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Project Runway Recaps: "Project Breakdown"--Here's MY RECAP of this week's episode!



Psychiatrist Tim, Breakdown Parsons, Little Black Dress Central and Much More...



What does This:








 "I'm SOOOOO Stressed Out!"



This: 






Too Many Little Black Dresses



And This:






 A High Fashion Funeral (fashion designer's Yves Saint Laurent's)



Have In Common? Read on kiddies...






Fifth Avenue Icon--Lord & Taylor



On this week's episode of Project Runway, the challenge was to design and create a dress for the first ever Project Runway Collection for Lord & Taylor, the exclusive retail partner of the show this season. JS Collections/JS Group was the manufacturer who would be assigned to help create the dress when it went to production--as well as provide the fabric for this challenge. The dress would be sold exclusively at the Fifth Avenue Flagship of the iconic department store and on their LordandTaylor.com website.






 Project Runway for Lord &Taylor Collection--Screen cap courtesy of tomandlorenzo.com (Thank you boys!)



The winning dress would join the nine other designs from Project Runway alumn (one designer chosen per season), including yours truly. In the episode, I got my first peak at my design (the cobalt blue halter-style dress in the top row, far right), as well all the others so it was--sorry for sounding like a ten year old kid--kinda "neat" (I have a feeling kids don't even say that word any more LOL!).



Here's my dress--with my original fashion illustration next to it:






Nick Verreos Dress "Project Runway for Lord & Taylor Collection"








A Bunch Of Stressed Out Designers: The nine remaining Project Runway Season 10 designers at Lord & Taylor NYC



The nine remaining Season 10 designers were very excited but soon after they began working, it was BREAKDOWN CENTRAL at Parsons with Tim Gunn as the head attending Psychiatrist trying to deal with all the crying, meltdowns and DRAMA...





Drama Queen: designer/contestant Elena Slivnyak (one of my favorites at the LA Castings which I judged) broke down, going on and on about how she's not used to "designing like this" (with price, fabric and silhouette restrictions) and lots more. My Darling Elena, here's a NEWSFLASH: This is what we designers do ALL the time. Until you have all the money in the world being thrown at you or are owned by a billion-dollar conglomerate a la LVMH, Gucci Group, etc. then and only then can you be "I Want to Do What I ONLY want to do!" (and even then, you STILL have restrictions). Oh these kids, they slay me...






 Breakdown Sonjia--Screencap courtesy of tomandlorenzo.com



Sonjia Williams also broke down, crying as she is unable to put her model into her dress, not finishing the hem, etc. What. Is. Going. On. With. These. Designers? Are the Project Runway producers not allowing these kids to take their daily Prozac pills? Are they being denied their Starbucks Vanilla Skinny Lattes? Now, granted I was stressed back in my season but it NEVER EVER got to the point of a meltdown. I don't think the work, challenges, or time restrictions are getting any more difficult than back in my season. So, what's going on?



The Runway, Designs, The Funeral Show...






Black Dress Chic: Celebs at the Alexander McQueen funeral



For some reason (even though there seemed to be other colors in the fabrics that the JS Collections/JS Group provided them), most of the nine designers chose BLACK or a close cousin of. I thought I was watching the YSL or McQueen funeral procession of red carpet guests. Well, I WISH. Those outfits were actually MORE fabulous--but then again, not really sellable at your local department store--and for only $200.



Take a Look at the BLACK Dress Parade:






Ven "I Hate Women Who Are Not Size 4" Budhu: a respectable sheath dress with his "Rose" pleating detail.






Fabio Costa: asymmetrical, exposed metal zipper dress...in BLACK. This was a nice effort. He thought of the customer; it was wearable for many sizes. I think that is why he was one of the "higher scores" in the bunch. I also liked the hard-and-soft aspect by adding the exposed metal zipper at center back. It immediately makes it ideal for the Contemporary Market.






