kent Johnson.

Street Fashion Sydney, white blouse under grey jumper, black satchel, leggings and boots.Photographed by Kent Johnson.

Street Fashion Sydney, Little tight black dress. Photographed by Kent Johnson.

Street Fashion Sydney, Friends with 'travellers', Balck ripped jeans Harley tee shirt, him, denim jacket unlaced skate shoes, tee shirt. Photographed by Kent Johnson.

There was certainly no shortage of funky styling at any of the shows and the still-warm weather seems to be making things more like a spring night out not at all winter approaching.

Woven patches at KNIGHTMARE by French at China Heights Gallery

Richard ‘FRENCH’ Sayer, KNIGHTMARE by French at China Heights Gallery

The Castle shop at NIGHTMARE by French at China Heights Gallery.

Face-time at KNIGHTMARE by French at China Heights Gallery.

Roberto Fernández-Ibáñez 'Mountains of Uncertainty' at Stanley Street Gallery.

I'm just going to put it right out there. This is the most original art photography show I have seen in quite a while; I don't know how he make the images (it's a silver halide based traditional process) and I don't really care; what's interesting is the fusing of the political economy as a subject and the graph as a photographic object, or you can just enjoy them as photo based abstractions. I thought they were brilliant!

Chris Ross, THE ANTICIPATED IMAGE at KUDOS Gallery

Marley Marco Pasinetti, 'The "8" Second Ride' at ArtSHINE Gallery

Street Fashion Sydney, black of shoulder top lace skirt and RM Williams boots at 'The "8" Second Ride' at ArtSHINE Gallery. Photographed by Kent Johnson.

Street Fashion Sydney, a beautiful young woman wearing a floral boob-tube top with black dress pants, wide black stripe, shoulder bag and warm coat. Photographed by Kent Johnson.

Street Fashion Sydney. Detail of His and Her's RM Williams boots, at the "8" seconds exhibition. Photographed by Kent Johnson.

Friends of the artist at the "8" seconds exhibition. Photographed by Kent Johnson.

Street Fashion Sydney, Black straps and fishnet top, round backpack bag and tucked in flannelet shirt. Photographed by Kent Johnson.

Well there's at least two cowboy shows at Head On this year; Claire Letitia Reynolds's 'Lonely Cowboys' at Central Park which I am yet to see and Marley Marco Pasinetti, 'The "8" Second Ride' at ArtSHINE Gallery. Just around the corner in Chippendale and well supported by his friends on opening night. I popped my head into the big do Saturday night at aMBUSH Central Park, but I must say I find art exhibited on that scale somewhat daunting. So it was nice to then find myself for the first time in the more intimate ArtSHINE space for Marley's first solo show. Great eye, lovely compositions, check it out before or after visiting the big festival splash up at aMBUSH.

http://m2gallery.com.au/
http://www.chinaheights.com/
http://stanleystreetgallery.com.au/
http://www.artshinegallery.com/

Telling Stories in Pictures all over Sydney..

Kent Johnson, Sydney, Australia.

0433 796 863

kent@artcommunication.com.au

www.kentjohnsonphotography.com.au

www.fashionphotographysydney.blogspot.com/

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ZILPAH TART - FASHFEST DESIGNER INTERVIEW

The countdown is on until the style elite descend on Canberra for FASHFEST. In the lead up I caught up with Canberra designer Yumi Morrissey who is the creative genius behind Zilpah Tart and its strong colourful unique prints that I am excited to see sashay down the runway.

Image: Andrew Donato

Where about's did you grow up?

I was born and raised in Canberra

What sparked your interest in fashion?

I decided when I was 7 years old that I wanted to be a fashion designer, and never changed my mind. I spent my time as a child making outfits for my troll dolls.

What personal history has(if any) influenced your views on fashion or your design aesthetic ?

I’ve always been a very girly girl so my designs are very feminine. I’ve also always found individuality important, even when I was a child, and so this is part of the way I design. The clothing stands out in a crowd, through the use of bright colours/prints and beautiful flattering shapes. It’s not designed to blend in, and the designs are not trend based.

How did you get to where you are now? Where did you study?

I studied a Bachelor of Fashion Design at Canberra Institute of Technology, graduating in 2007. My label at this point was just a hobby, while working in the public service. After my son was born in 2013, I quit my public service job to take my business full time. This was the time when I really started on the journey, working out what my true aesthetic and business direction was.

