Fashion Dress in The Present: Search results for Fashion Room Dresses

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SAG AWARDS 2016: The Red Carpet

The SAG Awards are the second key moment of this awards season, and style-wise a warm-up between the Globes and the Oscars. As the winners of the night rehearse their speeches for their big time at the Oscars, let's have a look at the best (and worst) fashion moments of the night:

STAR OF THE SHOW

Alicia Vikander (The Danish Girl/Ex-Machina) in Louis Vuitton

Bow down to the most beautiful Louis Vuitton dress I have ever seen on a red carpet: simple in the design and dazzling in the details. Swedish actress Alicia Vikander definitely looked like the star she will become. Best look of the night.

BREATH-TAKING

Viola Davis (How To Get Away With Murder) in Zac Posen_Brie Larson (Room) in Atelier Versace Couture

As I always say, "you can never go wrong with a Zac Posen's design" and Viola Devis is another proof of that: the color of the dress is amazing on her skin, the feminine shape on the gown enhanced her figure and that smile..well that was the cherry on top! Actress of the year Brie Larson got the couture treatment directly from Atelier Versace, as she wore a couture piece straight from the house's spring 2016 couture collection. The dress proved to have "red carpet" potential on the runway, and I am glad to see how beautiful it looks on Brie. My only side note has to be the shoes: WTF???

SISTERLY LOVE

Kate Mara in Valentino_Rooney Mara in Valentino

The Mara sisters had a Valentino moment on the red carpet. Kate Mara wore a piece from the spring summer 2016 collection, while Rooney Mara opted for a couture piece from the fall winter collection. Same designer, different interpretations: I have to say that Rooney looked regal (even if I wanted to see some major jewellery piece with that gown), while Kate definitely brought some sensuality to her dress.

SHOCKING PINK

Emilia Clarke (Game Of Thrones) in Dior_Sofia Vergara (Modern Family) in Vera Wang

Only the brave. Emilia Clarke wore the second decent Dior design of this year awards season, while Sofia Vergara (as always) favored a mermaid-like dress: the designs were not original, but the color sealed the deal.

THE MICHAEL'S ANGELS

Saoirse Ronan (Brooklyn) in Michael Kors_Queen Latifah (Bessie) in Michael Costello

Ok, let's forget the bad title-joke. But I have to admit that Michael Kors and Michael Costello gifted Saoirse Ronan and Queen Latifah with two beautiful elegant and timeless dresses. In both cases the styling was kept to the minimum, I could not agree more.

EYE-CATCHING TOPS

Sarah Paulson (ASH: Hotel) in Armani Privé couture_Kristen Wiig (The Martian) in Roland Mouret

Couture make over also for Sarah Paulson, who turned to Armani to find the perfect dress for the evening. Usually I am not a fan of her on the red carpet, but this time I love the injection of color. Kristen Wiig brought back my love for jumpsuits, wearing a modern number for Roland Mouret. I would wear it in a heart-beat.

YOUNG HOLLYWOOD

Maise Williams (Game Of Thrones) in Ermanno Scervino_Sophie Turner (Game Of Thrones) in Carolina Herrera

This time I am not really impressed by the fashion choices of the two British stars: they looked ready for prom rather than for the red carpet. Maisie Williams wore an Ermanno Scervino's dress, that in my opinion looked too heavy for her petit frame; Sophie Turner was lovely in Carolina Herrera, but she was not memorable. I am a "dress to impress" kind of person, so this is miss for me.

Ariel Winter (Modern Family) in Romona Keveza_Kiernan Shipka (Mad Men) in Erdem_Sarah Hyland (Modern Family) in J Mendel

Keeping up with the young hollywood section we have Ariel Winter in a bombshell attire by Romona Keveza, Kiernan Shipka in a youthful and elegant Erdem design, and Sarah Hyland in a blue J Mendel. Kiernan looked the best, as it was easy to find some flaws in both Ariel and Sarah's styling choises: Ariel's frosty rose lipstick and Sarah's poor hair style were definitely a total let down.