Elena Slyvnyak: Elena's was also one of the "Top" ones--which made her break down AGAIN (she wasn't expecting)--I liked this pleated skirt dress with a harness-detail back and front. I actually wished there was a little peek-a-boo in the front as well (not as much as the back obviously). But yes, it was nice--at least it was a different shape. Very good Elena!





Le Bottom: The lowest scores went to these two BLACK dresses above--On the left is Alicia Hardesty's which was a (according to her) Chanel "homage" of sorts (careful saying that because Chanel's lawyers will sue you!). On the right was Gunnar Deatherage's dress made from a matte paillette lace and was short and BLACK. Miss Nina thought it was boring. DON'T. BORE. Nina.



The Non-Black:





Dmitry Sholokhov: Oh Happy Day--It's NOT Black! Yeayyyy, Dmitry created a very tight fitting gunmetal sheath dress with pin-tuck detail and semi-fishtail hem. It was one of the best--in my eyes--it was very sexy, and I could see Miss Heidi Klum's eyes watering with joy as the model--and dress--sauntered by.





Melissa Fleis: The judges LOVED Melissa's very high neck asymmetrical bronze-colored dress. It was different and NOT black but I did feel that it was a little too tight, there was odd side-boob-age going on, and well, too "fashion-y" for the mass market and a department store. I could see this in the window of a very directional Paris France boutique.  I LOVE this model by the way: gorgeous! And the askew braiding in the hair was FAB! A+ on the hair.





Christopher Palu: the one gown in the bunch--in nude/blush and black was from Christopher Palu--and he WON the Challenge. The gown was VERY proper, elegant, demure. He did his 'raw edge chiffon-and-charmeuse" thang and well, it did the WINNING trick.





Christopher: can't wait to see you--and meet you for the first time--next week at the official unveiling of the "Project Runway Collection for Lord & Taylor" during the Lord & Taylor Fashion's Night Out NYC event on September 6th! Congrats and sell LOTS!



So...here's my Recap of this week's "Meltdown/Too Much Black" Episode--Enjoy!!






Project Breakdown



Months ago, I received a phone call from
the producers of "Project Runway." They said that for the 10th
Anniversary season of the show they wanted to do a special "Project
Runway" Capsule Collection featuring one designer from each season.
Those dresses would then be sold at Lord & Taylor, the exclusive
retail sponsor for "Project Runway." I was asked to be the Season 2
designer. Jay McCarroll, Uli Herzner, Chris March, Korto Momolu, Gordana
Gehlhausen, Seth Aaron Anderson, Mondo Guerra and Bert Keeter were all
the illustrious designers to represent their seasons.



No More Ven ... Drama



One question remained, however: who would be the Season 10 Designer
to be featured in this exclusive "Project Runway" for Lord & Taylor
Capsule Collection? And that's where last night's episode began. As the
episode starts, there is — surprisingly — no mention or residue left
over from last week's "Ven Storm." Obviously, it is hard for the
producers to know just how strongly the audience will react to something
and thus edit accordingly. But it was strange for me, and I’m assuming
for many viewers also, to just move on and not remember that Ven had
basically dropped a bomb on Season 10! But as they say, the show — or
season — must go on!



Fifth Avenue Dressing



For this week's challenge, the designers are told to meet Tim at the
Fifth Avenue Flagship of Lord & Taylor. He is there, along with
Bonnie Brooks, president of Lord & Taylor and nine fabulous
mannequins in the dresses that we — the "Project Runway" alum —
designed. The designers are told that this is the Lord & Taylor
Challenge: to design a dress for the store. Bonnie then describes the
Lord & Taylor woman as being sophisticated, stylish, having good
taste and loves fashion, of course. My kind of woman! The winning design
would go into production, and sell for about $200-$300 at their
flagship and LordandTaylor.com
site and be prominently featured in one of their windows. All the
designs would be manufactured by JS Collection/JS Group, a company that
specializes in cocktail and "After Five."