I am super excited to see the Canberra Institute of Technology, I adore the creativity of students and their willingness to push the envelope. How did you come up with the name for your label?

The name Zilpah tart was my grandmother’s name. Zilpah was her first name, and Tart was her maiden name. After she passed away, we were going through her things and I found a 1930s brooch of a penny farthing. At that point, I decided to use her name for the label and the image of the penny farthing for the logo.

Yumi Morrissey designer of Zilpah Tart Image: Holly Morrison

How many people are in your team?

Just me, myself and I. I outsource a small amount of production here in Canberra, but everything else is created by me.

That really impresses me that you are so hands on with your work in all fascists. What is your favourite material to work with?

I use stretch jersey. I love using jersey for the comfort and fit. Particularly after having a child, comfort and being able to move easily (bending down picking up a child etc) became super important. But I like to look good, and generally jersey doesn’t fit that category. So I use design to be able to make beautiful clothing that is also comfortable.

Everyone has one material that they absolutely detest working with, what is your least favourite material to work with and why?

That’s a hard one… but probably chiffon. It’s slippery, it moves on the grain, and is tricky to cut and sew. I generally avoid it at all costs.

I love your use of colour in your designs can you describe your collection in 3 words?

Bright, floral, feminine.

What is your inspiration for creating?

For each collection I design three new fabric prints based on Canberra photographs. I choose a theme and this theme directs the photographs that I take to create the fabric prints.

I love creating clothing that is beautiful and unique, and not only makes someone feel good wearing them, but through the use of photographic prints, creates a personal connection for the wearer as well.

I agree that clothing should empower you and make you feel great. What or who is your motivation?

My main motivation is being able to do what I love. I think following your passion in life is so important, and I’m motivated to make my dream a reality.

Image: Anthony Caffery

In the lead up to FASHFEST could you share a little about what I and the crowd may see?

The new collection is full of colour. I used photographs from several years of Floriade (pulled them from my Floriade photo collection). I followed a sort of garden nymph vibe, and this will continue through the makeup and hairstyling for Fashfest as well.

You use wonderful digital printed fabrics from inspiration you have captured around Canberra, what is your first memory of using a camera?

My interest in photography is definitely something that developed later on in life. It’s something I really enjoy, but I’ve only really gotten into it over the last seven years or so.

What makes you passionate about fashion and the women you dress?

The most important thing for me is being able to make someone absolutely LOVE what they have bought and are wearing. I want to be able to make women feel good and special when they are wearing a Zilpah tart dress. This has many levels too. Not just the aesthetics of the dresses – I use shapes that tend to flatter most body shapes – but the comfort, the easy care instructions, the versatility (being able to wear the dress with a blazer for work, with sandals on the weekend, and with heals to a cocktail party), knowing that they are wearing a cool photo, quite often cleverly hidden in a pattern – this creates talking points too. Then there’s the local aspect. My customers know they are supporting a local designer. They know that the product is made in Australia by me and they end up with a personal connection to me and to the clothing. It’s makes it more special than a mass-produced piece with no identity.

What are you looking forward to at FASHFEST, besides your designs on the runway?

This will be the launch of my collection so I’m super excited to finally show the new designs, but I love being able to work with other creative people involved in the show, from hair and makeup, models, musicians, and just seeing the whole event come together.

You have been involved with FASHFEST for a few years now. Can you tell me how the festival has changed over the years?

I started at Fashfest in its second year (I was eight months pregnant when Fashfest first launched or would have applied that year also). The show has grown enormously, and it’s really developed its own identity. There are more designers and It’s earned its spot as a major Canberra fashion event.

Image: Tina Nikolovski

Can you describe what runs through your mind when you see your designs walk down the runway?

I love being able to see the designs come to life as a collection. I don’t normally get to see the full collection all together on people at once so It’s great to be able to see that. I also love being able to create a total image using the hair and makeup and seeing it as a show. I’m really excited about the hair and makeup concepts for this year. It’s an opportunity to be really creative.

What type of woman do you envisage wearing your pieces when you create them?

My customers are professional women, aged 25 to 40. They are confident and have a keen interest in unique styles and love to look and feel good.

Where would you like to see Zilpah Tart in 5 years?

