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What to Expect on the Red Carpets During Awards Season 2024

 If red carpet stylists had their way, awards season 2024 would be a joyous celebration of emerging designers, diverse talent and archival looks with an underlining note of thoughtfulness regarding the state of fashion. But, there are brand partnerships at play, new collections to promote and sponsors to keep happy. Hollywood’s wardrobes become Tetris puzzles, as celebrity dressers navigate samples, alterations and custom commissions, while keeping in mind both the couture and ready-to-wear trends and incorporating some semblance of sustainability in line with the industry’s commitment to do better for our planet. A dress is never just a dress during awards season.

If this sounds like an impossible tick-boxing exercise, there will be overarching themes at play at the Golden Globes, SAG Awards and Oscars, as stylists fall for the same buzzy designers, directional silhouettes and whimsical embellishments that chime with the current mood, but have lasting impact. Vogue picked the brains of three heavyweight dressers to find out what we can expect from the nominees and guests on film’s big nights in 2024.


Fashion, darling

The SAG-AFTRA strike turned the “fashion space into an art form”, argues Holly White, who dresses emerging stars, like Heartstopper’s Joe Locke. Explainer: in the absence of premieres, celebs turned out to shows, dinners and store events in outfits otherwise reserved for big California moments. As such, there was more experimentation, which will now trickle onto the world’s stage.


Take Sienna Miller’s quirky bump-revealing Schiaparelli moment at Vogue World: London. Undoubtedly one of the looks of the year, masterminded by stylist Harry Lambert, the fabulous white crop top and bubble skirt perhaps wouldn’t have previously found their way to the Academy Awards, but catapulted pure fashion drama to the top of conversations. After being starved of red-carpet wear in the latter part of 2023, expect awards show attendees to dream big. Come January, people will especially be leaning on the new guard – Sabato de Sarno at Gucci, Peter Hawkings at Tom Ford and Chemena Kamali at Chloé – and looking at the modern house visions set to define the year in fashion.

Disco 2024
“If there is a time to shine, it’s on the red carpet,” asserts White. “Metallics will reign and spring 2024 brought some modern silhouettes to the runway that will give this somewhat consistent trend a contemporary and updated look.” Watch out, she says, for Paco Rabanne, Alexander McQueen and Ralph Lauren.

Zadrian Smith, who styles Ariana DeBose, agrees: “That Ralph Lauren look on Christy Turlington was killer.” His other predictions, which goes hand in hand with sheeny-shiny fabrications? Sheerness and fringing. “The flapper girl is making a comeback in a big way,” notes Smith, citing heavy embellishment and relaxed silhouettes as key signifiers of the ’20s revival (keep an eye on The Attico, Prada, Jil Sander and Givenchy). On the flip side, micro hemlines will keep the after-party scene looking disco fabulous (Gucci and Tom Ford, we’re looking at you).


SPRING 2018 READY TO WEAR

Raul Lopez wants to make the ladies feel like bosses. His first full women’s ready-to-wear collection for Spring 2018 only came with 18 looks, but there was certainly enough to prove that, with a bit more streamlining, this is a market in which he might really thrive. The young designer currently operates within the creatively driven underground realm of fashion. His designs—for both men and women—are delightfully humorous and avant-garde, but look closely. Once picked apart, certain pieces could fly off the shelves at somewhere like, say, Opening Ceremony or Maryam Nassir Zadeh. With his debut this season, he was smart to carry over his cheeky, deconstructed office-wear vibes from his main men’s offering.



 As he explained it, he “was focused on the type of woman who is in touch with her hypermasculine side, one on a power trip and one who is looking for revenge on any man that has ever tried to make her feel ashamed.” He adds, “She is complex—she loves a night out on Dyckman Street [in New York’s Inwood area], but also lives for an elegant and classy moment.”


