Fashion Dress in The Present: Search results for Fashion Dress Photography
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Showing posts sorted by date for query Fashion Dress Photography. Sort by relevance Show all posts

Purvi Doshi at Art Hearts Fashion; New York Fashion Week 2017

Yes the lure of the long haul flight this week sees me in New York for the very first time - yes what a year it has been. Once again I am on assignment shooting for White Caviar Life; though right now that also includes us attending some New York Fashion Week shows which I am able to put out as soon as I can. Yes take an afternoon nap whenever you can, it really helps! But enough of the preamble; tonight we were down at the Angel Orensanz Center in Norfolk Street which is a super funky historic church building. Although there were three parades and a blistering electronic violin performance opening by Sarah Charness; I want to kick off my coverage with the beautiful, colourful and sustainability crafted garments by Purvi Doshi from India. She is a proponent of slow and eco friendly fashion which is certainly something we need a lot more of. The theme for the range was living peacefully together with nature. I thought the hand stitched designs and elaborate embroidery just oh so romantic. But enough of me, here's my shots from the runway so you can decide for yourselves - useful links at the bottom of the page; and more fashion to come, so stay tuned - follow on Facebook too!
Richly embroidered long sleeve crop top with matching maxi skirt. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Skirt and pull over top. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Back detail, dress and jacket off shoulder. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Skirt with matching embroidered blouse. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Jacket crop-top and pants. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Beautifully embroidered jacket. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Dress, mirrored embellishments and embroidered animals. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Short embroidered dress and long coat. Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Models together; Purvi Doshi shows at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.
Purvi Doshi takes a bow after her show at New York Fashion Week with Art Hearts Fashion. Photography by Kent Johnson for Street Fashion Sydney.

https://www.purvidoshi.com/
http://artheartsfashion.com/new-york/

Telling Stories in Pictures all over..
Kent Johnson, Sydney, Australia.
0433 796 863

ZILPAH TART - FASHFEST DESIGNER INTERVIEW

The countdown is on until the style elite descend on Canberra for FASHFEST. In the lead up I caught up with Canberra designer Yumi Morrissey who is the creative genius behind Zilpah Tart and its strong colourful unique prints that I am excited to see sashay down the runway. 
FASHFEST 2017 CANBERRA FASHION
Image: Andrew Donato

Where about's did you grow up?
I was born and raised in Canberra

What sparked your interest in fashion?
I decided when I was 7 years old that I wanted to be a fashion designer, and never changed my mind. I spent my time as a child making outfits for my troll dolls.

What personal history has(if any) influenced your views on fashion or your design aesthetic ?
I’ve always been a very girly girl so my designs are very feminine. I’ve also always found individuality important, even when I was a child, and so this is part of the way I design. The clothing stands out in a crowd, through the use of bright colours/prints and beautiful flattering shapes. It’s not designed to blend in, and the designs are not trend based.

How did you get to where you are now? Where did you study?
I studied a Bachelor of Fashion Design at Canberra Institute of Technology, graduating in 2007. My label at this point was just a hobby, while working in the public service. After my son was born in 2013, I quit my public service job to take my business full time. This was the time when I really started on the journey, working out what my true aesthetic and business direction was.

I am super excited to see the Canberra Institute of Technology, I adore the creativity of students and their willingness to push the envelope. How did you come up with the name for your label?
The name Zilpah tart was my grandmother’s name. Zilpah was her first name, and Tart was her maiden name. After she passed away, we were going through her things and I found a 1930s brooch of a penny farthing. At that point, I decided to use her name for the label and the image of the penny farthing for the logo.

WHATS ON IN CANBERRA ZILPAH TART
Yumi Morrissey designer of Zilpah Tart Image: Holly Morrison

How many people are in your team?
Just me, myself and I. I outsource a small amount of production here in Canberra, but everything else is created by me.

That really impresses me that you are so hands on with your work in all fascists. What is your favourite material to work with?
I use stretch jersey. I love using jersey for the comfort and fit. Particularly after having a child, comfort and being able to move easily (bending down picking up a child etc) became super important. But I like to look good, and generally jersey doesn’t fit that category. So I use design to be able to make beautiful clothing that is also comfortable.

