DAR NOIR
A classic thriller set in the fastest growing capital in Africa, Dar es Salaam, DAR NOIR, portrays not only the life of a working class detective caught up in a downward spiral professionally and emotionally but current social issues such as drug and human trafficking. The director, Hamadi Mwapachu, packages all the above in a neatly explained story that doesn’t leave much to the imagination but gives an accurate portrayal of an underworld life where betrayal, love and forgiveness merge into a real life situation and ending.
Documentary style street settings run parallel with close to perfect cinematography of a modern Dar es Salaam: setting a tone to the film that reflects the “ all that glitters is not gold “ relevance to the storyline. The script is simple and to the point and perhaps more humorous in Swahili than the subtitles convey. The characters are comfortable in their roles and act with an unnerving confidence and understanding of themselves: an amazing well typed cast with strong lead roles.
DAR NOIR runs smoothly from scene to scene using different camera angles to enhance and set the mood. The actor’s costumes are choice for a budget movie and are referred to in a “tongue and cheek” statement by one of the actors. DAR NOIR is set in real locations which blend with the story line and situation. No glamour, pretence nor unnecessary influences on its elements. No diversions from the characters or the dialogue.
The strength of this film is also in the soundtrack with its mix of modern cosmopolitan African sounds that merges with the cinematography in not only highlighting the scenery but adding emotional relief to a film that keeps you in suspense throughout. It’s the soul of the film and the glue that cements the story.
‘A breakout film that crosses over to all audiences and touches on a hidden reality in a modern African city’ Lily An
‘ A new genre of African thrillers with artistic overtones and a powerful soundtrack ‘ Lily An