This is where Lopez could find balance, somewhere between the style of the wild club-kid posse he has long been a part of and the strong femininity and ladylike aesthetic he’s clearly drawn to. Certain pieces in the new collection were well conceived under the pretense of this dichotomy. There was the camel-colored overcoat that was cinched at the waist and elbows and embroidered with the Wu-Tang Clan’s lyrics, “Cash rules everything around me.” There were cool, sophisticated cuffed jeans and a dark denim skirt with gold buttons layered over them. A gray long blazer embellished with oblong metal hardware at the shoulder and hip was also strong. Like he did with his men’s collection shown earlier this summer, Lopez also played with ideas of suiting—two standouts included a crisp white button-down shirt stitched with “Luar” in cursive and a striking, shapeless dress made from pinstripe jackets and trousers that hung beautifully off of a model’s shoulders. It would also be a shame not to mention the skirt designed with khaki trousers that seemed to insinuate a dude’s “bulge” at the front.


Lopez has incredible potential and, if he can strike the right chord with women who want that business-in-the-front, party-in-the-back kind of style (on top of the DJs, rappers, hip-hop stars, vogue-ers, and artists he’s already won over), he’ll have it made in the shade. As he noted after the show, “Every aspect of my life has been influenced by strong and controversial women and paying homage to them was long overdue.” 

SPEND-LESS SHOES SS17 LAUNCH


"I collect Vogue, Shoes and compliments"


With the upcoming Adelaide Fashion Festival and exclusive VOGUE Weekend, fashion is on the mind. And when you're galavanting at these social fashion events one thing I've had to learn is graciously accepting compliments in a world where we're taught to negate sincere adorations. 

But more important than Vogue or compliments are... shoes.

At last count I had 37 pairs of shoes and that was a solid 6 months ago (send help). And Spend-Less Shoes isn't doing anything to help me with my (very normal) personal selection of footwear. 

Spend-Less Shoes have officially launched their Spring/Summer 17 collection in conjunction with Party With Lenzo and BeYoung PR. The new range of shoes incorporates styles for your next cocktail night near the beach, Spring Racing Carnivals and extra fashionable Friday nights. 


The evening was hosted at Adelaide's newest devoted event space, Chateau Apollo, where Cassie Young invited the foremost Influencers for a fashion shoot challenge! Which blogger would take out the Spend-Less shoe style crown? The brands that contributed to the nights success include Modern Party, Aeon Collective, Little Big Balloon Co, Pickawall, Studio Botanic, Hello Kit Co, Red Hen Gin, Entourage Events and Food by Annabel.



With a boutique 'shoe bar', bloggers were able to try-on multiple styles available in the SS17 to style with pieces available from Couture+Love+Madness to show themselves and their audiences how versatile and modern Spend-Less's new collection is.

Of course my extra self had to frock on with my House of Zhivago sequin dress, paired with the rose gold 'Evie' heel ($49.99) set in NYC (on the bucket list) to pose for the shot below.... that won me tickets to the Paolo Sebastian AFF Runway! <3 


The event was one of the most well-thought out and memorable experiences I've ever had the pleasure of attending. A big BIG thank you so Spend-Less Shoes for creating an amazing, affordable and fashionable range of shoes for every girl to wear and Cassie from BeYoung PR for orchestrating such an amazing Influencer event.

#ThePairToTakeYouAnywhere


What's your favourite shoe for Summer?

ZILPAH TART - FASHFEST DESIGNER INTERVIEW

The countdown is on until the style elite descend on Canberra for FASHFEST. In the lead up I caught up with Canberra designer Yumi Morrissey who is the creative genius behind Zilpah Tart and its strong colourful unique prints that I am excited to see sashay down the runway. 
FASHFEST 2017 CANBERRA FASHION
Image: Andrew Donato

Where about's did you grow up?
I was born and raised in Canberra

What sparked your interest in fashion?
I decided when I was 7 years old that I wanted to be a fashion designer, and never changed my mind. I spent my time as a child making outfits for my troll dolls.