SPARKLING COUTURE

Julianne Moore in Givenchy Couture_Nicole Kidman in Gucci

This is a hard one: two Hollywood royalties wearing the designs from two major fashion houses...and the result is not that good. Julianne Moore's lime green Givenchy dress was doing nothing for her body; however the color was beautiful on her. As for Nicole Kidman...well, that Gucci number was simply not made for her. Let's start by saying that this is a tricky dress: I could see a younger celebrity rocking it and I can imagine a model wearing it for an editorial, but in my opinion this gown has no red carpet potential, and Nicole dear, that styling is not helping either.

CLASSIC ALLURE

Anna Faris (Mom) in Naeem Khan_Rachel McAdams (Spotlight) in Elie Saab_Marisa Tomei (Empire) in Zuhair Murad couture

I see 3 beautiful dresses that needed a bit more of drama in the styling.
A red pout for Anna Faris and that gorgeous red Naeem Khan gown; a sleek hairstyle and a darker eyeshadow to upgrade Rachel McAdams in Elie Saab. Marisa Tomei disappointed me in the shoe-department and she definitely needed to pay more attention to her hairstyle, if she wanted to match that lovely teal Zuhair Murad.

NOT CONVINCING

Priyanka Chopra (Quantico) in Monique Lhuillier_Laverne Cox (Orange is the New Black) in Prabal Gurung_Eva Longoria (Telenovela) in Julien MacDonald

What do we have here? A bridal gown, a terrible pose and a hot mess. Wow, three beautiful ladies that did not manage to stand out in the crowd: Priyanka Chopra's Monique Lhuillier was a camouflage bridal gown; Laverne Cox was actually wearing a nice Prabal Gurung, but she killed off all the magic with that questionable pose; Eva Longoria basically wore a dress that was meant for a taller person, and despite the fitting it is still very clear. BTW that hair style is a NO.

TOO MUCH FABRIC

Christina Hendricks (Mad Men) in Christian Siriano_Sola Bamis (Mad Men) in Lola Wusu

Usually I appreciate a bit of drama on the red carpet, but not in this case. One of the basic rules in fashion is to make sure that your client looks smoking hot in your design, and I dare you all to say that Christian Siriano or Lola Wusu accomplished that request. Sola Bamis should fire her stylist, while Christina Hendricks could have upgraded her dress with a pair of scissors: that piece of fabric on the shoulder was pointless. Chop it off next time!

SKIN SKIN SKIN

Susan Sarandon in Max Mara_Eva Amurri in Gabriela Cadena_Kaley Cuoco (The Big Bang Theory) in Romona Keveza

Where should I begin? Susan Sarandon should have worn a white corset under that Max Mara tuxedo, and those pants needed to reach the floor. I do not have much to say about the Gabriela Cadena dress that Eva Amurri wore, if not "burn it". Kaley Cuoco dress could have been a good choice for the Grammys, but that sheer panel that does not match her skin-tone is a let down. Next.

Written by: Stella

VIELMA LONDON SS16 PRESENTATION

Hi there ! Hope everyone's enjoying their Monday so far ;)

This afternoon I wanted to look back at one of the most fun presentations I have had the chance to witness in my entire Fashion Week career. Yeah, really ! For the occasion of LFW, the team of Vielma London put together a delightful, short mise-en-scène inspired by the golden age of Las Vegas in the 1950's and 1960's, starring five besties, all more beautifully gorgeous one than another, playing dress-up while sipping on handshaked double martinis in a dreamy, retro motel room backdrop. A perfectly curated mid-century bedroom with its icy blue walls & bed linen, and bubblegum pink accents here and there.

