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new hairstyle 2019

+25 new hairstyle 2019


The hairstyles that will be worn in 2019


There are only a few days left to bid farewell to the year and to welcome 2019. As is often the case at this time, a great many purposes are marked to improve both personally and professionally.
 To help achieve these goals and shelve everything bad, what better to start this year with a new haircut.
Actresses, singers, and models have taken advantage of these last weeks to dress up the look and get ready for the holidays.
 The last? The angel Romee Strijd, who has surprised his fans with a very flattering fringe. These will be the styles that will triumph in 2019:
'Curtain fringe'
Many celebrities have fallen to this fringe in a curtain that favors the oval faces. Brigitte Bardot and Jane Birkin made this cut fashionable in the 70s, which is characterized by being longer on the sides and opening slightly in the center to give a more disheveled air. 
The fringe can be worn with both smooth and striped hair as Alessandra Ambrosio and Belén Hostalet, or with a slight undulation to give more volume to the look.
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'Bob shaggy'
The bob has been one of the cuts of 2018 and will continue to be next year. In this case, it is known as bob shaggy,half mane with texture and movement in the tips that have led Emma Stone, Alexa Chung and more recently, Emily Ratajkowski. This style is perfect for those girls who have very thin hair and no volume.

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'Long bob'
It is one of the most flattering cuts for its versatility. The fury of the hairy stockings, initiated by Kate Middleton, will continue in 2019. The ideal thing is to bring the straight hair to about five fingers below the shoulders. An ideal option to get a mane with a fresh and youthful air, which can be worn with straight, curly and wavy hair.

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'Pixie'
Tom Ford already warned him in his fashion show at New York Fashion Week last September. The pixie cut will be in fashion again. comfortable style for daring girls who want to undergo a radical change of look.

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'Midi' with the stripe in the middle
Another hairstyle with the bob as the protagonist, in this case, with the line in the middle. This style is not suitable for all faces. Those that have the face with the square, heart or rhomboid shape can have a mane at the height of the clavicle but with the stripe on the side since it will soften the features.

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'Flipside hair'
This style is what Reese Witherspoon always wears: bangs aside. It girl anime Bing or the actress Chloe Moretz wear this look with a casual look. The key is to give a lot of volume to the root to get the toupee effect.

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Melena XXL
Among so many bob cuts there is also room for an extra long mane. To get a hair like Sara Carbonero, Candice Swanepoel or Taylor Hill. Experts also recommend nourishing and moisturizing the hair and get a treatment such as an enzyme therapy or angioplasty to get a healthy-looking hair.

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'Rootbeer', the color of the year
And what will be the most requested color in hairdressing salons? The Root Beer will be the new star tone in 2019. Perfect for chestnut manes, this multidimensional tone, inspired by root beer, will consist of a mixture of very subtle, intertwined wicks that bring movement, depth, and light to the hair.

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2019 new hairstyle
 


At Milan Fashion Week, Designers Offer Visions for the Future

The Milan Fashion Week collections ended on Sunday with a guest appearance by American designer Tommy Hilfiger, whose race car runway set a new speed-to-market record for fast fashion. There was a pop-up shop constructed right in the middle of the track. But even before that, there were several examples in Milan of designers who are cleverly adapting to a world where turmoil has become commonplace, and consumers need new reasons to buy.


Francesco Risso’s Marni collection on Sunday morning was one of the highlights of the week (some were calling it the best show of Milan), with its combination of weird sweeping-bell silhouettes and quirky cat prints on voluminous coats. I’m quite sure a lot of street style stars are currently trying to get their paws on the pink one, and I’d place a bet on seeing someone wearing it in Paris. Laminated raincoats in bright blue and green brought lively pops of color throughout the show, and many dresses were spliced together with crude stitches, suggesting they had been recycled from the scraps of discarded garments.

The setting played with the theme of production, and the environmental problems associated with over-production, which are especially visible in fashion. Guests found themselves sitting on benches made of piles of old clothes, bags of blazers, bales of dress shirts, undergarments bagged in plastic, or stacks of old newspapers, which could easily be read as Risso’s acknowledgement that all of this—while great today—will soon be yesterday’s news.