What personal history has(if any) influenced your views on fashion or your design aesthetic ?
I’ve always been a very girly girl so my designs are very feminine. I’ve also always found individuality important, even when I was a child, and so this is part of the way I design. The clothing stands out in a crowd, through the use of bright colours/prints and beautiful flattering shapes. It’s not designed to blend in, and the designs are not trend based.

How did you get to where you are now? Where did you study?
I studied a Bachelor of Fashion Design at Canberra Institute of Technology, graduating in 2007. My label at this point was just a hobby, while working in the public service. After my son was born in 2013, I quit my public service job to take my business full time. This was the time when I really started on the journey, working out what my true aesthetic and business direction was.

I am super excited to see the Canberra Institute of Technology, I adore the creativity of students and their willingness to push the envelope. How did you come up with the name for your label?
The name Zilpah tart was my grandmother’s name. Zilpah was her first name, and Tart was her maiden name. After she passed away, we were going through her things and I found a 1930s brooch of a penny farthing. At that point, I decided to use her name for the label and the image of the penny farthing for the logo.

WHATS ON IN CANBERRA ZILPAH TART
Yumi Morrissey designer of Zilpah Tart Image: Holly Morrison

How many people are in your team?
Just me, myself and I. I outsource a small amount of production here in Canberra, but everything else is created by me.

That really impresses me that you are so hands on with your work in all fascists. What is your favourite material to work with?
I use stretch jersey. I love using jersey for the comfort and fit. Particularly after having a child, comfort and being able to move easily (bending down picking up a child etc) became super important. But I like to look good, and generally jersey doesn’t fit that category. So I use design to be able to make beautiful clothing that is also comfortable.

Everyone has one material that they absolutely detest working with, what is your least favourite material to work with and why?
That’s a hard one… but probably chiffon. It’s slippery, it moves on the grain, and is tricky to cut and sew. I generally avoid it at all costs.

I love your use of colour in your designs can you describe your collection in 3 words?
Bright, floral, feminine.

What is your inspiration for creating?
For each collection I design three new fabric prints based on Canberra photographs. I choose a theme and this theme directs the photographs that I take to create the fabric prints. 

I love creating clothing that is beautiful and unique, and not only makes someone feel good wearing them, but through the use of photographic prints, creates a personal connection for the wearer as well.

I agree that clothing should empower you and make you feel great. What or who is your motivation?
My main motivation is being able to do what I love. I think following your passion in life is so important, and I’m motivated to make my dream a reality.

ON THE CATWALK IN AUSTRALIA
Image: Anthony Caffery

In the lead up to FASHFEST could you share a little about what I and the crowd may see?
The new collection is full of colour. I used photographs from several years of Floriade (pulled them from my Floriade photo collection). I followed a sort of garden nymph vibe, and this will continue through the makeup and hairstyling for Fashfest as well.

You use wonderful digital printed fabrics from inspiration you have captured around Canberra, what is your first memory of using a camera?
My interest in photography is definitely something that developed later on in life. It’s something I really enjoy, but I’ve only really gotten into it over the last seven years or so.

What makes you passionate about fashion and the women you dress?
The most important thing for me is being able to make someone absolutely LOVE what they have bought and are wearing. I want to be able to make women feel good and special when they are wearing a Zilpah tart dress. This has many levels too. Not just the aesthetics of the dresses – I use shapes that tend to flatter most body shapes – but the comfort, the easy care instructions, the versatility (being able to wear the dress with a blazer for work, with sandals on the weekend, and with heals to a cocktail party), knowing that they are wearing a cool photo, quite often cleverly hidden in a pattern – this creates talking points too. Then there’s the local aspect. My customers know they are supporting a local designer. They know that the product is made in Australia by me and they end up with a personal connection to me and to the clothing. It’s makes it more special than a mass-produced piece with no identity.

What are you looking forward to at FASHFEST, besides your designs on the runway?
This will be the launch of my collection so I’m super excited to finally show the new designs, but I love being able to work with other creative people involved in the show, from hair and makeup, models, musicians, and just seeing the whole event come together.