This collection overlooks the combination of style and class of the high-profiled country-club resorts of that time, with the colour and buzz of the Strip to create a timeless, fun and feminine look. From coordinate's to mix and match sets, with a touch of sparkle and sheen to reflect the razzle-dazzle of Vegas, Vielma London is about uncompromising modern femininity and represents the epitome of retro rock glam, set in an all-mighty 'Merican atmosphere. Models were nonchalantly flouncing around, sporting strong 60's throwback items like the infamous snakeskin over-the-knee boots and shift mini dresses. Among the mix of day and nightwear, were also featured fitted boxy blazers and a handful of knee length, A-line dresses, very reminiscing of the fuzzy decades. A favourite of mine, which also happens to be coming up strong in the 2015-16 trends department is the patent leather sock boot with chunky heels; a classic of the mod period.

Fancy a killer retro slumber party like Vielma's very own ? We got you covered ;) All you need is your four main gals, a cozy hotel/motel room with a queen size beds, a martini shaker, your favourite cocktail mix, a classic hits playlist and all the clothes you've bought during an insane shopping spree prior to hosting your girls night !

Which Vielma London girl is your favourite ?

Photo credits: Joe Hart©

The post VIELMA LONDON SS16 PRESENTATION appeared first on PBTH **

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New York exhibition at the Museum of Chinese in the Show Effect Mode

NEW YORK-Fusion of East and West in a new exhibition at the Metropolitan Museum of Art juxtaposing influences of art, drawing and Chinese culture, from the time of Imperial China until the current period, to fashion and Western design.

With 150 suits, dresses, costumes and accessories from 40 designer, is shown with the theme of "China Through the Looking Glass," which took place from May 7 until August 16, is one of the largest exhibition ever held of the museum.

Created for more than two years, the exhibition is housed in the gallery two floors covering an area of approximately 2,800 square meters. This event takes visitors on the way how the designers of the West find inspiration in everything from China, ranging from highly detailed embroidered costumes belonging to Imperial China to the Shanghai of the 1920s, and military uniforms Cultural Revolution.

"This is a monumental and profound exploration of the effects of Chinese film art and talent to design Western fashion world," said Thomas P. Campbell, director and CEO of the Museum.

This exhibition takes the title of Lewis Carroll's novel, published in 1871 "Through the Looking-Glass, and What Alice Found There," about entering another world.

"As the imaginary world of Alice, China which is reflected in fashion in this exhibition fictional, stunning and ancient, offering a new reality," said curator Andrew Bolton, who added that this collective fantasy about China.

This exhibition displays a treasure of China as a dragon robe, worn by the last emperor before he ascended the throne, and painting Chinese concubines who never exhibited before.

A labyrinth featuring Chinese calligraphy, perfume bottles and blue-and-white porcelain, as well as patterned dresses, beaded dresses were amazing and jackets embroidered artificial Western designers who influenced Chinese culture.

One room is dedicated to opium and China's influence on the collection of autumn / winter Yves Saint Laurent in 1977 with jackets and fur coats in the style of the Mongols.

Part of the exhibition at the Metropolitan Museum of Art Costume Institute Gala Benefit in New York (4/5).

An oriental garden decorated mannequin mannequin-wear dresses, skirts and coats inspired by China-made John Galliano's collection of spring / summer 2003 for fashion house Dior.

The exhibition also displays pieces of Chinese movies such as "The Last Emperor," "Raise the Red Lantern" and "Farewell My Concubine" which aired in the rooms along with Western clothes that inspires.

"The films were often the first thing seen by the designers of the West when China entered the visual world," said Bolton. "This exhibition roam impact in shaping their fantasy films."

Gia Ventola: Whispered Beauty- NYFW Highlight

Halfstack's NYC based writers: Meaghan Elder & Cindy Arroyo   bring to you a highlight from New York Fashion Week.

Up and coming designer Gia Ventola showcased her first collection for SS15 this New York Fashion Week. With a flawless mix between hand-crafted jewelry and the luxurious clothing collection, Gia makes a statement. Gia Ventola got her start after attending Parson’s The New School of Design in the late 90’s. Although worldwide success was not immediate for Gia, for years she worked alongside many celebrities such as Britney Spears, Oprah, Cher, and Destiny’s Child. After appearing in magazines, news articles, fashion websites and radio and television shows Gia decided it was time to give it another go. So ,18 months and a lot of hard work later it was time to debut the collection.