I Have My Chiffonie Membership Card

My design (in the top row of mannequins) was a "Grecian
Goddess"-inspired halter cocktail dress that had draping in front and
back and was in cobalt blue..



Click HERE to READ the rest of my RECAP!!! 

PROJECT RUNWAY RECAPS....Season 14 "Project Runway" Finale Episode Blog Photo Recap + Finale Thoughts and Who Should Have Really Won!




Season 14 "Project Runway" Finale--My top looks from each of the four finalists--Season 14 Finale Episode "Project Runway"



Last Thursday was the Season Finale of Lifetime's Season 14 "Project Runway". Unfortunately I'm a little late with my BLOG PHOTO RECAP here because I have been out of the country, in Europe, for work..and a little bit of play. But, now I'm back and well, better a week late than never: Here are my thoughts on the final episode of the season, the final collections and WHO really should have won --according to the final collections shown by non-finalists (HINT: Swapnil Shinde).





To be very honest, I was a bit disappointed with the final collection designs--especially when compared to previous seasons. This was NOT a stellar season--and I said so in my Lifetime "Project Runway" Recap HERE (and at the end of this blog). I'll have much more to say if you keep reading so...here we go, one last BLOG RECAP for this season's "Project Runway":





Tim Talk: The episode began with Tim Gunn talking to the final four designers about the critiques they received from the judges during their 3-look preview runway session. Tim thought that the session went OK and proceeded to sum up to the designers what they needed to do to make their final collections better (in the two days they had!). Tim has recently been saying a lot of not-so-nice things about this season's designers and their design talent. So, now looking back, I would LOVE to know what he really wanted to say to these final four.






Nick Verreos judging at "Project Runway" Season 10 L.A. Castings--with Mondo Guerra and Abby Gardner (No Tim Gunn)



He also said that his lack of involvement with the castings might have been a problem, saying that this was "the first time he wasn't at the castings". I might have to call Tim Gunn on that one because I've been part of the auditions/castings for many, many seasons (to be precise: Seasons 3 through 13) and for SEVERAL years Tim was NOT at the castings. So on the Tim "Truth Meter", I call "Pants of Fire". 





During the Workroom Check-in's...



Designer Candice Cuoco realized she should take out this overblown "Scarlett O'Hara"-looking gown from her ten-look collection. This was supposed to be her "Finale Wow". And...






Instead it looked like an old Bob Mackie costume for Carol Burnett. 





Neckpiece Not: Candice also took out this neck/shoulder contraption that was somehow going to be part of a look she designed. But thank goodness she came to her senses (via the judges and Tim Gunn's advice) and put this thing back in the closet (or garment bag).







Glitter Gal: Kelly asked for glitter and Tim brought her 20 pounds of the stuff, so she could glue and bedazzle the heck out of the shoes, lips, headphones...for her final collection. Up to the final day of work before showing at NY Fashion Week, it seemed pretty obvious which designers were on the right track (Ashley and Kelly) and who was not (Edmond and Candice).





NY Fashion Week is Here:





September 11th: The Season 14 "Project Runway" Finale show at NY Fashion Week occurred on September 11th and therefore--as you can see on Edmond Newton above--Newton wore an American flag scarf in honor of the day. The judges also wore variations on the red, white and blue theme:






Americana Finale: (L to R) Judges Heidi Klum, Nina Garcia, Zac Posen and guest judge Carrie Underwood--Season 14 "Project Runway" Finale Show at NY Fashion Week







Here are my "Nick Two Cents" on the final collections, beginning with Edmond Newton: 

Edmond's collection was a mish-mash of not cohesive designs, somehow being tied together with the black and white colors (didn't work). He had sleek column sheaths, big pouffy hi-lo tent dresses and "Big Bird" ruffle cray-cray gowns that looked like they went through a not so stylish "fashion tornado". He was the first OUT when it came to the judging.