You have been involved with FASHFEST for a few years now. Can you tell me how the festival has changed over the years?
I started at Fashfest in its second year (I was eight months pregnant when Fashfest first launched or would have applied that year also). The show has grown enormously, and it’s really developed its own identity. There are more designers and It’s earned its spot as a major Canberra fashion event.

FASHFEST DESIGNER INTERVIEW
Image: Tina Nikolovski

Can you describe what runs through your mind when you see your designs walk down the runway?
I love being able to see the designs come to life as a collection. I don’t normally get to see the full collection all together on people at once so It’s great to be able to see that. I also love being able to create a total image using the hair and makeup and seeing it as a show. I’m really excited about the hair and makeup concepts for this year. It’s an opportunity to be really creative.

What type of woman do you envisage wearing your pieces when you create them?
My customers are professional women, aged 25 to 40. They are confident and have a keen interest in unique styles and love to look and feel good.

Where would you like to see Zilpah Tart in 5 years?
My main focus at the moment is trying to expand into the Melbourne market. I now stock at Design A Space in Manchester Lane and Windsor. I hope to be able to build on my customer base there, and then when that market is at a sustainable point, to perhaps expand into the Sydney market.

What advice would you give to an aspiring designer?
Think about what you can provide your customers. What do they do? What do they find important? What do they want/need? Think about how your product can appeal to them on different levels. For example, my customers always tell me they love how easy the dresses are to wash and dry and that they don’t need ironing. Many professional women are busy and travel a lot. They love to be able to throw a versatile dress in a suitcase, and not have to worry about needing to iron it in a hotel room.

One thing I should see or do whilst I am in Canberra?
One of my favourite places to go is the National Arboretum. The views are spectacular, you don’t want to miss it. Sunrise there is incredible if you are an early riser.

You’ll also be in Canberra at the only time of the year when Tulip Top gardens (just outside Canberra on the Hume Highway) are open. They are incredible. I’ve used photos from Tulip Top in a previous collection. Floods of blossom trees all in bloom, tulips, and amazing views.

GFASHCOLLECTIVE: Thank you for the travel recommendations and giving me a little insight into your world. I look forward to seeing Zilpah Tart strut down the runway on closing night at FASHFEST and wish you all the best for the collection. 

Tickets are on sale now at:  http://fashfest.com.au/:




VAMFF 2017 - The Fashion Advocate Runway @ Luna Park

Saturday 11th March

March is a month of food (Good Food Month) and fashion, two things that I have yet to see go together. I want to see a runway inspired by food, with each collection accompanying a course/bunch of dishes.




Set at Luna Park one of the events we're going to this year is a show advocating local designs and creations - actually making it locally and not in china/Bangladesh. The Fashion Advocate Runway ..."brings together independent labels from around Australia to showcase the cool, the quirky and the quintessential (word of the year) look of Australian fashion, as well as promote local production and ethical manufacturing". Locally designed and made clothing. If it's like Cue, don't look at the price tag!



Smart people order pizza delivered. This area is an expensive party zone. I wonder if she knows we can see her ass, Sarah says yes, she's been working on that ass and is proud to parade it around me. Me? I'd feel all exposed and nasty, though underwear and swimwear in this century is designed to show it all off.


It's like roller coaster tycoon but no one dies (also a lot smaller) - Charlie on Luna Park


Held at Luna Park we were delighted to attend! We forgot to invite the professor though, who tells me yes he can drink $90+ of drinks, as there was an open bar. There's seats and standing tickets. All seats are called VIP, to make almost everyone feel special XD Reminds me of the circus instead of A-C reserve it was platinum, diamond and A res. Seats are around $90, and include a seat (lol) drinks and a showbag. There were a couple handful of standing spots.


Being fashion the attendees were sometimes works of art themselves! Like pompom girl, I believe she's one of the designers. I have no idea how to make pompoms that dense and all packed together...



While it was a cloudy day, it wasn't cold (I do recall it being summer that week) though the lighting was dull and the 'r' word was forbidden. Above is what the unedited lighting actually looked like on the day.
While there's plenty of drinks there was no food, except a bite of a brownie. For the ticket price I had expected canapes. But at the same time food and fashion seem  to be mortal enemies. If you're after the open bar you want to arrive when doors open.