When you first walk into the showroom on Spring Street, you’re greeted by the utter elegance of the collection. Gia Ventola, former Olympic trained field hockey athlete, introduces the collection with pride and honor. With a pleasant balance between night and day looks, natural fibers, and black and white shades, the collection has many interchangeable features. Whether it be the unique jewelry, detachable silk collars, or even the garment being reversible, the diversity does not go unnoticed.
“It’s all about individuality,” Gia mentions while admiring her accomplishments that fill the room.

All Images Courtesy of Gia Ventola

Her signature (an O with a slash through it) has been made a statement throughout the collection. Not only in the jewelry but within the clothing as well. Each zipper pull has its own small O dangling from the slider. Even the closures on her blouses and dresses incorporate the O designs. With inspiration from her athletic background, Gia also designed unique, shoelace-like accents on each garment.

Not only does each piece have its own personality, but the versatility is endless. Most garments, as previously mentioned, are reversible (yes reversible!) and can even be worn, so-called, backwards. . Tops can be worn with or without the collar, inside out or even backwards. With a color story of blacks and whites, many of her pieces can be instant classics. What modern day woman doesn’t want a closet full of items that can so easily be mixed up and changed around?

Whether you have a formal cocktail party or are just headed into the office for work, this collection holds everything you need for a day-to-day basis. With mixes of silks, chiffons, satins and charmeuse fabrics, this collection radiates elegance. Double-sided, hand pleated silk accenting garments, and hand fraying amongst the collection really accentuates that the beauty is in the details. Gia, having 20 years of experience in the industry, knew exactly what she wanted from this collection; timelessness. As she explained how she wanted each garment to be something her customer would keep in her closet forever, never going out of date or style, you could look around and fully understand and relate.

Having worked with Destiny’s Child, Britney Spears, Nicole Kidman, Pink, and many others, her years of experience have paid off. Gia gave us some insight on what it took to bring this collection to life, explaining that all the prints were hand drawn by her and the jewelry pieces were hand made. Little things such as that is really what makes you appreciate fashion and why we are crazy enough to pay the prices we do. We are paying for quality, such as the finest fabrics that Gia used, we are paying for one of a kind pieces and we are paying for appreciation.  For this collection, Gia really wanted to do something that was perfect for her. Something she truly understood and appreciated herself.

Customers in the past have repeatedly told her they were only interested in her designs, so she really strives for something that is 100% her own. Finally being able to show her collection for fashion week, was a dream come true for Gia. And one much earned. Whispered Beauty explains who I AM. Each customer, each consumer, each lover of fashion can experience who they are through her outstanding designs. “I AM who I am meant to be.” Gia Ventola has climbed to the top. Without hesitation, she has made her mark. Watch out, because we have a fierce, and empowering new designer on the market.

About Meghan:

About Cindy:

Marc Jacobs the Thief of the century

My name is Angel Barta. I am a fashion designer at Angel Barta VIP Couture.

Designer Marc Jacobs has been stealing my ideas, my style, my photos and my concepts for five years. My unique fashion designs have enticed Marc to reproduce my creations across the brands he has his hand in. He wants to be the most powerful person in the fashion world by using my ideas without my permission.
Jacobs wants to hide me and the fact that he has been using MY ideas from the fashion industry. Since he discovered that my unique style sells well, he plans to carry on hiding me and stealing my ideas as long as possible.
This has been going on for almost 6 years. So this year I decided to start my blog about my story to let the truth be known by everyone and to finally force Marc to leave me alone. Just because he is rich and famous does not give the right to trample on an innocent young girl.

I wrote a 500 pages long book about my relationship with Marc Jacobs. It is titled 'Fake Fashion'.