My main focus at the moment is trying to expand into the Melbourne market. I now stock at Design A Space in Manchester Lane and Windsor. I hope to be able to build on my customer base there, and then when that market is at a sustainable point, to perhaps expand into the Sydney market.

What advice would you give to an aspiring designer?

Think about what you can provide your customers. What do they do? What do they find important? What do they want/need? Think about how your product can appeal to them on different levels. For example, my customers always tell me they love how easy the dresses are to wash and dry and that they don’t need ironing. Many professional women are busy and travel a lot. They love to be able to throw a versatile dress in a suitcase, and not have to worry about needing to iron it in a hotel room.

One thing I should see or do whilst I am in Canberra?

One of my favourite places to go is the National Arboretum. The views are spectacular, you don’t want to miss it. Sunrise there is incredible if you are an early riser.

You’ll also be in Canberra at the only time of the year when Tulip Top gardens (just outside Canberra on the Hume Highway) are open. They are incredible. I’ve used photos from Tulip Top in a previous collection. Floods of blossom trees all in bloom, tulips, and amazing views.

GFASHCOLLECTIVE: Thank you for the travel recommendations and giving me a little insight into your world. I look forward to seeing Zilpah Tart strut down the runway on closing night at FASHFEST and wish you all the best for the collection.

Tickets are on sale now at: http://fashfest.com.au/:

Marc Jacobs controls Lady Gaga, Miley Cyrus and more

My name is Angel Barta, I'm writer and fashion designer. Marc Jacobs has been stealing my ideas for 5 years, read how I met him, details here. He fooled me with love and kept me in psychological torture. He is a cruel Godfather behind his funny Sponge Bob Mask.

Marc Jacobs' power over Kanye West

Watch Kanye West before fame. He talks about Marc Jacobs at 0:50

Marc Jacobs got a more million dollar Louis Vuitton contract for Kanye a few years ago. Kanye launched a sneakers collection with Louis Vuitton. Kanye's been grateful for Jacobs since then. Jacobs controls Kanye in many ways. It was Marc's idea for Kim Kardashian to wear that Givenchy dress. He wanted to make fun of the pregnant woman at the Met Ball.( Last year everyone was making fun of Jacobs in the lace see-through shirt dress that he was wearing at the Met Ball. ) He even made Kanye steal an old Hungarian song.

Marc Jacobs at the MET Ball last year. He was the highlight of the event. This year he made Kim Kardashian to be the most talked about guest of the Ball.

Have you heard that Kanye West in 2013 stole a more than 40 years old Hungarian song?

This song has been my inspiration for designing for many years. It's one of my favorite songs. Obviously Jacobs asked Kanye to play that old Hungarian hit song.

Kóbor János the singer of Omega claimed he will sue Kanye for sampling Gyönyhajú Lány(The organs from New Slaves) and not crediting them.He already hired an international lawyer to start the confrontation. They can't sue Kanye yet because it was only played on walls and on SNL and it's not official. But if it mades the Album he promised he will step in the ring.
It's funny because the 66 buildings experience was filmed on the singer's 70th birthday

Many people have identified the sample at use towards the end of the new track that Kanye West premiered on (almost) 66 buildings and Saturday Night Live this past weekend.

The music? A Hungarian band called Omega, who released ”Gyöngyhajú Lány” (translated as The Girl with Pearly Hair) in 1969.

It seems that Kanye has had enough of Jacobs power over him. Kanye recently revealed to W magazine that he wrote the humble little ditty after an “unnamed designer” invited him to his show–on the condition that West not attend any other shows that season.
"Cause it’s like, Yo! Nobody can tell me where I can and can’t go,” West lamented in the interview with W, " Man, I’m the number-one living and breathing rock star. I am Axl Rose; I am Jim Morrison. You can’t say that you love music and then say that Kanye West can’t come to your show.”( Kanye's problem must be way more than just a fashion show invitation. Jacobs has been controlling him for many years.) via fashionsta.com

And now the question is: Who was the offending designer? Fashionista is assuming it was someone who showed during Paris fashion week (West also mentions a French restaurant in “I Am a God). That's right, someone from Paris.