Lucie and Luke Meier, the excellent new designers at Jil Sander, were more explicit in their intent to create clothes for modern times. Their padded coats incorporated attachable blankets, and nomadic models carried pillows and duvets, accessories that were both comforting and a little frightening. If we get to the point where we literally have to survive with the clothes off our backs, I doubt anyone is going to be worried about doing so stylishly or in a multi-thousand dollar coat. But they were fabulous, nevertheless, and will make wonderful conversation pieces for the most discerning of socially conscious customers.

Moschino’s Flower Women Are the Latest in a Decades-Long Fashion Trend

Florals for spring? Groundbreaking, I know. But what about flower women? At Moschino’s Spring 2018 show, Jeremy Scott dressed Gigi Hadid, Anna Cleveland, Joan Smalls, and Kaia Gerber as actual flowers and floral bouquets. 


It was a Surrealist turn that nodded to Franco Moschino’s history of kitsch perversions, but also to some of fashion’s greatest creatives. Look as far back as 1982, and you’ll see that—in addition to bugs, butterflies, and motorcycles—Thierry Mugler dressed his models as painted roses, complete with dragonflies on their heads.


In more recent fashion history, John Galliano transformed Viviane Orth into a carnation and Michelle Alves into an orchid for Christian Dior’s Fall 2010 couture show. (It was Monsieur Dior, after all, who came up with the femme-fleur silhouette, though he never went as far as to dress models as actual flowers.) Alexander McQueen made Tanya Dziahileva into a proper bouquet for his Spring 2007 show, while Christian Lacroix sent out several interpretations of flower ensembles in his Spring 2007 couture collection. 

Rather than flowers, Jean Paul Gaultier focused on leaves for his Spring 2002 collection that saw an ivy-covered dress walk down the runway. Still, few flower femmes are as iconic as Laetitia Casta’s turn as an Eve-like bride at Yves Saint Laurent’s Spring 1999 runway show. Clad in a rose-embellished bikini, flower crown, and pink train, she was a bridal vision unlike any other.

Dexter Simmons - On The Runway @ Art Hearts Fashion NYFW 2017

Even after editing these 25 or so pictures of the DEXTER runway show from Dexter Simmons. I still can't decide how much of this range is wearable; and how much is the pure showmanship that helps sell the shorts, tee shirts, singlets, caps and jackets that are the backbone of Streetwear sales. And I'm not even sure any of this is for sale but I did see a woman in a DEXTER singlet shirt in the queue to go into the show so I imagine the basics will be out there - they are pretty out there already so you certainly wont miss them! Continues below..
Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
 I love that Simmons seems fearless in his appropriations, I mean who mixes boxing shorts with Goth? I mean really, who? He's mixing on season Camo, Heavy Metal, Punk, freakey 70's Bubble Gum Card/Astrology, graffics illustrations by Caitlin Mattisson; patches from 1970's icons of rock and well, whatever.. that bondage/batman black jacket and hood - with little ears; was that JUST for GOTHAM? The red lips and fangs motif that appears as patches or large on hats, sleeves, shirts and very large on the back of jackets seems to riff on both the Rocky Horror Picture Show and The Rolling Stones..I certainly hope Simmons gets his trickier pieces off the runway and into the stores. I for one would love to see all these designs out on the street. Check the shots below - Big thanks to White Caviar Life for this superb engagement, go check them out straight after you are done here - Now on with the pictures! PS finally back on Instagram.. or Follow on Facebook!
Model Madeline Stuart opens the show for Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
model wears full Caitlin Mattisson graffic printed, white on black DEXTER outfit, Cap, off shoulder cape top and skirt, cap-earrings.. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Black leather bondage strap style jacket and hood, reminiscent of Batman with grey shorts and Punk bum flap. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Black leather bondage strap style jacket and hood, reminiscent of Batman as seen from behind. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Men's black jacket with dog head graffic on back, black graffic boxing style shorts. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Graffic print headdress, singlet and high waisted bell bottom pants. Spiritual motifs.  Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Graffic print headdress, singlet and high waisted bell bottom pants. Spiritual motifs.  Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Menswear, Cap, print shirt, leather shorts. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Reversible camo jacket over red boxing shorts. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Reversed jacket, red boxing shorts. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Slashed logo'd black tee shirt dress, studded leather jacket and faux fur hat. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
menswear - Leather vest heavily embellished with studs and embroidered pop culture patches worn over white graphic tee shirt and jeans. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Detail - Leather vest heavily embellished with embroidered pop culture patches worn over black singlet top and leggings with DEXTER boldly printed over the crotch.  Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Leather vest heavily embellished with embroidered pop culture patches worn over black singlet top and leggings with DEXTER boldly printed over the crotch.  Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Casual menswear, high waisted long shorts, grey jacket/shirt. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Tight sheer maxi dress with cross straps balck nikkers, crop top with red lips motif, see-through handbag. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
mix fabric top with sheer panel and sleeves, oversized DEXTER hat, novelty handbag and grey marl skirt.  Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Long camo cape over strecch pants and crop to with faux fur hat, lips motif. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Long studded leather coat with large eyeball motif over graphic printed white tee dress. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Long studded leather coat with large eyeball motif as seen from behind. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Graphics printed maxi skirt, lips shirt, leather jacket with woven patches, faux fur hat. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Graphics printed maxi skirt, lips shirt, leather jacket with woven patches, faux fur hat. Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Models line up on stage, Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Madeline Stuart  & Dexter Simmons at Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.
Dexter Simmons with Madeline Stuart and models after show. Art Hearts Fashion NYFW 2017 photographed by Kent Johnson.