Doors opened at 6.30pm for a 8pm show (it actually started at 8.20pm) and we arrived around 7pm with sushi (an entree). With a drink in hand, Remedy Kombucha and camera in the other we were runway ready! We also bought spare batteries which was a great idea.



BYO Sushi! Any assorted $15 bento. We were disappointed that there were no canapes.

Bras are overrated on runway. We never see them unless a. it's a lingerie show b. it's a wedding show and we're working the dressing rooms.  

A sold out show with 300+ seats and 12 designers. There was a bit of everything from the office to bed, and very unique dry-clean only ideas. The show went for 30 minutes which was normal, it's absolutely amazing how much time and work goes into events, much like fine dining just to present something.



Knitted & Winter Ready! I love that Elmer dress, so colourful and fun! Also all the crazy pompoms! How do you wash these things? Dry clean and spot clean only I'm afraid!

One of my favourite collections featuring nipple tape and sprinkles! More designers should do sprinkles, they're so much fun! Playing with colours, textures and fabrics.
The end was a bit abrupt and we were left waiting for an ending, there wasn't one. Instead there was a delay before the organizer accepted flowers. Normally the show ends with all the models doing a walk through clapping, followed by their designers. 

After the show we explored the area, the bathrooms were gross so there was a huge regret for wearing a ballgown! They really need to renovate. There was an arcade of games, as well as an retro air stream converted into a snack stand with all the stuff you'd expect. Somehow I'd expected this place is be bigger and more alive on a Saturday Night...



Luna Park by Night. You can check out all the pictures here.



I love showbags! They're actually my favourite part of any show, I don't care much for fashion (a friend invited me) as they never show things from other centuries and era. And there wasn't any food at this event.

What's in this bag? A lot of spend and save vouchers, a couple notebooks, hair gel, those nail filers (in a matchbook), a bite of a brownie (more packaging than product), hair spray (?) ad my two favourites: a tape measure (that now lives in my bag) and candle - I love candles!


We had a fun time at the runway at Luna Park, and look forwards to many more shows and events to go! Do we support local fashion? Nope, it's not affordable, though we mightn't be the target market there. I do support local art those, especially fun brooches on etsy!

At 'Circus' by Wendy Sharpe, King on William Gallery.

At 'Circus' by Wendy Sharpe, King on William Gallery. I have always, always, always, wanted to do some circus photographs though sadly until last Wednesday night I have never had the opportunity. So thank you Wendy for adding to the joy of your circus paintings real live circus performances as well. of course it can be difficult to quiet down an opening night art crowd to let them know something special, not-just-speeches is about to happen; and it helps if you have a friend with a bling'd out eye patch (whom I have often wanted to photograph too) to help bring the jubilant crowd under control!  Great night, a beautiful show and fab fun performances. It's just no one said anything about Pirates! Read on below for my news about Art and About & 'Australian Life' too!
No one said anything about Pirates. Street Fashion Sydney by Kent Johnson.
 A juggler performs for the opening night of 'Circus' by Wendy Sharpe Street Fashion Sydney by Kent Johnson.
A 'Hoops' performance for the opening night of 'Circus' by Wendy Sharpe Street Fashion Sydney by Kent Johnson.
Fantastic headpieces worn the opening night of 'Circus' by Wendy Sharpe. Street Fashion Sydney by Kent Johnson.
Matching studded belt and side bag in leather, backpack with Wolf Graf. Street Fashion Sydney by Kent Johnson.
Red and Yellow. Skull and Cross Bone earring. Pirates? Street Fashion Sydney by Kent Johnson.
Wendy with some of the models, 'Circus' by Wendy Sharpe, King on William Gallery. Street Fashion Sydney by Kent Johnson.
All in Black, denim skirt, skivvy leggings and boots. Street Fashion Sydney by Kent Johnson.
A lady wearing a long grey knit dress over white slacks and slip ons, purple finger-less gloves. Street Fashion Sydney by Kent Johnson.
Black blouse, jacket and gold jewellery with funky cream glasses.  Street Fashion Sydney by Kent Johnson.
Man wearing denim Levis and jacket with The Pinheads, skull motif on back. More Pirates? Street Fashion Sydney by Kent Johnson.
A 'Circus' painting by Wendy Sharpe. Street Fashion Sydney by Kent Johnson.
A young woman wearing a floral headpiece holding a rose for Wendy.  Street Fashion Sydney by Kent Johnson.
Wendy with performers taking a bow at 'Circus' by Wendy Sharpe, King on William Gallery. Street Fashion Sydney by Kent Johnson. Street Fashion Sydney by Kent Johnson.
Wendy in opening night outfit including silver sequined red jacket , black top and pants with silver Adidas 'Wings' runners; at 'Circus' by Wendy Sharpe, King on William Gallery. Street Fashion Sydney by Kent Johnson. Street Fashion Sydney by Kent Johnson. Street Fashion Sydney by Kent Johnson.
http://kingstreetgallery.com.au/ 'Circus' by Wendy Sharpe 13 September - 8 October 2016.