That unnamed designer is definitely Marc Jacobs.
Kanye used to attend his fashion shows each season. He has not attented any LV Womenswear show for 2 years, he only attends the Mens LV show.In 2011 Kanye wasn't invited to the Louis Vuitton show, details nymag. I suppose they could not agree on MJ's conditions. By the way this exclusive condition is not new to Jacobs. He usually has some models walk his show with "exclusive condition". So the model can walk ONLY his fashion show (for free), no other fashion shows. The Marc Jacobs runway models are paid in trade ( they can chose a piece of clothing). There was a big scandal in 2012 with Jacobs non-paying his models. I told you, Jacobs is egomaniac.
Marc Jacobs' power over Kanye West, Katie Grand, whose idea was to launch the LOVE Magazine?

Marc`s best friend Lorenzo with Givenchy`s Ricardo Tisci

Why is Kanye wearing kilt on his performances?

Because his `buddy` MJ tells him so.

Kendall Jenner walked the Marc Jacobs fashion show in a completely sheer top, it was her modeling debut.

Marc Jacobs and his 'gang'; Alessandra Ambrosio, Katie Grand,Kendall Jenner

Kendall Jenner presented the Fashion Media Award for Katie Grand in 2014 september

Kendall said at the award:

“The first time I discovered LOVE, I realized the editor in chief, Katie Grand, had a fantastic, cool way of showing fashion. Fast-forward to my very first time doing NY Fashion Week—my agency called to say that I’d be meeting her for the Marc Jacobs show. I was so nervous, kind of like I am right now. Lucky for me, Katie was super nice and she booked me for the show. Since then we’ve shared many adventures, including my very own cover of LOVE. ”

KATIE GRAND WITH KENDALL JENNER, KARLIE KLOSS AND THE OTHER MODELS

Marc Jacobs supports and controls Kendall Jenner as well.

How does Marc Jacobs control celebrities?

He controls them through fashion photographers. ( for example Miley Cyrus through Terry Richardson)

Marc Jacobs and his power on celebrities....

1st. Marc Jacobs and Lady Gaga

Did you know that Jacobs has Lady Gaga in his pocket?

Here are some interesting information for you...

Lady Gaga, Marc Jacobs and Lorenzo Martone

Lady Gaga dressed up as a saint with halo around her head and
sang for Jacobs at his party in 2009

Marc Jacobs and Lady Gaga kissing

Marc Jacobs and Lady Gaga

Marc Jacobs pulls Gaga`s strings. He talked her into getting an Angel inked on her head. It is not enough for Marc Jacobs, that Lady Gaga is wearing my style, the Angel Barta style ( for example the huge bows) he even wanted her to have an Angel tattoo on her head. He wants to control everyone!

Why does the famous Lady Gaga let a fashion designer to control her?

Because she need the magazine covers, and the well-paying campaign contracts that Marc Jacobs gives her.

Marc Jacobs copied my own designed large fuchsia bow and made Gaga to wear it.

Marc Jacobs even designed a Louis Vuitton wheelchair for Gaga.

Lady Gaga with Marc`s supporter Lorenzo Martone

So how does Jacobs control the entire fashion industry?

First, he buys the people. He gets them good jobs. For example for Inez and Vinoodh photographer duo. He got them Louis Vuitton campaign contracts many times and now he got them a very big job: The latest video clip of Lady Gaga. He tells them what he wants in the clip and they realize Jacobs` fantasy in the video clip.

Lady Gaga with Inez

The official music video for Lady Gaga’s new track “Applause” has released. They first presented the song last week, followed by a sexy topless spread that the singer had in the latest issue of V Magazine. Photographer duo Inez & Vinoodh produced both the V Magazine spread and now also directed the new music video for the single. Inez and Vinoodh used to make all the Louis Vuitton campaigns, they are great friends of Jacobs. MJ recently gave them the Miu Miu and Nina Ricci campaigns instead of the LV (Steven Meisel shoots the LV campaigns since 2008)... Plus, they `discovered` the first of Marc`s Hungarian model,s Eniko Mihalik in 2008. They booked her for an exclusive 6 months contract.

There is another editorial that belongs to Marc Jacobs in the same issue of V magazine. Australian model Miranda Kerr embodied the HUNGARIAN adult film actress Cicciolina. How interesting is that the model is wearing Louis Vuitton and Givenchy dresses. ( I am Hungarian too)

Miranda Kerr embodies Hungarian Cicciolina in V magazine

The Art of Travel Louis Vuitton campaign was shot by Inez and Vinoodh fronted by Marc Jacobs` favorite American model Arizona Muse, who was discovered by him, she first walked the Marc Jacobs and Prada shows.