How does he even know about Angel Barta?

It started at the beginning of 2008, when I was only sixteen years old.

I met Marc Jacobs at a gym in Paris. He noticed how special my style was from the moment we first met. He invited me to his Louis Vuitton fashion show and the dinner after. He has been stalking me since then.

He promised he would make the biggest top model out of me, saying he could sell anything with my face. He said I was the first woman he fell in love with (!). He enticed me with me talk of love, marriage, kids and a top-model career. I believed his every word! While I didn’t want to be a model, but a fashion designer, I couldn’t help but be seduced by the promises of such a powerful fashion designer.

Sitting 2nd row at the Louis Vuitton show with Marc's best friend and trainer, Easy

with Marc's other best friend: Niko

Niko with Lorenzo Martone Niko with Marc Jacobs

In the summer of 2008 Marc invited me to his office. He did a private casting, only for me, and he took my measurements personally. This is almost unheard of in the fashion world, so again, I thought it was evidence of his intentions for me.

This meeting at his office was mentioned in New Yorker Magazine’s September 2008 edition. Click here, to read the article.

For two years we spoke for hours a day, every day. Jacobs wanted to know everything about me. He became obsessed with my personality and the unique style I represent. Katie Grand (stylist at many big brand, Marc's best friend) said in an interview that the design team had to listen to MY Cher compilation CD for 2 weeks while they were designing the LV collections. Marc was wearing high heels and a dress and walking around the room acting like he was Angel Barta!! That is obsession.

Jacobs said my energy was vital for him. He told me he needed me because with my talent he could be the new Picasso. He said he would write his name on fashion history with golden letters! He copied my photos in his campaigns and replaced his long-time photographers with MY favorite photographer Steven Meisel. Since 2008 Meisel has shot all of his Louis Vuitton campaigns.

Jacobs copied my style without my permission for his fashion shows: Louis Vuitton Spring 2009, Marc Jacobs Spring 2009, Louis Vuitton Fall 2009, Marc Jacobs Fall 2009. Each was a huge success! Jacobs became addicted to the success my fashion brought him.

He told me he loved me. He said the next time he designed he would tell the fashion world about the role of my designs in his work. He told me he would make the biggest fashion designer out of me and we would work together officially. I believed that he would enable me to work in the fashion industry. I’ve never received anything for my ideas but nice words and empty promises.

A few examples on how Jacobs copied my ideas for his own line.

He copied my ideas for Dior as well

He copied my photos once for Dior and once for the Marc Jacobs campaign

Jacobs kept torturing me by saying he loved me, sending me love messages, poems, he wrote love songs and asked famous singers to sing them. He made singers (i.e. Lady Gaga, Miley Cyrus, Rihanna, Taylor Swift) wear the clothes he designed based on my stuff.

Lady Gaga with Marc Jacobs Marc Jacobs with Angel Barta

After several seasons of this, I realized that MJ was just using my talent for his own success. I noticed that he hacked my cell phone. He read all my text messages, emails, and he was even checking my Facebook account! He contacted my friends from fake accounts and sent them perverse messages.

By the end of 2009, I recognized that he had never loved me. I told Marc:

"I am deeply disappointed. You lied to me! You only wanted my ideas for your own success. You knew it from the beginning that you would never help me. You’d already planned that you would only fool me and use my talent and hide me from the fashion world… so no one would know that your successful collections were MY ideas, that the style originally came from me! I never want to talk to you again! I will not give you my ideas anymore! Forget me … forever!!!!"

So from 2010, I consciously withheld my ideas from him.

I wanted to cut him out of my life. He kept calling me, texting me, but I never answered. I stopped giving him photos. I wanted to forget him, but he refused to leave me alone. He wrote me every day, saying he would KILL HIMSELF if I didn't answer!