On other opening night notes, last night was the launch of the 'Australian Life' photography competition which is also part of Art and About. My photograph of three lovely Sydney ladies taken at the Billich Gallery 30th anniversary party was chosen as one of 22 finalists from a record field of 1300 entries! The competition and the 10k prize was won by my friend Jon Lewis who has been documenting Sydney life (and elsewhere as well) in his unique fashion since the 70s and 80s, and has certainly been a positive influence and guide for my photography. Congratulations Jon! And as we walked back to Darlinghurst after the launch there was more, Sydney's newly restored, Iconic Coca-Cola sign was finally switched on, lit up and back in action, a neon beacon leading us home. A great night, a great week. use the links to discover more!
Jon Lewis with Clover Moore and the children's prize winners for Australian Life. Street Fashion Sydney by Kent Johnson.
An outdoor large format print of 'Three ladies at the Billich Gallery 30th Anniversary Party' on display in Hyde Park Sydney. Street Fashion Sydney by Kent Johnson.
The original 'Three ladies at the Billich Gallery 30th Anniversary Party' Street Fashion Sydney by Kent Johnson.
https://whatson.cityofsydney/art-about-sydney-australian-life


The newly restored Coca-Cola sign in Kings Cross Sydney lit up for the first time. Street Fashion Sydney by Kent Johnson.
A big thank you to King Street Gallery, Sydney City Council and the team for Art and About that make Australian Life happen. Thank you!
http://kingstreetgallery.com.au/ 
https://whatson.cityofsydney/art-about-sydney-australian-life
Billich Gallery 30th anniversary party 
Jon Lewis 
www.kentjohnsonphotography.com.au

Telling Stories in Pictures all over Sydney..
Kent Johnson, Sydney, Australia.
0433 796 863

ELSA HOSK FOR HARPER'S BAZAAR GREECE WEARING ROBERTO CAVALLI

ROBERTO CAVALLI DRESSES

Victoria's Secret new angel Elsa Hosk is on a roll this year: her red carpet style and editorials are getting better and better. Here she is on the August 2016 cover of Harper’s Bazaar Greece, wearing a ruffle pink dress from Roberto Cavalli
Looking like an enchanting sea creature, the Swedish model poses for photographer Taylor Tupy, wearing luxurious design selected by stylist Sandy Armeni.

elsa hosk victoria's secret angel
dress: Marchesa

elsa hosk instagram
sweater: Calvin Klein

Roberto Cavalli collection
dress: Roberto Cavalli

elsa hosk model
dress: Dior

valentino fashion show
dress: Valentino

elsa hosk tumblr
top: Loewe

party dresses versace net a porter
dress: Versace

elsa hosk best editorials

victoria's secret fashion show
dress: Roberto Cavalli


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