The story of the campaign: Admiring the Mona Lisa, she realizes a man is following her. After finding she is the only one to have the key to a mysterious trunk where a letter is hidden, she accepts Vuitton’s invitation to a journey, disappearing in a hot air balloon above Paris.

Here is another example... Arizona featured in the Louis Vuitton Cruise Catalog, where Jacobs copied many of my personal pictures. Jacobs follows me everywhere. He hired people to take photos of me on the street. Then he copied the moments of my life for his Cruise Catalog.

The story of the Catalog is quite similar to the Art of Travel campaign`s story: The girl walks on the streets of Paris and a mysterious man is following her everywhere.

Jacobs copied a scene from my book, `The Secret Love Affair in Paris` which was published in 2010 in Hungary.

Arizona sitting at the Café du Flore while a man is watching her, just like in my book

Not long after I made pictures at Place Vendome for my Angel Barta Lookbook wearing my own designs, Marc Jacobs copied my pictures with the SAME photographers and the same model from the Louis Vuitton campaign. Jacobs asked them to make a `smiling at Place Vendome` editorial for Vogue Paris. The model had show a big happy smile on EACH pictures just like I did in my lookbook a few months earlier during the haute couture fashion week.

How can a fashion designer control the world famous celebrities?

Well, in Jacobs' case easily.
Do you know why Madonna sings and dances they Jacobs wants her to? Why did Madonna sing a song with Jacobs' favorite singer M.I.A ( who featured in the Marc by Marc Jacobs campaign in 2008)?

Because Jacobs gave her the Louis Vuitton 1 year long contract in 2009.
Madonna got $10 million for the campaign. Since then Madonna is grateful for Jacobs.

Marc Jacobs got inked the word " Shameless" on his chest... Even he admits and knows how cruel and shameless he is!

Marc Jacobs by Terry Richardson

Marc Jacobs and Miley Cyrus... another celebrity controlled by the egomaniac MJ.

Marc Jacobs first invited Miley for his fashion show in 2013 February, then made Miley to dress up the same way I did on my photos last summer in 2012.

The latest video clip of Miley the " We Can't Stop" was the idea of Jacobs. He pulls Miley`s strings too.

Jacobs first copied my high-waisted black shorts for his Winter 2013 Collection...

Miley goes everywhere wearing cropped tops, highwaisted shorts with black thigh-high boots lately.

Miley Cyrus attended a private party held by Marc Jacobs in Savannah, Georgia, on October 14 2010. Miley hit up the party held in honor of Robert Duffy.

Miley with Marc Jacobs' business partner Robert Duffy. She is wearing a Marc Jacobs dress.

Miley goes naked for Marc Jacobs

Marc Jacobs controls Miley from the background. Her performance at the VMA 2013 was completely MJ's idea.

Update! 2013 October!
In a new interview with Rankin’s Hunger magazine, Cyrus credits Jacobs—who recently featured her naked on a t-shirt to promote skin cancer awareness—for her introduction into the world of high fashion.

I work a lot with Marc Jacobs. He kind of brought me into fashion like when I was 16, that was when I started being around him and just learning from him. He kind of let me inspire some of his pieces and now I feel like its just having the right people around you.

Did you know that photographer Terry Richardson invited Miley to his studio just a few weeks before her VMA performance?

Marc Jacobs`s best buddy `uncle Terry` taught Miley how to dance at the VMA`s....

Miley with Marc Jacobs` best buddy photographer Terry Richardson

The new video clip of Robin Thicke`s Give it 2 U song came out today, 2 days after his performance with Miley. The lyrics proves that Marc Jacobs has a big influence on singers, song writers, etc.
Listen to the song at: 1:47 and at 3:18... Robin stops singing and says: ANGEL ( which is my name)... how bizarre! Jacobs gives a sign hidden in the video, 2 times .

The lyrics:

Hey girl
You know you're looking so damn fly
You looking like you fell from the sky

Angel
You know make a grown man cry
I wanna give it to you tonight
And make everything you fantasize
Come true, ooh baby

via: fashion.telegraph.co.uk

via fashionista.com

Miley Cyrus with Marc's business partner Robert Duffy

Miley Cyrus presented Marc Jacobs and his business partner Robert Duffy with the Superstar Award at Fashion Group International's 30th Annual Night of Stars on Tuesday, Oct. 22 2013.