Jacobs did not want to let me or my ideas go. He did not accept the fact that I wanted to break up with him. He became more and more obsessed with me and did many crazy and cruel things to steal my ideas and keep me a secret. He is afraid of my talent being seen for what it really is: MINE. He doesn't want me the fashion world to know about me so he’ll do anything to hide me.

Here’s where it gets radical. He still stalks me. He has hired people to follow me all day and take photos and videos of me for him. This way he can continue copying whatever I wear. Marc Jacobs started to make fashion videos, copying my life, my memories, my moments. The models have to act and pose the way I do. They have to copy my every move.

How does Marc Jacobs copy Angel Barta?

He copies every single detail of my photos. If I post a photo online, he exhausts it in his own designs. He takes one aspect of my photo for this shoot, then another aspect for that shoot, then another for a brand campaign, then yet another aspect for a layout, etc.
I design and make clothes. My photographer and I choose unique settings to showcase my work. Jacobs copies everything about my photos: the concept, the background, the colors, the pose, the mood, and worst of all, the very outfits I’ve designed!

I was silent for five years. I believed he would either own up to his copycatting or forget about me and let me live my life. Unfortunately, he has done neither. He became more and more obsessed with me and the success my ideas brought him, so he did some crazy things.
A couple of months ago I started spreading the truth about Marc Jacobs on the internet, via this blog. By the end of 2013, more than 555,000 people have been exposed to the truth.

Obviously, Jacobs and his friends want me to shut up and accept the fact that they are exploiting my talent. While they enjoy the success of my work, I am completely ignored by (and outcast from) the fashion world.

Here is a video where I talk about Paris and my feelings on the first day of a trip. I had just arrived to Paris and had already sent his people after me.

I made this video in the summer of 2012. I was wearing my own design: a striped Angel Barta dress. That summer, polka dots were the must-have trend. Guess what! Only two months later Jacobs designed a collection full of stripes… every single outfit was striped!

Marc Jacobs, the Manipulator

Marc Jacobs is a manipulator, a control-freak, a puppet master. He wants to control everyone in the public eye. He controls Miley Cyrus, Lady Gaga, Terry Richardson, Kanye West and more.

Jacobs controls many celebrities. His latest and most visible right now: Miley Cyrus. The shocking VMA performance of Miley Cyrus was the idea of Marc Jacobs. His best buddy, Terry Richardson, directed her new nude video clip. Click here for details.

http://styleangelique.blogspot.hu/2013/08/marc-jacobs-controls-miley-cyrus-kanye.html

Miley Cyus is the face of Marc Jacobs Spring 2014

Kanye West, one of Jacobs’s pals, has stolen a Hungarian song recently. Hungarian brand, Omega is going to sue Kanye for using their music without permission… such behavior exhibited and condoned by one Marc Jacobs. Lie with dogs and you’ll get fleas, Kanye.

The music "Gyöngyhajú Lány" (translated as The Girl with Pearly Hair) by Hungarian band, Omega, in 1969. Many listeners have identified the sample used towards the end of the new track that Kanye West premiered on (almost) 66 buildings and Saturday Night Live this year. Kóbor János, a singer of Omega, claimed he plans to sue Kanye for sampling Gyönyhajú Lány (The organs from New Slaves) and not crediting them. He already hired an international lawyer to start the proceedings. They can't sue Kanye yet because it was only played on walls and on SNL and it's not official, but if it makes it to the album, Kóbor promised he will step in the ring. Click here to listen to both songs.

Kanye West with Marc Jacobs

Marc Jacobs at the MET Gala and at the opening of the Louis Vuitton exhibition

Kanye and Marc Jacobs are thick as thieves. They even collaborated when Kanye designed trainers for Louis Vuitton. He flies all the way to Paris to watch every MJ show from the front row seat given him by the devil himself. He even sings the songs Marc asks him to. You remember Runaway by Kanye? It was Jacobs’s idea, even the clip fulfilled his fantasy.

Jacobs used his manipulation skills to persuade Kanye to steal that Hungarian song and convinced him he wouldn’t be caught because he hasn’t been caught for stealing from me.