Everyone has one material that they absolutely detest working with, what is your least favourite material to work with and why?
That’s a hard one… but probably chiffon. It’s slippery, it moves on the grain, and is tricky to cut and sew. I generally avoid it at all costs.

I love your use of colour in your designs can you describe your collection in 3 words?
Bright, floral, feminine.

What is your inspiration for creating?
For each collection I design three new fabric prints based on Canberra photographs. I choose a theme and this theme directs the photographs that I take to create the fabric prints. 

I love creating clothing that is beautiful and unique, and not only makes someone feel good wearing them, but through the use of photographic prints, creates a personal connection for the wearer as well.

I agree that clothing should empower you and make you feel great. What or who is your motivation?
My main motivation is being able to do what I love. I think following your passion in life is so important, and I’m motivated to make my dream a reality.

ON THE CATWALK IN AUSTRALIA
Image: Anthony Caffery

In the lead up to FASHFEST could you share a little about what I and the crowd may see?
The new collection is full of colour. I used photographs from several years of Floriade (pulled them from my Floriade photo collection). I followed a sort of garden nymph vibe, and this will continue through the makeup and hairstyling for Fashfest as well.

You use wonderful digital printed fabrics from inspiration you have captured around Canberra, what is your first memory of using a camera?
My interest in photography is definitely something that developed later on in life. It’s something I really enjoy, but I’ve only really gotten into it over the last seven years or so.

What makes you passionate about fashion and the women you dress?
The most important thing for me is being able to make someone absolutely LOVE what they have bought and are wearing. I want to be able to make women feel good and special when they are wearing a Zilpah tart dress. This has many levels too. Not just the aesthetics of the dresses – I use shapes that tend to flatter most body shapes – but the comfort, the easy care instructions, the versatility (being able to wear the dress with a blazer for work, with sandals on the weekend, and with heals to a cocktail party), knowing that they are wearing a cool photo, quite often cleverly hidden in a pattern – this creates talking points too. Then there’s the local aspect. My customers know they are supporting a local designer. They know that the product is made in Australia by me and they end up with a personal connection to me and to the clothing. It’s makes it more special than a mass-produced piece with no identity.

What are you looking forward to at FASHFEST, besides your designs on the runway?
This will be the launch of my collection so I’m super excited to finally show the new designs, but I love being able to work with other creative people involved in the show, from hair and makeup, models, musicians, and just seeing the whole event come together.

You have been involved with FASHFEST for a few years now. Can you tell me how the festival has changed over the years?
I started at Fashfest in its second year (I was eight months pregnant when Fashfest first launched or would have applied that year also). The show has grown enormously, and it’s really developed its own identity. There are more designers and It’s earned its spot as a major Canberra fashion event.

FASHFEST DESIGNER INTERVIEW
Image: Tina Nikolovski

Can you describe what runs through your mind when you see your designs walk down the runway?
I love being able to see the designs come to life as a collection. I don’t normally get to see the full collection all together on people at once so It’s great to be able to see that. I also love being able to create a total image using the hair and makeup and seeing it as a show. I’m really excited about the hair and makeup concepts for this year. It’s an opportunity to be really creative.

What type of woman do you envisage wearing your pieces when you create them?
My customers are professional women, aged 25 to 40. They are confident and have a keen interest in unique styles and love to look and feel good.

Where would you like to see Zilpah Tart in 5 years?
My main focus at the moment is trying to expand into the Melbourne market. I now stock at Design A Space in Manchester Lane and Windsor. I hope to be able to build on my customer base there, and then when that market is at a sustainable point, to perhaps expand into the Sydney market.

What advice would you give to an aspiring designer?
Think about what you can provide your customers. What do they do? What do they find important? What do they want/need? Think about how your product can appeal to them on different levels. For example, my customers always tell me they love how easy the dresses are to wash and dry and that they don’t need ironing. Many professional women are busy and travel a lot. They love to be able to throw a versatile dress in a suitcase, and not have to worry about needing to iron it in a hotel room.

One thing I should see or do whilst I am in Canberra?
One of my favourite places to go is the National Arboretum. The views are spectacular, you don’t want to miss it. Sunrise there is incredible if you are an early riser.