Miley Cyrus with her supporters: Marc Jacobs and Robert Duffy. The men who are responsible for her new shocking image.

Miley Cyrus with Katie Grand ( Marc's main supporter and the editor of LOVE magazine)

Katie Grand, stylist at many brands and editor at magazines.

At the AMA 2013 Miley Cyrus copied

the cat hologram idea of a Hungarian band called 'Belga'.

Picture from the video clip of Hungarian 'Belga- Tini Rock'

Miley Cyrus's performance with a huge cat in the background,
just like in the Hungarian video clip

Marc Jacobs controls photographer Terry Richardson too.

He is the originator behind many of Richardson`s perverse editorials.

How can he control Richardson?

The answer is simple: Jacobs gets Terry very well-paying jobs. ( Just like he did for Inez and Vinoodh for the Gaga clip)... and Terry can not say no to money!

For example in 2011, Terry followed Gaga on her “Monster Ball” tour taking behind the scenes pics, 350 of which made it into his book Lady Gaga X Terry Richardson. Post reports that Richardson made $58 million on his photos between June 2012 and June 2013.
The latest job Jacobs got Terry is the new video clip of Miley Cyrus, the Wrecking Ball was directed by Terry Richardson.

Lady Gaga was recently spotted leaving the VMA`s rehearsal studio with photographer Terry Richardson wearing just a bra and pants.

Richardson with Gaga at the VMA rehearsal

Marc Jacobs, Terry Richardson and Lorenzo Martone

Marc Jacobs standing in front of the 2009 Louis Vuitton Vogue Calendar, shot by his buddy Terry Richardson. Jacobs put the Hungarian model, Eniko Mihalik on the cover.

Miley Cyrus goes totally naked in her new video clip directed by Marc Jacobs' best buddy Terry Richardson.

The entire video clip was MJ's perverse idea.

Miley Cyrus spent another day at Terry Richardson's photo studio. They took some more photos.

2014 January UPDATE: Miley Cyrus is the star of Jacobs’ Spring 2014 ad campaign. Here’s the first image:

Miley Cyrus poses for Marc Jacobs campaign along with dead girl.

I n the background of the shot taken by David Sims, one zombie-ish blonde model stares vacantly into space, while a seemingly lifeless redhead plays dead on the ground to her left.

Miley showed her support for the LGBT community by posting a photo of herself wearing a pro-gay rights campaign T-shirt designed by Marc Jacobs on Twitter two days ago.

Beth Ditto and Marc Jacobs

Marc Jacobs and Beth Ditto were very good friends from the beginning of her fame. After my book about Marc Jacobs was published, Marc wrote a song about my book and asked Beth Ditto to sing it. Of course she said yes! The title of the song: " I Wrote The Book".

BETH DITTO on the cover of Katie Grand's Love Magazine

Marc and Beth Ditto are still very good friends. Jacobs sent her a new Marc by Marc Jacobs dress for her appearence on the red carpet.

Here is a video with me, sending a message for Marc Jacobs

I made this video in 2012 summer. I was wearing my own designed stripped Angel Barta dress. In 2012 summer polka dots were the must have trends of the summer. 2 months later Jacobs designed a collection full of stripped outfits... each single outfit was stripped!

Marc Jacobs and Joe Jonas (another former Disney star)

This was not the only time when MJ wrote a song for a singer. Here is another example.

Joe Jonas, a young American singer, who is as close friends with the designer, that he even lived in Marc' apartment for a couple of months, in New York.( Read more details on Elle.com)

Of course Jonas could not say no to Marc when he asked him to sing this song about my love with Marc. Watch the video, it was recorded in Paris, you will see at 2:15, that the girl in the clip is called Angel, like me and at 0:50 the boy writes " Angel" with red lipstick.

How did Jacobs use one of my idea for several times?

I was wearing my own designed coat in 2011 during Paris Fashion week.

Check out the pics, how he has copied my coat and every single details on my photo since then...

1st. Marc Jacobs copied the concept of my photo for his ad campaign.

2nd. He used my magenta-blue colour combination to design a Marc by Marc Jacobs handbag...

3rd. He not just copied my blue-magenta coat, but also made Lady Gaga wear it!