http://dextersimmons.com/
http://caitlinmattisson.com/

Previously - Art Hearts Fashion -
http://streetfashionsydney.blogspot.com.au/2017/09/purvi-doshi-at-art-hearts-fashion-new.html
http://streetfashionsydney.blogspot.com.au/2017/09/a-captive-line-up-for-art-hearts.html

Telling Stories in Pictures all over..
Kent Johnson, Sydney, Australia.
0433 796 863

ZILPAH TART - FASHFEST DESIGNER INTERVIEW

The countdown is on until the style elite descend on Canberra for FASHFEST. In the lead up I caught up with Canberra designer Yumi Morrissey who is the creative genius behind Zilpah Tart and its strong colourful unique prints that I am excited to see sashay down the runway. 
FASHFEST 2017 CANBERRA FASHION
Image: Andrew Donato

Where about's did you grow up?
I was born and raised in Canberra

What sparked your interest in fashion?
I decided when I was 7 years old that I wanted to be a fashion designer, and never changed my mind. I spent my time as a child making outfits for my troll dolls.

What personal history has(if any) influenced your views on fashion or your design aesthetic ?
I’ve always been a very girly girl so my designs are very feminine. I’ve also always found individuality important, even when I was a child, and so this is part of the way I design. The clothing stands out in a crowd, through the use of bright colours/prints and beautiful flattering shapes. It’s not designed to blend in, and the designs are not trend based.

How did you get to where you are now? Where did you study?
I studied a Bachelor of Fashion Design at Canberra Institute of Technology, graduating in 2007. My label at this point was just a hobby, while working in the public service. After my son was born in 2013, I quit my public service job to take my business full time. This was the time when I really started on the journey, working out what my true aesthetic and business direction was.

I am super excited to see the Canberra Institute of Technology, I adore the creativity of students and their willingness to push the envelope. How did you come up with the name for your label?
The name Zilpah tart was my grandmother’s name. Zilpah was her first name, and Tart was her maiden name. After she passed away, we were going through her things and I found a 1930s brooch of a penny farthing. At that point, I decided to use her name for the label and the image of the penny farthing for the logo.

WHATS ON IN CANBERRA ZILPAH TART
Yumi Morrissey designer of Zilpah Tart Image: Holly Morrison

How many people are in your team?
Just me, myself and I. I outsource a small amount of production here in Canberra, but everything else is created by me.

That really impresses me that you are so hands on with your work in all fascists. What is your favourite material to work with?
I use stretch jersey. I love using jersey for the comfort and fit. Particularly after having a child, comfort and being able to move easily (bending down picking up a child etc) became super important. But I like to look good, and generally jersey doesn’t fit that category. So I use design to be able to make beautiful clothing that is also comfortable.

Everyone has one material that they absolutely detest working with, what is your least favourite material to work with and why?
That’s a hard one… but probably chiffon. It’s slippery, it moves on the grain, and is tricky to cut and sew. I generally avoid it at all costs.

I love your use of colour in your designs can you describe your collection in 3 words?
Bright, floral, feminine.

What is your inspiration for creating?
For each collection I design three new fabric prints based on Canberra photographs. I choose a theme and this theme directs the photographs that I take to create the fabric prints. 