You’ll also be in Canberra at the only time of the year when Tulip Top gardens (just outside Canberra on the Hume Highway) are open. They are incredible. I’ve used photos from Tulip Top in a previous collection. Floods of blossom trees all in bloom, tulips, and amazing views.

GFASHCOLLECTIVE: Thank you for the travel recommendations and giving me a little insight into your world. I look forward to seeing Zilpah Tart strut down the runway on closing night at FASHFEST and wish you all the best for the collection. 

Tickets are on sale now at:  http://fashfest.com.au/:




A walk through Paris for Bastille Day

OK these 25 pictures were actually made during the first leg of our month in France, or late spring; but after a month of shooting every day all I can say is I have a virtual mountain of images.. so here's a collection taken from several walks, trips on one Sunday in Paris (which is what this post would have been called had I completed it last week). From the backstreets of Dupleix when I head out for croissants to a location scout at Champ de Mars - for that 'perfect' Tour Eiffel shot.. and meet a green grocer with the best looking punnets of wild berries I have ever seen. Later Viv and I headed over to Invalides then Musée Rodin and back to the hotel via Pont Alexandre III - where we did a fashion shoot; it was the most crowded Vivienne had ever seen it. Of course if you are anywhere actually near that big iron tower you will see a lot of souvenir sellers and I have kept it down to just two pictures at Bir-Hakeim metro, for now. Regardless of a day of exertion we headed out again; down Boulevard de Grenelle to La Cantine du Troquet Dupleix for a fantastic diner. So stay tuned for that, it's coming as a separate post soon. So happy Bastille Day to one and all, I hope you enjoy my pictures from one day in Paris!
Tour Eiffel; Paris; France from Rue de Buenos Ayres. Paris photos by Kent Johnson for Street Fashion Sydney.
Fruit seller with punnet of wild berries on Rue Desaix, Paris. Photos by Kent Johnson for Street Fashion Sydney.
Paroisse Saint Léon, Dupleix, Paris. Photos by Kent Johnson for Street Fashion Sydney.
Window and iron work details on Avenue Charles Floquet, Paris, France. Paris photos by Kent Johnson for Street Fashion Sydney.
Female cyclist in yellow and white polka  dot summer dress. Paris photos by Kent Johnson for Street Fashion Sydney.
Apartment blocks and street in light and shadow, Dupleix, Paris. Photos by Kent Johnson for Street Fashion Sydney. Paris photos by Kent Johnson for Street Fashion Sydney.
Apartment block in reflected light, Dupleix, Paris. Photos by Kent Johnson for Street Fashion Sydney.
Bakery Poilâne, 49 Boulevard de Grenelle. Paris photos by Kent Johnson for Street Fashion Sydney.
Apartment block in light and shadow, Dupleix, Paris. Photos by Kent Johnson for Street Fashion Sydney. Paris photos by Kent Johnson for Street Fashion Sydney.
A souvenir seller with his collection of Eiffel Tour and selfie sticks, metro Bir-Hakeim. Paris photos by Kent Johnson for Street Fashion Sydney.
View of the elevated metro line at Bir-Hakeim. Paris photos by Kent Johnson for Street Fashion Sydney.
A souvenir seller setting up his display metro Bir-Hakeim. Paris photos by Kent Johnson for Street Fashion Sydney.
A pedal car restaurant on the streets near Rue de l'Université. Paris photos by Kent Johnson for Street Fashion Sydney.
A gateway festooned with French flags on Rue de l'Université. Paris photos by Kent Johnson for Street Fashion Sydney.
Youths walking near Invalides. Paris photos by Kent Johnson for Street Fashion Sydney.
Musée Rodin, Paris and dome of Tombeau de Napoléon. Paris photos by Kent Johnson for Street Fashion Sydney.
Sculptures, Musée Rodin, Paris. Photos by Kent Johnson for Street Fashion Sydney.
Sculpture detail, Musée Rodin, Paris. Photos by Kent Johnson for Street Fashion Sydney.
Inside Musée Rodin, Paris. Photos by Kent Johnson for Street Fashion Sydney.
Garden and sculpture Musée Rodin Paris, Eiffel tour in background. Photos by Kent Johnson for Street Fashion Sydney.
Anselm Kiefer, KIEFER RODIN; 14 March - 22 Octobre 2017 at the Musée Rodin, Paris, France. Paris photos by Kent Johnson for Street Fashion Sydney.
A golden winged stallion seen from behind, Pont Alexandre III. Paris photos by Kent Johnson for Street Fashion Sydney.
Cherub sculpture, selfies and wedding photography taking place on Pont Alexandre III. Paris photos by Kent Johnson for Street Fashion Sydney.
Sculpture with four horses and the glass and iron roof of the Grand Palais with the French flag waving in the breeze. Paris photos by Kent Johnson for Street Fashion Sydney.