The Good:



Simple Good: The first look out, this black halter column gown. Simple, sleek, elegant, clean. Stick to that my dear Edmond. Seriously. It's not innovative and certainly not the work of the next WUNDERKIND of Fashion but it was the best look from his collection.



The Not-So-Good:



Toga Newton: This draped toga-like gown was loved by Heidi (Oh Heidi, you're funny!). There was no reason AT ALL for this to be in his collection and it just came out of nowhere (along with many of his other looks) and it also reminded me of the design created by the first designer of this season to be Auf'ed--New Zealand-born Duncan Chambers-Watson (R).





Bebe 2013: These two were Las Vegas-club dresses from 2 years ago. Why would Edmond waste his design time--and money--on making garments that can be purchased in a mall RIGHT NOW (or two years ago!) is beyond me. These are great when he does the "Edward Newton for Macy's line" but not for NY Fashion Week.





Ruffle Cray-Cray: I don't even know where to begin with these two. Obviously, Edward thought these were going to be "The Stars". In the end, they were probably his worst looks. The one on the left looked like she was trailing toilet paper and the one on the right was cascade ruffle overkill.



--------------------------------------------------------------------------------------------------------------------------

Candice Cuoco: Candice said she was inspired by the recent Met Exhibition "China: Through The Looking Glass". This could have gone well but she ended up getting TOO caught up in the exhibition and making way too costume-y creations. She was forced to take out all those extra "bells and whistles" and in the end, what was left was rather lackluster and certainly not material for "America's Next Top Fashion Designer".



The Good:



I loved the first look out, which in fact she created in her last two days in the workroom. This cherry blossom printed dress was chic, elegant, sexy. The funny thing is that her obvious "thing" is leather but this dress had none of it. And it was her BEST look. Second Runner-up was the strapless red leather gown. It fit nicely and looked great. It was too short in the front, however. Beyond these two, I wasn't a fan of most of the rest of her looks. They were very Elvira-Meets-North Beach Leather circa 1994.



The Not-So-Good:



The first one (far left) fit awkwardly (what is with the gaping sides?), the middle one looked Halloween-Witchy (she's missing a big pointy black hat) and the far right one was too Rapper hanger-on at the MTV Awards. Also, if you're going to make a leather bustier for NY Fashion Week, make one that is NOT straight out of a Patternmaking 101 Bustier book. Drape the leather huney! Do something different/new.



--------------------------------------------------------------------------------------------------------------------------

Kelly Dempsey: I wanted to like Kelly's collection so bad. Mainly because I really liked KELLY; she was so wonderfully self-deprecating, so funny, so honest and I loved her own quirky late 80's/early 90's style. I think that Kelly's collection would have looked better within the setting of a "done-up" runway: the runway should have been a mock deli, the models should have been chomping gum and carrying big ol' boom boxes and well, you get the picture. Otherwise, it kind of looked like costumes for "Mamma Mia: The Musical" with a little of "Priscilla Queen of the Desert".



The Good:



Disco Good: Kelly's best look was the one on the left: wood printed Lycra knit with mesh dress, with matching fanny pack. Second Runner-up was this emerald beaded and knit dress. But after that, it was "Mamma Mia" zone...



The Not-So-Good:



Donna Summer Here We Come and Jerry Hall at Studio 54. The one on the left was too costume-y and the one on the right, looked cheap and the top fit oddly. They just didn't look expensive or refined.





Cameltoe Alert and Space Odyssey New Wave. I was not a fan of these two looks. I can't imagine a single girl--no matter how fun and quirky she is--wearing these...unless it was to The Burning Man Festival.

--------------------------------------------------------------------------------------------------------------------------

Ashley Nell Tipton: Ashley created a plus size collection, the first one in "Project Runway" history. I applaud her for doing it. I just wish it was made better. I also thought the fit was off on several of her designs. I did like her flower headpieces. I'm sure lots of "Project Runway" fans want those. She better get to Michael's ASAP and start glueing!