Jacobs wants to control everything and everyone. He’d love to get his puppeteer hands on even more celebrities. He has friends and former colleagues working at almost every big fashion brand in the world. He is able to present my ideas to Stella McCartney, Dior, Nina Ricci, Chanel, Prada, Ungaro, Balenciaga, Dsquared, and Dolce&Gabbana with the help of his friends (namely Katie Grand, Camille Micheli, Nicholas Ghesquiére, Peter Copping, and the like) and have them accepted and praised as his own. To his delight, to his success… and to my horror.

Rachel Zoe with Marc Jacobs

Rachel Zoe, famous stylist from Hollywood, dresses the stars in Marc's clothes.

Eighteen-year-old Lily McMenamy had to walk topless on Jacobs’s latest fashion show in New York. She said Marc told her how to hold her breasts in one hand. The night before the fashion show Marc did not let her go home from his office until 2am. (They were practicing 'the topless show walk' together)
Read my article with details: If you want to walk the Marc Jacobs runway, all you have to do is to satisfy his perverse fantasies.

Marc Jacobs with Kirsten, Lily's mother

Marc cunningly appoints his friends and former colleagues to high positions at many different fashion brands, making sure he has a tool to use at each influential company.

Take Camille Micheli, of Dior. She used to work at the PR Louis Vuitton, with Marc Jacobs for more than 10 years, before MJ got her a cushy " Creative- Jewelry Director" job at Dior in 2009.

Marc Jacobs with his supporter Camille Micheli

Or Peter Copping, currently with Nina Ricci. He was Jacobs’s right-hand-man for 10 years at LV before he got the creative director job at Nina Ricci in 2009, thanks to MJ.

PETER COPPING

Marc Jacobs with Peter Copping. Jacobs gave an international award for Copping in 2014 October.

Or Nicolas Ghesquiére, who was appointed the new creative director of Louis Vuitton in 2013. He replaced his friend, Marc Jacobs. Jacobs isn’t that far out of the picture, though, as Ghesquiére is also one of his puppets. Ghesquiére used to work for Balenciaga. Katie Grand and Camille Miceli usually sit front row at Balenciaga (although they both work for LVMH). They have connections there so Marc is able to secretly control Balenciaga through his undercover people. For more on this, click here.

Camille Micheli with Katie Grand
sitting at the BALENCIAGA show

Marc Jacobs's main supporter: Katie Grand

Katie Grand

Katie Grand supports Marc in his cruel game against me. She works for many big brands and influences fashion magazines. She is the editor of LOVE and POP Magazines. Jacobs can copy my ideas and, with her help, spread them all over the fashion world. With Katie Grand, he copies my ideas not just for Louis Vuitton but also for Balenciaga, Prada, Miu Miu, Giles, Ungaro, Versace, Dolce&Gabbana, and more.

He dictates who will become top models, he decides who will be the next IT girl, who will be in most of the campaigns… not just in his own ads, but in nearly every brand. Puppet master!

Miuccia Prada with Marc Jacobs.

A few examples on how Jacobs copied my ideas

for Prada and Miu Miu...

Marc Jacobs gave the ideas he stole from my "Angel Barta VIP Couture 2014" collection, to his buddy Pharell Williams.

Marc Jacobs gave the ideas he stole from me, to his friend, fashion designer Stella McCartney.

Marc Jacobs and Katie Grand wearing the latest PRADA mink coat.

Marc Jacobs "the soul-terrorist" (for spite)

Marc Jacobs does not want me to have the energy to let the truth out so that people will know that all of his creations were originally my ideas. He designs my style, my soul, everything that is me!

I wrote a 500-page book about the first two years of my relationship with Marc Jacobs. The title is "The Secret Love Affair in Paris." I was hoping MJ would leave me alone after reading my book. I wrote honestly about my dreams, wishes and feelings.

Jacobs used the information in my book against me, in true Jacobs style.