I love creating clothing that is beautiful and unique, and not only makes someone feel good wearing them, but through the use of photographic prints, creates a personal connection for the wearer as well.

I agree that clothing should empower you and make you feel great. What or who is your motivation?
My main motivation is being able to do what I love. I think following your passion in life is so important, and I’m motivated to make my dream a reality.

ON THE CATWALK IN AUSTRALIA
Image: Anthony Caffery

In the lead up to FASHFEST could you share a little about what I and the crowd may see?
The new collection is full of colour. I used photographs from several years of Floriade (pulled them from my Floriade photo collection). I followed a sort of garden nymph vibe, and this will continue through the makeup and hairstyling for Fashfest as well.

You use wonderful digital printed fabrics from inspiration you have captured around Canberra, what is your first memory of using a camera?
My interest in photography is definitely something that developed later on in life. It’s something I really enjoy, but I’ve only really gotten into it over the last seven years or so.

What makes you passionate about fashion and the women you dress?
The most important thing for me is being able to make someone absolutely LOVE what they have bought and are wearing. I want to be able to make women feel good and special when they are wearing a Zilpah tart dress. This has many levels too. Not just the aesthetics of the dresses – I use shapes that tend to flatter most body shapes – but the comfort, the easy care instructions, the versatility (being able to wear the dress with a blazer for work, with sandals on the weekend, and with heals to a cocktail party), knowing that they are wearing a cool photo, quite often cleverly hidden in a pattern – this creates talking points too. Then there’s the local aspect. My customers know they are supporting a local designer. They know that the product is made in Australia by me and they end up with a personal connection to me and to the clothing. It’s makes it more special than a mass-produced piece with no identity.

What are you looking forward to at FASHFEST, besides your designs on the runway?
This will be the launch of my collection so I’m super excited to finally show the new designs, but I love being able to work with other creative people involved in the show, from hair and makeup, models, musicians, and just seeing the whole event come together.

You have been involved with FASHFEST for a few years now. Can you tell me how the festival has changed over the years?
I started at Fashfest in its second year (I was eight months pregnant when Fashfest first launched or would have applied that year also). The show has grown enormously, and it’s really developed its own identity. There are more designers and It’s earned its spot as a major Canberra fashion event.

FASHFEST DESIGNER INTERVIEW
Image: Tina Nikolovski

Can you describe what runs through your mind when you see your designs walk down the runway?
I love being able to see the designs come to life as a collection. I don’t normally get to see the full collection all together on people at once so It’s great to be able to see that. I also love being able to create a total image using the hair and makeup and seeing it as a show. I’m really excited about the hair and makeup concepts for this year. It’s an opportunity to be really creative.

What type of woman do you envisage wearing your pieces when you create them?
My customers are professional women, aged 25 to 40. They are confident and have a keen interest in unique styles and love to look and feel good.

Where would you like to see Zilpah Tart in 5 years?
My main focus at the moment is trying to expand into the Melbourne market. I now stock at Design A Space in Manchester Lane and Windsor. I hope to be able to build on my customer base there, and then when that market is at a sustainable point, to perhaps expand into the Sydney market.

What advice would you give to an aspiring designer?
Think about what you can provide your customers. What do they do? What do they find important? What do they want/need? Think about how your product can appeal to them on different levels. For example, my customers always tell me they love how easy the dresses are to wash and dry and that they don’t need ironing. Many professional women are busy and travel a lot. They love to be able to throw a versatile dress in a suitcase, and not have to worry about needing to iron it in a hotel room.

One thing I should see or do whilst I am in Canberra?
One of my favourite places to go is the National Arboretum. The views are spectacular, you don’t want to miss it. Sunrise there is incredible if you are an early riser.

You’ll also be in Canberra at the only time of the year when Tulip Top gardens (just outside Canberra on the Hume Highway) are open. They are incredible. I’ve used photos from Tulip Top in a previous collection. Floods of blossom trees all in bloom, tulips, and amazing views.

GFASHCOLLECTIVE: Thank you for the travel recommendations and giving me a little insight into your world. I look forward to seeing Zilpah Tart strut down the runway on closing night at FASHFEST and wish you all the best for the collection. 

Tickets are on sale now at:  http://fashfest.com.au/:




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