They met in Paris and he talked her into wearing it! By the way he designed that dress for the french brand Comme des Garcons. ( He often wears Comme de Garcons outfits, for example the pink " nightgown" he was wearing at the Louis Vuitton exhibition opening Event. )

Marc Jacobs is wearing a Comme des Garcons nightgown for the sophisticated Louis Vuitton Exhibition Opening Event.

4th. Jacobs recently copied my color-combination

for his Marc by Marc Jacobs Resort 2014

I was wearing this coat for the Fashion Week in 2013 March Paris.

Anna Dello Russo

It seems that Anna Dello Russo ( editor of Vogue Japan) really liked my coat with the big ribbon. After we met she copied me. The brand of her dress is Nina Ricci! What a coincidence! That dress never was on the catwalk, you could see it only on Anna dello Russo.

Marc Jacobs designed that dress with the help of Katie Grand and Peter Copping.

Peter Copping used to be the right hand of Marc Jacobs at Louis Vuitton for more then 10 years. In 2009 Marc got him the creative director job at Nina Ricci. This way Marc can control the design team at Nina Ricci too. Peter designs what his supporter wants him to. Marc puts his ex colleagues at most of the fashion brands... he wants to control the whole fashion industry.

This is how Marc can copy my ideas for Nina Ricci. The Hungarian models usually walk the NR catwalk.

First Marc copies my designs then spreads it in the whole world... and it becomes a trend.

Peter Copping, creative director at Nina Ricci

former designer at Louis Vuitton

Sofia Coppola copied my photo and my style for the Miss Dior Cherie Commercial, click here

Miley Cyrus with new model Cara Delevingne

Guess, I don't need to explain why you see Cara Delenvigne everywhere lately. Delevingne’s rise to modeling stardom can be tracked back to Marc Jacobs and Katie Grand, who frequently puts Delevingne in (and even on the cover of) her magazine, Love. By the way Kate Moss ( the other woman who is so passionately french kissing Jacobs) is on the cover of the same issue of LOVE Magazine. It was Jacobs' idea to launch the Love Magazine and he put Katie Grand as editor in chief.The models featured in the magazine have to realise all his perverse fantasies in the editorials.

Marc Jacobs`s team: Miley Cyrus, Karlie Kloss, Cara Delevingne, Rita Ora, Karen Elson, Derek Blasberg. Marc made successful EACH of them.

Jacobs booked Delevingne for his mainline and Louis Vuitton spring/summer 2013 catwalk shows, and picked her to appear nude on his 'Protect The Skin You're In' T-shirts to raise money for skin cancer research... she also starred in Jacobs's perverse short Louis Vuitton video. Marc loves Cara a lot, now he just wants Katie Grand to take responsibility for her instant success, so Jacobs can stay in the background.

Marc Jacobs with Natalia Vodianova

Another example...

I was wearing my vintage style Angel Barta high-waisted bikinis on the beach in 2011 and 2012 summer and posted the photos later on facebook... in 2012 summer Taylor Swift was wearing the exact copy of my bikinis with Marc Jacobs shorts ( her bikinis had no brand, it was only made for this occasion) ... Marc can control what the celebrities wear through his close friend, Rachel Zoe, stylist from Hollywood, she dresses Taylor.

How interesting is that Taylor was wearing Marc by Marc Jacobs shorts with the bikini

Rachel Zoe with Marc`s best friend Lorenzo

Marc Jacobs and Rachel Zoe kissing

Rachel Zoe and Marc Jacobs

Rihanna:

First: I was wearing hold-ups every day in Paris in 2010...
Next step: Jacobs made Rihanna to wear hold-ups
Third step: Jacobs even himself put on hold-ups with his best friend Lorenzo

Here is my video in front of the Louis Vuitton Tent during Paris Fashion Week. This is what I feel every season before his shows... knowing that the models are inside fitting the clothes that were originally my ideas... and I.. I have to be standing outside...

Here is my video in front of the Louis Vuitton tent:

Marc Jacobs copied many of photos for Dior campaigns. His ex colleague Camille Micheli is the creative jewelry director at the brand. You can read more about Dior and how they use my ideas, here

18 years old Lily McMenamy had to walk topless on his latest fashion show in New York. She said Marc told her how to hold her breasts in one hand. Marc did not let her go home until 2.am. Read my article with details: If you want to walk the Marc Jacobs runway, all you have to do is to satisfy his perverse fantasy.