Telling Stories in Pictures all over..
Kent Johnson, Sydney, Australia.
0433 796 863

Art & Breast Awareness - KUDOS & M2 Galleries.

In the interest of avoiding upsetting anyone too much - one hopes, with our first post for 2017 - I will point out very early on that the awareness at the joint show at KUDOS was of a very different nature to the underground comix art type of breast awareness at the group show at M2 gallery. Space 1, KUDOS was (on NOW) Bec Litvan's BEAUTY AND THE BREAST; Painting, Photography, beautiful decorative Mastectomy Bras and a table of pearls as part of the installation. Bec told me the work was born out of the change she saw in her mothers personality after the breast cancer operation, the works are intended to bring back the beauty and a sense of the joys of life, and her mum modelled for the photographs in the show. Beautiful work. Scroll down to continue reading.
Artist Bec Litvan at KUDOS Gallery.

Installation view, Bec Litvan's BEAUTY AND THE BREAST. Photographed by Kent Johnson for Street Fashion Sydney.
Floral mastectomy bras, artworks, Installation view, Bec Litvan's BEAUTY AND THE BREAST. KUDOS Gallery. Photographed by Kent Johnson for Street Fashion Sydney.
COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb is not about breasts however it is a work performed in the nude so-to-speak, while interacting with the large wind blown fabrics which have themselves been manipulated through tying & heat - even the fans blowing did nothing to diminish the heat of this performance of which there are to be three more iterations; Live performances in space 2 : Saturdays 14, 21 & 28 January, 1-2pm. Check it out!
Legs, green fabric, performance of COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.
Gold fabric, woman on plinth, performance of COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.
Foetal position, COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.
Performance (black and white photo) COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.
Billowing green fabric - COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.
Gold fabric wraps the performer, COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.
Performer appears from beneath the green fabric; COLLUSIVE MISCELLANY by Amy Claire Mills, Bailee Lobb. Photographed by Kent Johnson for Street Fashion Sydney.

Was it a strange coincidence to be at M2 the very next night? GORO a group show of five artists who, as mentioned above are very much in the style of the underground Comix of the 70's & 80's; think Charles Burns, Robert Crumb & H R Giger but with an Aussie-Goth/Surf Culture tie in.. And the breasts? Well of course, Dominatrix style and plenty of them. I must admit I rather enjoyed this show and it was a great and friendly crowd for the lens of Street Fashion Sydney too. GORO on now with, CAL SINO // ZIGENDEMONIC //QUARTZVII // NERDGORE // SAMSON at M2 Gallery, Click Here for more details - on until the 17th of January.
Goth hair styles, two young women looking at art, GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Artist portrait, GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Checking out the work, GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Shorts shirts and patterns, GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Shoes, GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Two woman summer styles, Pink White Blue Black. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Music DJ Jake Walker GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Flared jeans and floral boob tube. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Two young women, black dress red dress, contrasting socks an bags. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Portrait of a man with cigarette warning photo of bad teeth as a mask. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Sub hum Anz tee shirt, full black and white outfit. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Black heart shape backpack with moulded bow, fishnet stockings, purple hair,  full black and white outfit. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.
Three male friends looking at art, artist Sarah looks on. GORO at m2 gallery. Photographed by Kent Johnson for Street Fashion Sydney.

Photos can be viewed LARGE on our Facebook page here - Follow Us! - https://www.facebook.com/StreetFashionSydney/COLLUSIVE MISCELLANY
https://www.facebook.com/StreetFashionSydney/GORO

KUDSO Gallery on Facebook
m2gallery.com.au/

Telling Stories in Pictures all over Sydney..
Kent Johnson, Sydney, Australia.
0433 796 863

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