He gave all my specific dreams to other models from my country in order to break me. Jacobs's cohort, Katie Grand, cast Hungarian girls in all her key shows and shoots. For example, a Hungarian model, Vanessa, has been the face of Prada for 3 seasons already, this is the first time anyone has had such long Prada contract.

The models have to dress up in MY style and copy me and my poses in their editorials. Everywhere I look I must face the photos he’s copied. I see my ideas in magazines, in campaigns, and on the streets.

Here is my video in front of the Louis Vuitton tent during Paris’s Fashion Week. This is what I feel every season before his shows, knowing that the models are inside fitting the clothes that were originally my ideas... and I… I have to wait outside...unwelcome to shows ripped from my imagination.

Here are a few more examples. Each model featured in these editorials is Hungarian. Jacobs cast them in hopes of retaliating against me. They had to copy me in the photos, of course. Before meeting me, Jacobs never favored Hungarian models (if he’d even ever been to Hungary).

The Hungarian model is wearing Miu Miu, Louis Vuitton and Prada outfits.(designed by MJ)

Marc is more than pleased to show me how other girls easily get success in the fashion world through him, meanwhile he isolates me from the fashion industry.

To read more details on how he pressured me with the Hungarian models, click here.

Why is Marc Jacobs torturing Angel Barta?

Jacobs is obsessed with the success that he earned by using my ideas. He does ANYTHING to steal my ideas. He stalks and tortures me because he wants me to give up my goal of becoming a recognized fashion designer.

He wants to exhaust me, break me… end me.

He can't stand the fact that I refused to do the humiliating things he asked me to. (He asked me to do many disgusting things in order to be a model.)

Marc Jacobs the sex addicted Porn Baron

Marc Jacobs with Kate Upton

A topless model drinking Mojito during the fitting at Marc's studio

Marc Jacobs made his acting debut in a new film "Disconnect." He plays Harvey, a character he describes as 'sleazy' who lures underage kids off the street with the promise of shelter and income, for web-chat porn and prostitution. (Sounds eerily familiar to me…)

'In the end, I’m really not a bad character. I’m actually the one who is protecting them in a way. I’ve taken them off the streets and they don’t get harmed. They’re doing something that is virtual, though they are talking about sex. But you can look at it two ways,' he explained. (text via dailymail)

His role in the movie is so ironic considering Marc Jacobs’s perverted online behavior in real life, too. In my 2010 book, I told all about how much he loves cybersex and about the many sexual messages he sent me for years. He has been harassing me since I was sixteen years old. Jacobs is playing himself in the movie ... his truly perverse alter ego.

Watch Marc Jacobs ask a 15 year old kid if he "jerks off" in new Disconnect clip to get an idea of his true character.

Pretending he’s gay has gotten him publicity (his favorite thing), but look closer.
Why is new model Cara Delenvigne everywhere lately? Delevingne’s rise to modeling stardom can be tracked back to Marc Jacobs’s puppet, Katie Grand, who frequently puts Delevingne in (and even on the cover of) her magazine, LOVE.

Cara Delevingne with Marc Jacobs Kate Moss with Marc Jacobs

Kate Moss with Marc Jacobs

Kate Moss (the other woman who is so passionately French kissing Jacobs) is on the cover of the same issue of LOVE Magazine. It was Jacobs's idea to launch the LOVE Magazine and he (not-surprisingly) put Katie Grand as editor in chief. The models featured in the magazine have to execute all of his perverse fantasies in the editorials.

In my other article, "Marc Jacobs is obsessed with women," it seems that he is not really gay.

What does Marc Jacobs think about my articles where I expose his dark side?

Marc Jacobs sent me a life-threatening message.

I ask everyone who comprehends the magnitude of his deception to help me by sharing my story on Facebook, Twitter, wherever. Please let the truth be known!

Please share this link: http://styleangelique.blogspot.com/

I'd like to have a life without Marc Jacobs stalking me at every turn!