The Good:



Lace Fab: Plum colored lace crop top and mermaid-shaped skirt. This was Ashley's best look, hands down. She made a variation on those Elie Saab/Zuhair Murad gowns but for a Fab plus size gal. And it worked! To me, this was the only true "Wow" of her winning finale collection.



The Not-So Good:



Frida Kahlo Flower Child and Romper Not: The one on the left was her finale look and it was a mess. She looked as if she should have been on a float--at NY Gay Pride or Rio's Carnival. And I almost wanted to strangle her when I heard she GLUED those flowers. Ayyy Dios Mio! Cheap, cheap, cheap. And the one on the right, while I liked the romper idea, it fit really badly; too tight and too much gaping. The crotch was too long and the top needed the sides to be taken out (notice the gaping). I also had issues with her poor construction...






Broken Zipper...






Hem coming off (photos above)--Did she just use "stitch witchery" tape as opposed to actually SEWING the hem??






In the end, none of that mattered. Ashley's collection was deemed the most "cohesive" and therefore she took the crown as the winner of Season 14 "Project Runway". Now, like I said: get to making them flower headpieces! 





Finally, I want to take a moment to discuss a collection from one of the designers who was eliminated before the Final Four--Designer Swapnil Shinde. Even though he wasn't a Finalist, he still got to show at NY Fashion Week (six total designers from the season showed, two being decoys). Well kiddies, after seeing all the final collections, I have to say that Swapnil's was BY FAR, the BEST of all of them. It was cohesive, chic, elegant, new, romantic, of-the-moment and made impeccably. it also fit well. He interjected his Indian heritage but not in a costume-y, heavy-handed way. I don't know what it says about the actual four finalists that Swapnil's was better but I guess, you can easily take a hunch. Such a shame that he was eliminated and didn't make it but in the end, he got the last laugh by showing a much better collection than even the actual winner.



The Collection That Should've WON--Swapnil Shinde--A HUGE Thank You to Blogging Project Runway for these photos!











Wow. Give him the unofficial Winner of Season 14 "Project Runway" title. Now, if you think that I'm the only one who feels this way, take a look at this photo of the judges' reaction when his collection came down the runway (remember, they knew he wasn't even a finalist)...






"Oh Dear God! His collection is better than the actual Top Four! What do we do now??!!"--Carrie Underwood, Nina Garcia, Zac Posen and Heidi Klum trying (badly) to keep a poker face--NY Fashion Week Season 14 "Project Runway" Finale Show

Photo courtesy of Caitlin Carpenter via Blogging Project Runway Facebook



Well, kiddies, here's my final Season 14 "Project Runway" Recap from the myLifetime.com Blog:






Season 14, Episode 14: Now
You Can Cry!





After thirteen episodes,
we’ve now arrived at the Season 14 Finale of “Project Runway." During this
season, we witnessed lots of crying, one too many smoke breaks, a trip to Los
Angeles, Tim donning an apron to make tortillas plus much, much more. It was
now time to see if the finalists rose to the challenge of showing an
outstanding NY Fashion Week collection and more importantly, which one did it
the best, or as it turned out, most cohesively. Time for one final recap.


The episode begins
with the designers feeling bruised, battered and bewildered by the blunt
critiques the judges gave them—except for Ashley. Even with just a three-look
runway preview, it was pretty obvious whose collection was looking the best.
The only issues Ashley had were fit and construction. Similarly, Kelly’s 
critique wasn’t too negative. They just said, "Amp it up!”


Edmond and Candice
suffered the most debilitating critique blows. Edmond somehow needed to bring
the sexy back (slash a slit or two, perhaps?), and Candice was told to tone it
down and rein back the bells and whistles…and the witchy hat. The designers had
two days to remedy what was deemed not-so-good. From the outside, it looked as
if they had a lot of work to do with no assistance from eliminated designers
this season...





Click HERE to keep reading my RECAP on the
mylifetime.com "Project Runway" Blog!




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